Devotional Interaction in Medieval England and its Afterlives


Book Description

Devotional Interaction in Medieval England and its Afterlives examines the interaction between medieval English worshippers and the material objects of their devotion. The volume also addresses the afterlives of objects and buildings in their temporal journeys from the Middle Ages to the present day. Written by the participants of a National Endowment for the Humanities-funded seminar held in York, U.K., in 2014, the chapters incorporate site-specific research with the insights of scholars of visual art, literature, music, liturgy, ritual, and church history. Interdisciplinarity is a central feature of this volume, which celebrates interactivity as a working method between its authors as much as a subject of inquiry. Contributors are Lisa Colton, Elizabeth Dachowski, Angie Estes, Gregory Erickson, Jennifer M. Feltman, Elisa A. Foster Laura D. Gelfand, Louise Hampson, Kerilyn Harkaway-Krieger, Kathleen E. Kennedy, Heather S. Mitchell-Buck, Julia Perratore, Steven Rozenski, Carolyn Twomey, and Laura J. Whatley.




Laywomen and the Crusade in England, 1150-1300


Book Description

Considers how elite women could participate in Crusade, their means and motivations. The popular perception of the medieval Crusades is of conflicts spanning from the Holy Land to the Baltic, with huge armies of religious zealots led by knights wearing crosses. However, the reality is far more nuanced. The vast majority of those living in western Europe did not go on crusade at all. But that does not mean that crusading was not on their minds, or that they could not influence the movement. They urged others to take up the cross, provided financial support, and prayed for the campaigns in the Holy Land; for them, this was crusade. This book investigates how English laywomen were encouraged to support crusades and identify with holy war during the Middle Ages, challenging preconceptions of what crusade "meant", and bringing out the diverse ways of their participation. It draws on detailed analysis of cartularies, judicial records, chronicles and lyrical sources; it also examines the rich material culture of commemoration that celebrated the endeavour, alongside the papal propaganda which idealised women's sponsorship of crusade. This study therefore sheds new light not only on the role of women in crusade, but on their influence and piety more generally.




James MacMillan Studies


Book Description

The Scottish composer Sir James MacMillan is one of the major figures of contemporary music, with a world-wide reputation for his modernist engagement with religious images and stories. Beginning with a substantial foreword from the composer himself, this collection of scholarly essays offers analytical, musicological, and theological perspectives on a selection of MacMillan's musical works. The volume includes a study of embodiment in MacMillan's music; a theological study of his St Luke Passion; an examination of the importance of lament in a selection of his works; a chapter on the centrality of musical borrowing to MacMillan's practice; a discussion of his liturgical music; and detailed analyses of other works including The World's Ransoming and the seminal Seven Last Words from the Cross. The chapters provide fresh insights on MacMillan's musical world, his compositional practice, and his relationship to modernity.




Vernacular Aesthetics in the Later Middle Ages


Book Description

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.




Female-Voice Song and Women’s Musical Agency in the Middle Ages


Book Description

This collection presents fresh evidence and new perspectives on the diverse ways in which women created and interacted with cultures of song between c. 600 and c. 1500.




Relations of Power


Book Description

Women's networks – their relations with other women, men, objects and place – were a source of power in various European and neighbouring regions throughout the Middle Ages. This interdisciplinary volume considers how women's networks, and particularly women's direct and indirect relationships to other women, constituted and shaped power from roughly 300 to 1700 AD. The essays in this collection juxtapose scholarship from the fields of archaeology, art history, literature, history and religious studies, drawing on a wide variety of source types. Their aim is to highlight not only the importance of networks in understanding medieval women's power but also the different ways these networks are represented in medieval sources and can be approached today. This volume reveals how women's networks were widespread and instrumental in shaping political, familial and spiritual legacies.




The Cambridge Companion to the Age of William the Conqueror


Book Description

Offers a comparative cultural history of north-western Europe in the crucial period of the eleventh century.




New Medieval Literatures 20


Book Description

Cutting-edge and fresh new outlooks on medieval literature, emphasising the vibrancy of the field.




Steeple Chasing


Book Description

The Sunday Times paperback bestseller and Waterstones Non-Fiction Book of the Month *Featuring a brand new chapter!* 'Never have the joys of exploring the churches and cathedrals of this country been so vividly conveyed as they are in this engaging and elegiac book.' - New Statesman **BOOK OF THE YEAR pick 2023** 'A delicious treat' - Financial Times **TRAVEL BOOK OF THE YEAR pick 2023** 'A charming odyssey' - The Times 'A wonderful book; thoughtful and challenging' - Daily Telegraph ***** 'A beautiful book' - Gabriel Byrne 'Beautiful and brilliant. I loved it' - Fergus Butler-Gallie From the author of A Tomb With a View - Scottish Non-Fiction book of the Year Churches are all around us. Their steeples remain landmarks in our towns, villages and cities, even as their influence and authority has waned. They contain art and architectural wonders - one huge gallery scattered, like a handful of jewels, across these isles. Award-winning writer Peter Ross sets out to tell their stories, and through them a story of Britain. Join him as he visits the unassuming Norfolk church which contains a disturbing secret, and London's mighty cathedrals with their histories of fire and love. Meet cats and bats, monks and druids, angels of oak and steel. Steeple Chasing, though it sometimes strikes an elegiac note, is a song of praise. It celebrates churches for their beauty and meaning, and for the tales they tell. It is about people as much as place, flesh and bone not just flint and stone. From the painted hells of Surrey to the holy wells of Wales, consider this a travel book . . . with bells on. Praise for Peter Ross 'Ross is a wonderfully evocative writer, deftly capturing a sense of place and history, while bringing a deep humanity to his subject. He has written a delightful book.' - The Guardian 'Fascinating . . . Ross makes a likeably idiosyncratic guide and one finishes the book feeling strangely optimistic about the inevitable.' - The Observer 'The author's humanity has acted as a beacon of light in the darkness.' - The Sunday Times




Apocalyptic Ecologies


Book Description

A meditative reflection on what medieval disaster writing can teach us about how to respond to the climate emergency. When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge.