Directing Amateur Musical Theatre


Book Description

How do you choose a musical to direct that suits your amateur theatre group's needs? How do you run an open and fair audition process and cast a show appropriately? How do you design a rehearsal schedule to cover a large set of amateur performers? How do you work with amateur actors to achieve a level of professionalism in performance while maintaining the enjoyment? Directing Amateur Musical Theatre offers answers to all of these questions and many, many more. Demystifying the pre-production process and auditions through to rehearsals and opening night, this book offers a roadmap for success for amateur directors everywhere. Rooted in the wide-ranging experience of a working practitioner who specialises in directing amateur musical theatre across various different formats, it details ways to stage different types of musical numbers, through to blocking and staging a scene, as well as how to approach a text and expanding the acting skills of a mixed-ability cast. Considering the opportunities offered by different musicals, it equips you to direct shows ranging from the golden age through to more contemporary works with imaginative, sensitive and informed direction. Featuring practical advice and exercises that follow the life-cycle of a production, this book also includes helpful charts, diagrams, templates and tools that break down the fundamental elements of directing a musical in a digestible way that will appeal to first-time, as well as more experienced, directors looking to hone and refine their craft. This invaluable handbook – the first to be published in the post-Covid landscape – will be invaluable to anyone with an interest in directing amateur musical theatre and would like to bring more to, and gain more from, the experience.




Directing Amateur Musical Theatre


Book Description

How do you choose a musical to direct that suits your amateur theatre group's needs? How do you run an open and fair audition process and cast a show appropriately? How do you design a rehearsal schedule to cover a large set of amateur performers? How do you work with amateur actors to achieve a level of professionalism in performance while maintaining the enjoyment? Directing Amateur Musical Theatre offers answers to all of these questions and many, many more. Demystifying the pre-production process and auditions through to rehearsals and opening night, this book offers a roadmap for success for amateur directors everywhere. Rooted in the wide-ranging experience of a working practitioner who specialises in directing amateur musical theatre across various different formats, it details ways to stage different types of musical numbers, through to blocking and staging a scene, as well as how to approach a text and expanding the acting skills of a mixed-ability cast. Considering the opportunities offered by different musicals, it equips you to direct shows ranging from the golden age through to more contemporary works with imaginative, sensitive and informed direction. Featuring practical advice and exercises that follow the life-cycle of a production, this book also includes helpful charts, diagrams, templates and tools that break down the fundamental elements of directing a musical in a digestible way that will appeal to first-time, as well as more experienced, directors looking to hone and refine their craft. This invaluable handbook – the first to be published in the post-Covid landscape – will be invaluable to anyone with an interest in directing amateur musical theatre and would like to bring more to, and gain more from, the experience.




Musicals!


Book Description

Musicals! is an illustrated sourcebook for total theatre training, emphasizing the director's role in the three main building blocks for mounting a performance: preparation, production, and performance. Boland and Argentini provide a comprehensive step-by-step theatre primer which will prove invaluable to musical directors, teachers, administrators, students, and actors. After the initial decisions are made, specific guidelines in preparing the stage picture, holding auditions and casting, and running the gamut of rehearsals are provided. Lighting, costumes, creating sets and scenery, and safety precautions are also discussed. The musical number and choreography are analyzed and defined, and advice on how to use color and solve multiple scene problems is given. With opening night approaching, a checklist of what must be done is enumerated and explained. The authors provide tips on publicity, running the box office, as well as the do's and don'ts of mounting the show and its final strike. Includes a glossary of theatrical terms, a selected bibliography, and recommended sources for scenic drops, costumes, and lighting equipment.




Staging Musical Theatre


Book Description

Includes production time lines, the duties of key people, information about notable musicals, a list of best musical numbers, suggestions for sets, costumes, and instrumentation, and more.




