Diachrony, Synchrony, and Typology of Tense and Aspect in Old Japanese


Book Description

Diachrony, Synchrony, and Typology of Tense and Aspect in Old Japanese reconstructs the synchronic system of tense and aspect in Old Japanese, which until now had not been examined using the tools of contemporary linguistic theory. Kazuha Watanabe analyzes syntactic distribution of the temporal suffixes in the Man'yōshū, an eighth-century poetry collection, and compares the results with data from well-attested languages. The author then integrates the semantic property of each suffix into the overall synchronic tense-aspect system of Old Japanese. Watanabe further compares the reconstructed system with the distributions of the same suffixes in Early Modern Japanese using Genji Monogatari, an eleventh-century novel, in order to provide further support for the synchronic analysis of Old Japanese. This approach is fundamentally different from traditional analyses, which identify the meanings of the temporal suffixes based on contextual information. In addition, previous analyses have produced a uniform analysis covering the entire 700-year period from Old to Early Modern Japanese. Instead, Watanabe proposes that Old Japanese had a temporal system distinct from the later period.




Tense and Aspect in Old Japanese


Book Description

The objective of this thesis is to describe the synchronic system of tense and aspect in Old Japanese. Japanese grammarians studying the tense/aspect morphology of Old Japanese usually identify four suffixes (-(ye)ri, -tari, -tu, and -nu) as kanryō 'perfect' markers and two suffixes (-ki and -kyeri) as past tense markers. However, this analysis results in a typologically unattested temporal system, characterized by an implausibly rich inventory occupying a small semantic space. The traditional analysis is the product of an approach focusing on identifying the meanings of the suffixes based on contextual information, rather than the syntactic distribution of the suffixes with respect to the lexical semantics of the co-occurring verbs and the overall synchronic system of the language. Furthermore, previous analyses have attempted to produce a uniform analysis covering the entire 700-year period from Old to Early Modern Japanese. In contrast to previous research, I first define the semantic properties of the aspectual markers and their relation to the lexical verb, using data from well-attested languages. Second, I identify the aspectual meaning of the suffixes and the four periphrastic constructions based on the semantic values of the verbs they co-occur with in the Man'yōshū. Third, I integrate these findings into the overall synchronic tense-aspect system of Old Japanese. I propose that Old Japanese had a perfectiveimperfective distinction in both past and non-past tenses. Perfective was marked by - tu and -nu, which were subject to a syntactic auxiliary selection constraint, while present imperfective was marked by -(ye)ri and past imperfective by -kyeri. Additionally, -tari and the periphrastics indicated specific aspectual meanings: resultative and progressive. I then compare this synchronic system with the tenseaspect systems of well-attested languages in order to confirm the typological plausibility of the proposed system. Lastly, I examine data from Early Modern Japanese using Genji Monogatari and compare the results with the Old Japanese data. The diachronic change from Old Japanese to Early Modern Japanese provides further support for my synchronic analysis of Old Japanese.




Tense and Aspect in Old Japanese: Synchronic, Diachronic, and Typological Perspective


Book Description

The objective of this thesis is to describe the synchronic system of tense and aspect in Old Japanese. Japanese grammarians studying the tense/aspect morphology of Old Japanese usually identify four suffixes ( -(ye) ri, -tari, -tu, and -nu) as kanryo 'perfect' markers and two suffixes ( -ki and -kyeri) as past tense markers. However, this analysis results in a typologically unattested temporal system, characterized by an implausibly rich inventory occupying a small semantic space. The traditional analysis is the product of an approach focusing on identifying the meanings of the suffixes based on contextual information, rather than the syntactic distribution of the suffixes with respect to the lexical semantics of the co-occurring verbs and the overall synchronic system of the language. Furthermore, previous analyses have attempted to produce a uniform analysis covering the entire 700-year period from Old to Early Modern Japanese.







The Old Japanese Complement System


Book Description

The present study is the first large-scale investigation of the syntax of Old Japanese (mainly eighth-century Japanese). It gives a detailed account of complement clauses and related constructions in Old Japanese, based on an exhaustive investigation of the extant text corpus.







The Oxford Handbook of Tense and Aspect


Book Description

This Handbook is a comprehensive, authoritative, and accessible guide to the topics and theories that current form the front line of research into tense, aspect, and related areas.




Modality-aspect Interfaces


Book Description

The main topics pursued in this volume are based on empirical insights derived from Germanic: logical and typological dispositions about aspect-modality links. These are probed in a variety of non-related languages. The logically establishable links are the following: Modal verbs are aspect sensitive in the selection of their infinitival complements – embedded infinitival perfectivity implies root modal reading, whereas embedded infinitival imperfectivity triggers epistemic readings. However, in marked contexts such as negated ones, the aspectual affinities of modal verbs are neutralized or even subject to markedness inversion. All of this suggests that languages that do not, or only partially, bestow upon full modal verb paradigms seek to express modal variations in terms of their aspect oppositions. This typological tenet is investigated in a variety of languages from Indo-European (German, Slavic, Armenian), African, Asian, Amerindian, and Creoles. Seeming deviations and idiosyncrasies in the interaction between aspect and modality turn out to be highly rule-based.