Devotion - Sacred Solos for Guitar


Book Description

Solo guitar can be a beautiful instrument in worship. However, the guitar as a solo instrument is rarely used. These compositions and arrangements were written to provide pieces for just that purpose. All are very lyrical in nature and allow for a maximum of expression. The guitarist should feel comfortable in freely interpreting these pieces, taking full advantage of tone, dynamics and various tempos. None of the solos should be performed in a hurried manner although most of the works contain sections where tempo acceleration and ritard are appropriate. Thesesolos will work well as preludes, graduals and offertories. In addition the back of the book contains solos on some of my favorite communion pieces. I hope youenjoy playing these and that they convey beauty and inspiration to the player and worship participant. Ebook available online




Famous Lute Solos Arranged for Plectrum Guitar


Book Description

Rob MacKillop presents 20 classic lute transcriptions; the "greatest hits" of the Renaissance and Baroque lute repertoire arranged for pick acoustic, electric, or classical guitar. MacKillop has for many years played all these pieces on the lute, and has created sensitive guitar arrangements that lose nothing from the original scores. Composers include Bach, Weiss, Dowland, Spinacino, among others. Finally, we have a book of lute-to-plectrum guitar transcriptions by an arranger who is deeply familiar with and respectful of both instruments. Includes access to online audio for every item recorded by Rob MacKillop in plectrum style.




Classical Guitar Solos - Favorite Sonatinas


Book Description

In this book, guitarist and music historian David Grimes presents 20 “small sonatas” or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest— exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate— plus three more composers in a similar vein— promoting confident, enjoyable sight-reading by guitarists of all levels.




10 Brazilian Choros Arranged for Classical Guitar Solo


Book Description

Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.




Classical Guitar Tunes - Fun Solos to Play


Book Description

This collection of 47 favorite guitar picking tunes includes reels, jigs, waltzes, fiddle tunes and more, each arranged for classical guitar in standard notation. As these melodies lend themselves well to jamming, this collection is sure to bring any guitarist many hours of picking pleasure. Includes access to an online audio recording of the arranger performing each piece on classical guitar.




Promised Land


Book Description

With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings” are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.




Tunes from 17th Century Scotland Arranged for Flatpicking Guitar


Book Description

Many great Scottish traditional tunes can be traced back to 17th century lute music. In this collection, multi-instrumentalist Rob MacKillop has transcribed and arranged 25 popular tunes derived from various lute manuscripts. While idiomatic to the guitar, some of these arrangements include fast runs and chord changes, so are best suited to the intermediate-level flatpicking guitarist. This guitar collection consists of the same melodies in the same keys found in its mandolin counterpart, Tunes From 17th Century Scotland Arranged for Mandolin (Mel Bay Publications). In both books, suggested chords are provided wherever appropriate. Consequently, the settings work fine as either mandolin/violin and guitar duets, or as solos for either instrument. Until now, most of these appealing dance tunes and airs have not been available as guitar arrangements. Here, except for two tunes in drop-D tuning, all are in standard guitar tuning. With MacKillop’s spirited online recording, generous performance notes and standard notation and tablature for each selection, get ready to explore a wonderful new take on an old repertoire! Includes access to online audio.




Balkan Melodies for Classical Guitar


Book Description

An exciting collection of Balkan music featuring songs from Bosnia, Croatia, Greece, Macedonia, Romania and Serbia. Enjoy captivating sounds and compelling rhythms on this exhilarating musical journey through the Balkan Peninsula. Fully fingered for an enjoyable sight-reading experience.




O'Carolan for Classical Guitar


Book Description

O’Carolan for Classical Guitar is the fourth and final volume of Guido Böger’s classical guitar arrangements of the 214 compositions of the itinerant blind Irish harper, Turlough O'Carolan (1670–1738). This last collection includes 58 solo pieces, including O’Carolan’s variations on two Scottish airs. These settings are generally intermediate in difficulty and reflect the beauty and lyricism of the original melodies, most of which are tribute tunes named for O’Carolan’s patrons: Colonel O’Hara, John O’Connor, Mrs. O’Connor, Lady Wrixon, General Wynne, Captain O’Neil, The Landlady, etc. The works are meticulously written in standard notation and are ideal for sight-reading practice, personal enjoyment, or concert performance. Moderate left-hand fingering and string numbering are provided in these well-crafted arrangements. Along with his previous Mel Bay editions, Turlough O'Carolan Irish Harp Pieces for Classical Guitar, O'Carolan Favorites and O'Carolan Airs, this book completes Guido Böger's comprehensive O'Carolan series. The set of four books would make a great gift, particularly for an Irish guitarist.




Complete Bach Cello Suites


Book Description

Most instrumentalists would agree with the author’s introductory statement, that the six Bach cello suites are “…one of the greatest collections of solo instrumental music ever written.” Many amateur classic guitarists have endeavored to play favorite movements of the suites, and a few professionals have recorded all six in their entirety. The author himself has played them on various plucked-string instruments. Here, for the first time, Rob MacKillop and Mel Bay Publications present the Six Cello Suites of J. S. Bach, transcribed for the plectrum-style acoustic or electric guitarist! According to MacKillop, Bach had an overall didactic plan and each suite increases in emotional depth and difficulty, posing specific problems to the plectrum guitarist or any instrumentalist. For example: Using a pick, how do you play a 2-note interval when there is a string in-between the two notes? MacKillop provides a good deal of fingering in the early suites suggesting solutions to this and other issues, but ultimately encourages readers to make their own decisions through careful analysis and left-hand fingering. If you stay the course and play through all six suites, you will gain a personal understanding not only of the Baroque suite, but also of left-hand digitation, picking direction, and the guitar fretboard. Written in standard notation in guitar-friendly keys for the intermediate to advanced plectrum guitarist, this book is destined to be a part of university curriculums and recitals worldwide. It deserves a place in your music library too.