The Complete Idiot's Guide to Amateur Theatricals


Book Description

The one and only book on successfully staging amateur productions. In this book, drama teachers and community directors are given everything they need to know about picking the right show; licensing, casting, and budgeting; organizing a schedule; costumes, makeup, staging, lighting, and music; tickets, fundraising, programs, cast parties, and more. Illustrated with help plans and photos from actual productions. • Perfect for nonprofit organizations’ fundraising theater events and community theater groups • Complete with an extensive resource section • Illustrated with help plans and great photos from actual productions




Music Direction for the Stage


Book Description

Theater music directors must draw on a remarkably broad range of musical skills. Not only do they conduct during rehearsals and performances, but they must also be adept arrangers, choral directors, vocal coaches, and accompanists. Like a record producer, the successful music director must have the flexibility to adjust as needed to a multifaceted job description, one which changes with each production and often with each performer. In Music Direction for the Stage, veteran music director and instructor Joseph Church demystifies the job in a book that offers aspiring and practicing music directors the practical tips and instruction they need in order to mount a successful musical production. Church, one of Broadway's foremost music directors, emerges from the orchestra pit to tell how the music is put into a musical show. He gives particular attention to the music itself, explaining how a music director can best plan the task of learning, analyzing, and teaching each new piece. Based on his years of professional experience, he offers a practical discussion of a music director's methods of analyzing, learning, and practicing a score, thoroughly illustrated by examples from the repertoire. The book also describes how a music director can effectively approach dramatic and choreographic rehearsals, including key tips on cueing music to dialogue and staging, determining incidental music and underscoring, making musical adjustments and revisions in rehearsal, and adjusting style and tempo to performers' needs. A key theme of the book is effective collaboration with other professionals, from the production team to the creative team to the performers themselves, all grounded in Church's real-world experience with professional, amateur, and even student performances. He concludes with a look at music direction as a career, offering invaluable advice on how the enterprising music director can find work and gain standing in the field.




Directing Amateur Theatre


Book Description

This is a handbook of detailed, practical production methods for the direction of amateur theatre. It sets out the qualities, skills and knowledge necessary for those who aspire to stage productions, ranging from drama groups to full scale musicals.




A Field Guide to Actor Training


Book Description

(Limelight). A Field Guide to Actor Training will help you answer this question! The book is designed to be an introduction to various theater training methodologies, highlighting their basic tenets and comparing and contrasting each system of training and rehearsal. The goal is to provide a one-stop-shopping kind of resource for student/beginning actors who are seeking training through private studios or graduate schools and who crave guidance in selecting training that is right for them. Starting with the big question of "Why is actor training important?" and moving on to overviews of the major acting methodologies, vocal training, physical actor training, and advice on how to find the right kind of training for each individual, A Field Guide to Actor Training is an essential resource for the student actor.




Creating Musical Theatre


Book Description

Creating Musical Theatre features interviews with the directors and choreographers that make up today's Broadway elite. From Susan Stroman and Kathleen Marshall to newcomers Andy Blankenbuehler and Christopher Gattelli, this book features twelve creative artists, mostly director/choreographers, many of whom have also crossed over into film and television, opera and ballet. To the researcher, this book will deliver specific information on how these artists work; for the performer, it will serve as insight into exactly what these artists are looking for in the audition process and the rehearsal environment; and for the director/choreographer, this book will serve as an inspiration detailing each artist's pursuit of his or her dream and the path to success, offering new insight and a deeper understanding of Broadway today. Creating Musical Theatre includes a foreword by four-time Tony nominee Kelli O'Hara, one of the most elegant and talented leading ladies gracing the Broadway and concert stage today, as well as interviews with award-winning directors and choreographers, including: Rob Ashford (How to Succeed in Business Without Really Trying); Andy Blankenbuehler (In the Heights); Jeff Calhoun (Newsies); Warren Carlyle (Follies); Christopher Gattelli (Newsies); Kathleen Marshall (Anything Goes); Jerry Mitchell (Legally Blonde); Casey Nicholaw (The Book of Mormon); Randy Skinner (White Christmas); Susan Stroman (The Scottsboro Boys); Sergio Trujillo (Jersey Boys); and Anthony Van Laast (Sister Act).




Theatre for Children


Book Description

One of the world's leading children's dramatists provides a practical handbook of the skills involved in entertaining and involving audiences of children. A marvelous contribution to the world of Youth Theater...a must. —Robyn Flatt, Dallas Children's Theater. He has often been called the National Playwright for Children and he deserves it. —Cameron Mackintosh