Dirty Wars


Book Description

A New York Times bestseller Now also an Oscar-nominated documentary In Dirty Wars, Jeremy Scahill, author of the New York Times bestseller Blackwater, takes us inside America's new covert wars. The foot soldiers in these battles operate globally and inside the United States with orders from the White House to do whatever is necessary to hunt down, capture or kill individuals designated by the president as enemies. Drawn from the ranks of the Navy SEALs, Delta Force, former Blackwater and other private security contractors, the CIA's Special Activities Division and the Joint Special Operations Command ( JSOC), these elite soldiers operate worldwide, with thousands of secret commandos working in more than one hundred countries. Funded through "black budgets," Special Operations Forces conduct missions in denied areas, engage in targeted killings, snatch and grab individuals and direct drone, AC-130 and cruise missile strikes. While the Bush administration deployed these ghost militias, President Barack Obama has expanded their operations and given them new scope and legitimacy. Dirty Wars follows the consequences of the declaration that "the world is a battlefield," as Scahill uncovers the most important foreign policy story of our time. From Afghanistan to Yemen, Somalia and beyond, Scahill reports from the frontlines in this high-stakes investigation and explores the depths of America's global killing machine. He goes beneath the surface of these covert wars, conducted in the shadows, outside the range of the press, without effective congressional oversight or public debate. And, based on unprecedented access, Scahill tells the chilling story of an American citizen marked for assassination by his own government. As US leaders draw the country deeper into conflicts across the globe, setting the world stage for enormous destabilization and blowback, Americans are not only at greater risk -- we are changing as a nation. Scahill unmasks the shadow warriors who prosecute these secret wars and puts a human face on the casualties of unaccountable violence that is now official policy: victims of night raids, secret prisons, cruise missile attacks and drone strikes, and whole classes of people branded as "suspected militants." Through his brave reporting, Scahill exposes the true nature of the dirty wars the United States government struggles to keep hidden.




America's Dirty Wars


Book Description

This book examines the long, complex experience of American involvement in irregular warfare. It begins with the American Revolution in 1776 and chronicles big and small irregular wars for the next two and a half centuries. What is readily apparent in dirty wars is that failure is painfully tangible while success is often amorphous. Successfully fighting these wars often entails striking a critical balance between military victory and politics. America's status as a democracy only serves to make fighting - and, to a greater degree, winning - these irregular wars even harder. Rather than futilely insisting that Americans should not or cannot fight this kind of irregular war, Russell Crandall argues that we would be better served by considering how we can do so as cleanly and effectively as possible.




Historical Dictionary of the Dirty Wars


Book Description

This second edition of Historical Dictionary of 'The Dirty Wars' focuses on the period 1954-1990 in South America, when authoritarian regimes waged war on subversion, both real and imagined. This is done through a chronology, an introductory essay, a bibliography, and over 400 cross-referenced dictionary entries on the countries; guerrilla and political movements; prominent guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; and artistic figures (filmmakers, novelists, and playwrights) whose works attempt to represent or resist the period of repression.




Imperial Endgame


Book Description

In this fresh and controversial account of Britain's end of empire, Grob-Fitzgibbon reveals that the British government developed a successful strategy of decolonization following the Second World War based on devolving power to indigenous peoples within the Commonwealth.




