Book Description
Reprint of the original, first published in 1883.
Author : Anonymous
Publisher : BoD – Books on Demand
Page : 105 pages
File Size : 33,4 MB
Release : 2024-01-05
Category : Fiction
ISBN : 3385304679
Reprint of the original, first published in 1883.
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1302 pages
File Size : 48,61 MB
Release : 1922
Category :
ISBN :
Author : Anderson Galleries, Inc
Publisher :
Page : 852 pages
File Size : 45,32 MB
Release : 1909
Category : Art
ISBN :
Author : American Art Association, Anderson Galleries (Firm)
Publisher :
Page : 1662 pages
File Size : 38,76 MB
Release : 1922
Category :
ISBN :
Author : Simon Kelly
Publisher : Bloomsbury Publishing USA
Page : 256 pages
File Size : 10,12 MB
Release : 2021-03-25
Category : Art
ISBN : 1501343815
The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.
Author : National Art Library (Great Britain)
Publisher :
Page : 666 pages
File Size : 37,32 MB
Release : 1870
Category : Art
ISBN :
Author :
Publisher :
Page : 650 pages
File Size : 28,59 MB
Release : 1895
Category :
ISBN :
Author : Susanna Avery-Quash
Publisher : Bloomsbury Publishing USA
Page : 320 pages
File Size : 23,54 MB
Release : 2020-10-15
Category : Art
ISBN : 1501348167
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Author : Pierre Rosenberg
Publisher : Metropolitan Museum of Art
Page : 637 pages
File Size : 48,86 MB
Release : 1988
Category : Art
ISBN : 0870995162
Author : Paul B. Franklin
Publisher : Getty Publications
Page : 422 pages
File Size : 11,87 MB
Release : 2016-06-01
Category : Art
ISBN : 1606064436
Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.