Latino Spin


Book Description

Winner of the 2010 Distinguished Book Award in Latino Studies from the Latin American Studies Association Illegal immigrant, tax burden, job stealer. Patriot, family oriented, hard worker, model consumer. Ever since Latinos became the largest minority in the U.S. they have been caught between these wildly contrasting characterizations leaving us to wonder: Are Latinos friend or foe? Latino Spin cuts through the spin about Latinos' supposed values, political attitudes, and impact on U.S. national identity to ask what these caricatures suggest about Latinos' shifting place in the popular and political imaginary. Noted scholar Arlene Dávila illustrates the growing consensus among pundits, advocates, and scholars that Latinos are not a social liability, that they are moving up and contributing, and that, in fact, they are more American than "the Americans." But what is at stake in such a sanitized and marketable representation of Latinidad? Dávila follows the spin through the realm of politics, think tanks, Latino museums, and urban planning to uncover whether they effectively challenge the growing fear over Latinos' supposedly dreadful effect on the "integrity" of U.S. national identity. What may be some of the intended or unintended consequences of these more marketable representations in regard to current debates over immigration? With particular attention to what these representations reveal about the place and role of Latinos in the contemporary politics of race, Latino Spin highlights the realities they skew and the polarization they effect between Latinos and other minorities, and among Latinos themselves along the lines of citizenship and class. Finally, by considering Latinos in all their diversity, including their increasing financial and geographic disparities, Dávila can present alternative and more empowering representations of Latinidad to help attain true political equity and intraracial coalitions.




Intersecting Circles


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Latin American Art


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Progressive Printmakers


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"In lively memoirs and analyses, the artists tell the story of the evolving print program at Madison."--BOOK JACKET.







Dimensions of the Americas


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This volume presents an overview of the social history of modern and contemporary Latin American and Latino art. This collection of thirty-three essays focuses on Latin American artists throughout Mexico, Central and South America, the Caribbean, and the United States. The author provides a chronology of modern Latin American art; a history of "social art history" in the United States; and synopses of recent theoretical and historical writings by major scholars from Mexico, Cuba, Brazil, Peru, Uruguay, Chile, and the United States. In her essays, she discusses a vast array of topics including: the influence of the Mexican muralists on the American continent; the political and artistic significance of poster art and printmaking in Cuba, Puerto Rico, and among Chicanos; the role of women artists such as Guatemalan painter Isabel Ruiz; and the increasingly important role of politics and multinational businesses in the art world of the 1970s and 1980s. She explores the reception of Latin American and Latino art in the United States, focusing on major historical exhibits as well as on exhibits by artists such as Chilean Alfredo Jaar and Argentinean Leandro Katz. Finally, she examines the significance of nationalist and ethnic themes in Latin American and Latino art.







Art in America


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Barrio Dreams


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"Dávila's keen insights into the politics of marketing ethnicity, community marginalization and class divisions cuts through neo-liberal postures to glaringly reveal the real issue - who will construct (and control) East Harlem's future? Well versed in the scholarship, Dávila has produced a book that is essential for understanding the increasingly important role and aspirations of Puerto Rican and Latino communities in New York's history."—Virginia Sánchez Korrol, author of From Colonia to Community: The History of Puerto Ricans in New York City "Providing an expansive ethnographic portal into New York's famous 'El Barrio,' Davila documents the ways in which the neighborhood's Latino cultures can be commodified as a magnet for gentrification as well as providing an obstacle to it. An absorbing read providing a unique contemporary perspective on East Harlem."—Neil Smith, author of American Empire: Roosevelt's Geographer and the Prelude to Globalization "Unlike most ethnographers of the urban poor in search of authentic street experience, Dávila gives us an ethnography of power. With rich insights and sensitivity, she documents the pitched battles between developers, politicians, long-time residents, newcomers, Puerto Ricans, Mexicans, and African Americans over space, gentrification and cultural representation in East Harlem. Dávila peels back the many layers of local stories in order to reveal a complex, national story of resistance against urban neoliberalism."—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination




Latin American Artists' Signatures and Monograms


Book Description

Each entry includes, if applicable, nationality, birth and death dates, key letters to a listing of reference sources, and the most recent auction citings (if any) of the last twenty years. Nearly 4,800 artists and 9,000 signatures.