The Catholic Church and Argentina's Dirty War


Book Description

On August 3rd, 1976, in Córdoba, Argentina's second largest city, Fr. James Week and five seminarians from the Missionaries of La Salette were kidnapped. A mob burst into the house they shared, claiming to be police looking for "subversive fighters." The seminarians were jailed and tortured for two months before eventually being exiled to the United States. The perpetrators were part of the Argentine military government that took power under President General Jorge Videla in 1976, ostensibly to fight Communism in the name of Christian Civilization. Videla claimed to lead a Catholic government, yet the government killed and persecuted many Catholics as part of Argentina's infamous Dirty War. Critics claim that the Church did nothing to alleviate the situation, even serving as an accomplice to the dictators. Leaders of the Church have claimed they did not fully know what was going on, and that they tried to help when they could. Gustavo Morello draws on interviews with victims of forced disappearance, documents from the state and the Church, field observation, and participant observation in order to provide a deeper view of the relationship between Catholicism and state terrorism during Argentina's Dirty War. Morello uses the case of the seminarians to explore the complex relationship between Catholic faith and political violence during the Dirty War-a relationship that has received renewed attention since Argentina's own Jorge Mario Bergoglio became Pope Francis. Unlike in countries such as Chile and Brazil, Argentina's political violence was seen as an acceptable tool in propagating political involvement; both the guerrillas and the military government were able to gain popular support. Morello examines how the Argentine government deployed a discourse of Catholicism to justify the violence that it imposed on Catholics and how the official Catholic hierarchy in Argentina rationalized their silence in the face of this violence. Most interestingly, Morello investigates how Catholic victims of state violence and their supporters understood their own faith in this complicated context: what it meant to be Catholic under Argentina's dictatorship.




Dirty Secrets, Dirty War


Book Description

From 1976-1983, an estimated 30,000 people disappeared in Argentina. They were victims of the "Dirty War" - a brutal campaign designed by the government to root out possible subversives. Robert J. Cox, editor of the Buenos Aires Herald, did what few others were willing to do - he told the truth about what was happening every day in his newspaper. He challenged those in power - asking questions and demanding answers.




A Dirty War in West Africa


Book Description

Since 1991, this West African nation has been brought to its knees by a series of coups, violent conflicts, and finally, outright war. The war has ended today, but it is clear that things are hardly settled. Focusing on the group spearheading the violence, the Revolutionary United Front (RUF), journalist Lansana Gberie exposes the corruption and appalling use of rape and mutilation as tactics to overthrow the former government. Gberie looks closely at the rise of the RUF and its ruthless leader, Foday Sankoh, as he seeks to understand the personalities and parties involved in the war.




A Dirty War


Book Description

The Chechen War was supposed to be over in 1996 after the first Yeltsin campaign, but in the summer of 1999, the new Putin government decided, in their own words, to 'do the job properly'. Before all the bodies of those who had died in the first campaign had been located or identified, many more thousands would be slaughtered in another round of fighting. The first account to be written by a Russian woman, A Dirty War is an edgy and intense study of a conflict that shows no sign of being resolved. Exasperated by the Russian government's attempt to manipulate media coverage of the war, journalist Anna Politkovskaya undertook to go to Chechnya, to make regular reports and keep events in the public eye. In a series of despatches from July 1999 to January 2001 she vividly describes the atrocities and abuses of war, whether it be the corruption endemic in post-Communist Russia, in particular the government and the military, or the spurious arguments and abominable behaviour of the Chechen authorities. In these courageous reports, Politkovskaya excoriates male stupidity and brutality on both sides of the conflict and interviews the civilians whose homes and communities have been laid waste, leaving them nowhere to live, and nothing and no one to believe in.




Disruptive Archives


Book Description

The histories of the Dirty Wars in Mexico and Argentina (1960s–1980s) have largely erased how women experienced and remember the gendered violence during this traumatic time. Viviana Beatriz MacManus restores women to the revolutionary struggle at the heart of the era by rejecting both state projects and the leftist accounts focused on men. Using a compelling archival blend of oral histories, interviews, human rights reports, literature, and film, MacManus illuminates complex narratives of loss, violence, and trauma. The accounts upend dominant histories by creating a feminist-centered body of knowledge that challenges the twinned legacies of oblivion for the victims and state-sanctioned immunity for the perpetrators. A new Latin American feminist theory of justice emerges—one that acknowledges women's strength, resistance, and survival during and after a horrific time in their nations' histories. Haunting and methodologically innovative, Disruptive Archives attests to the power of women's storytelling and memory in the struggle to reclaim history.




Disappearing Acts


Book Description

Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.