Nebuchadnezzar


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Photographs


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Imants Tillers and the 'Book of Power'


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"Imants Tillers is recognised as one of Australia's most intriguing and compelling artists. This monograph, the first major publication on his art, provides an overview of his career and a detailed introduction to the works he has produced since 1981, collectively known as the Book of Power. The text shows how, as Tillers reflected on and became engaged in the distribution and circulation of visual imagery, he developed into a true artist of the age of information." "He was initially interested in installation and conceptual art and participated in several performances - he assisted Christo and Jeanne-Claude in the famous "wrapping" of Little Bay, Sydney in 1969. However, since the early 1970s Tillers has been interested primarily in painting, taking his images from other sources - especially reproductions in catalogues and art magazines - and then presenting them, whole or in part, in new combinations or in altered forms."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Fairweather


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A completely revised and updated edition of Murray Bail's seminal book on the life and work of renowned artist Ian Fairweather.




Margaret Preston


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Margaret Preston, Australia's foremost woman painter between the wars, sent a series of shock-waves through Sydney's art circles with her vital art, her spirited journalism and her belligerent enthusiasm for living, during a career that spanned over seventy years. 'A red-headed little firebrand of a woman', she was an artist who never stood still, moving from realism to Post-Impressionism, to an Aboriginal-inspired style of art with unceasing verve and freshness.




Sydney Moderns


Book Description

This treasury of Australian art created between the two world wars sheds fascinating light on the country's incredible artistic growth and the flowering of modernism Down Under. This volume comprises some 400 works by Ralph Balson, Frank and Margel Hinder, Roland Wakelin, and others in the Australian vanguard. Arranged by theme, the art reflects a remarkable range of styles and genres: abstraction, landscapes, still lifes, portraits.




Haughton FORREST (1826-1925)


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This First Edition is a work-in-progress of 424 pages and 127,000 words. It includes a biography, 1,550 catalogue records and 700 images of the estimated 3,000 works of art painted by Haughton Forrest"........[Members of The Forrest Project] compiled a web-based catalogue that included a history of Haughton Forrest and his family, an inventory of his paintings, with information on provenance and ownership, and a virtual 'gallery' of images of as many paintings as could be obtained. This pooling of energy, enthusiasm and expertise has achieved a great deal. It now finds monumental expression in this splendid book that will stimulate wider interest in Forrest and provide a solid foundation for further research and reappraisal of his work."Michael BennettProfessor of HistoryUniversity of Tasmania




Brett Whiteley


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Brett Whiteley died in 1992 at the age of fifty-three, ending one of the most prodigious careers in the history of Australian art. He attended Julian Ashton's school in Sydney during the late 1950s while working at the advertising agency Lintas, and then made an impact on the Australian art world just as it was receiving unprecedented international attention. Whiteley achieved wide recognition, spending a long period abroad, exhibiting paintings, drawings and sculpture in Britain, Europe and the United States, before returning to Sydney permanently at the end of 1969. His years in London were particularly formative, when he came into contact with many of the art world's most influential figures, including members of the Abstract Expressionist and Pop Art movements. Whiteley's early paintings startled critics and fellow artists with their sensuality of color and erotic under-drawing. At the root of all Whiteley's work was a draftsmanship of stunning virtuosity, capable of capturing all the poetic arabesque of a river in a single sweeping line of brush and ink, or the erotic curves of the human body in a few searching strokes of charcoal. This book, published to coincide with an exhibition at The Art Gallery of New South Wales - the first major retrospective of the artist's work - presents an illuminating evaluation of Whiteley's achievement. Works dating from the 1950s until the last years of his life, illustrated in 180 color plates, allow Whiteley's fascinating career to be surveyed in its entirety.