Detective Fiction as a Cultural Form in Contemporary Latin American and Chicana/o Fiction


Book Description

Detective fiction, as established in Anglo-American traditions, posed a formula for portraying crime and justice. Since its popularity in the 19th century, Latin America and Chicano authors have developed their own forms of detective fiction to portray the realistic conditions of their respective cities. The dissertation employs an interdisciplinary framework that engages with Hemispheric studies, literature studies, and cultural geography to explore the form and political commitment that Latin American and Latino authors use to provide counter-narratives of the city and their communities. Using the framework of hemispheric studies, I bridge Chicano/a and Latin American studies to explore detective novels in in Santiago, Chile, Mexico City, Mexicali, and Albuquerque, New Mexico. I explore how social and geopolitical spaces inform the crimes and characterization of the detective in these respective spaces. Chapter one and two explores vigilante detectives and their nostalgic memory of democracy in their respective cities. Chapter three and four transitions to the U.S.-Mexico border where Mexican and Chicano detectives define crime in terms of how their border cities' socio-economic conditions facilitate the production of crime vis-a-vis the trafficking of women and drugs. Lastly, Chapter five focuses on Chicano/a detectives in Albuquerque to examine how city politics disenfranchise Chicano/a communities in the city. My dissertation concludes with reflections on the development of detective fiction by Latin American and Chicana/o authors. I reflect on how these authors shape a genre of the "Americas" through a political commitment against state corruption and marginalization of dominant cultures.




Contemporary Hispanic Crime Fiction


Book Description

This study examines representations of the cityscape and of a so-called "new urban violence" in both detective-centered and detectiveless crime fiction produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.




Detective Fiction in a Postcolonial and Transnational World


Book Description

Taking up a neglected area in the study of the crime novel, this collection investigates the growing number of writers who adapt conventions of detective fiction to expose problems of law, ethics, and identity that arise in postcolonial and transnational settings. Essays explore novels set in Latin America, the Caribbean, India, and North America, including novels that view the American metropolis through the eyes of minority detectives




New Tales of Mystery and Crime from Latin America


Book Description

Amusing look at provincial Brazilians and maintains as well a suspenseful narrative concerning a young boy's mysterious disappearance. Finally, Cuban author Arnaldo Correa's "The Man under the Ceiba Tree" subtly undermines the transparent approach of much socialist detective fiction of the postrevolutionary period. Like all good mystery and crime stories, these can be read simply for pleasure, as well as for the insights they offer into Latin American culture and.




Contemporary Hispanic Crime Fiction


Book Description

This study examines representations of the cityscape and of a so-called "new urban violence" in both detective-centered and detectiveless crime fiction produced in Spanish America and Spain during recent decades. It documents the emergence and permutations of this production as an index not only of local perceptions of contemporary urban experience and of a contemporary urban "ecology of fear," but also as a transnational index of the globalization of literary forms and markets. It centers on the inscription of urban space in novels set in the metropolitan centers of the Hispanic World: Mexico City, Bogota, Buenos Aires, and Barcelona.




Violence and Victimhood in Hispanic Crime Fiction


Book Description

At the heart of crime fiction is an investigation into an act of violence. Studies of the genre have generally centered on the relationship between the criminal and the investigator. Focusing on contemporary crime fiction from the Spanish-speaking world, this collection of new essays explores the role of the victim. Contributors discuss how the definition of "victim," the nature of the crime, the identification of the body and its treatment by authorities reflect shifting social landscapes, changing demographics, economic crises and political corruption and instability.




A Companion to American Literature


Book Description

A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.




The Cambridge History of Latina/o American Literature


Book Description

The Cambridge History of Latina/o American Literature emphasizes the importance of understanding Latina/o literature not simply as a US ethnic phenomenon but more broadly as an important element of a trans-American literary imagination. Engaging with the dynamics of migration, linguistic and cultural translation, and the uneven distribution of resources across the Americas that characterize Latina/o literature, the essays in this History provide a critical overview of key texts, authors, themes, and contexts as discussed by leading scholars in the field. This book demonstrates the relevance of Latina/o literature for a world defined by the migration of people, commodities, and cultural expressions.




The Latino Body


Book Description

Publisher description




Chicano Detective Fiction


Book Description

In his 1985 novel Partners in Crime, writer Rolando Hinojosa introduced homicide investigator Rafe Buenrostro, the first Chicano protagonist in one of the most enduring genres of modern literature. Since that time, Chicano writers have embraced the detective novel, successfully diversifying and refining a traditional Anglo American and British genre. The 21 whodunits of Hinojosa, Rudolfo Anaya, Lucha Corpi, Michael Nava and Manuel Ramos are closely studied in this groundbreaking work. The models, both contemporary and Romantic, of this relatively new Chicano genre are first discussed. Next come detailed analysis and reviews of such novels as Shaman Winter, Partners in Crime, Cactus Blood and 18 others, focusing on how each writer departs from contemporary detective genre formula, uniquely rendering a particular regional or cultural variation of what it means to be Chicano. It is this departure from the norm that defines these writings and distinguishes them from the Anglo American and British whodunit. Interviews with the writers conclude the work.