Disaster Cinema in Historical Perspective


Book Description

'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly written and draws on an impressive body of empirical and theoretical materials. As importantly, it is critical and nuanced in its claims and assertions, leaving ample room for discussion and counter-argument.' (Ina Blom, University of Chicago, University of Oslo)




Disaster Movies


Book Description

Through detailed analysis of films such as The Towering Inferno, Independence Day, Titanic and The Day After Tomorrow, this book looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commercial demands of contemporary Hollywood. Featuring new material on cinematic representations of disaster in the wake of 9/11 and how we might regard disaster movies in light of recent natural disasters, the volume explores the continual reworking of this previously undervalued genre.




New Perspectives on Early Cinema History


Book Description

In this book, editors Mario Slugan and Daniël Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods. The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de têtes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper's Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms. They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.




Performance and Politics in Popular Drama


Book Description

Since the beginning of the nineteenth-century, many forms of theatre have been called 'popular', but in the twentieth-century the term 'popular drama' has taken on definite political overtones, often indicating a repudiation of 'commercial theatre'. Does this mean that political theatre is or tries to be more attractive to more people than commercial theatre? Does it conversely mean that commercial theatre has no political effects? The articles in this book were submitted as papers for a conference on the theme of 'popular' theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions that shows the remarkable continuity of the problems raised in attempts to create a popular political drama.




Disaster Cinema Historical Perspectivehb


Book Description

'Disaster Cinema in Historical Perspective: Mediations of the Sublime is a genuine and original contribution to the fields of art history and cinema studies as well as to discussions on the concept of the sublime in the field of aesthetics. It is well-organized, well-informed, and lucidly written and draws on an impressive body of empirical and theoretical materials. As importantly, it is critical and nuanced in its claims and assertions, leaving ample room for discussion and counter-argument.' (Ina Blom, University of Chicago, University of Oslo)




The Jurassic Park Book


Book Description

The definitive 1990s blockbuster, Steven Spielberg's Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises. To mark the film's 30th anniversary, this exciting illustrated collection of new essays interrogates the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles. The primary focus is on Jurassic Park itself but there is also discussion of the franchise and its numerous spin-offs. As well as leading international scholars of film studies and history, contributors include experts in special effects, science on screen, fan studies, and palaeontology. Comprehensive, up to date, and accessible, The Jurassic Park Book appeals not only to students and scholars of Hollywood and contemporary culture, but also to the global audience of fans of the greatest of all dinosaur movies.




Global Perspectives on Amateur Film Histories and Cultures


Book Description

For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Gutiérrez fill the literature gap by extending that focus and increasing inclusivity. Through carefully curated essays, Salazkina and Fibla-Gutiérrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film. Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.




Film and Everyday Eco-disasters


Book Description

Eco-disasters such as coal-mining accidents, oil spills, and food-borne diseases appear regularly in the news, making them seem nearly commonplace. These ecological crises highlight the continual tensions between human needs and the environmental impact these needs produce. Contemporary documentaries and feature films explore environmental-human conflicts by depicting the consequences of our overconsumption and dependence on nonrenewable energy. Film and Everyday Eco-disasters examines changing perspectives toward everyday eco-disasters as reflected in the work of filmmakers from the silent era forward, with an emphasis on recent films such as Dead Ahead, an HBO dramatization of the Exxon Valdez disaster; Total Recall, a science fiction action film highlighting oxygen as a commodity; The Devil Wears Prada, a comment on the fashion industry; and Food, Inc., a documentary interrogation of the food industry. The authors evaluate not only the success of these films as rhetorical arguments but also their rhetorical strategies. This interdisciplinary approach to film studies fuses cultural, economic, and literary critiques in articulating an approach to ecology that points to sustainable development as an alternative to resource exploitations and their associated everyday eco-disasters.




Atoms and Ashes: A Global History of Nuclear Disasters


Book Description

A chilling account of more than half a century of nuclear catastrophes, by the author of the “definitive” (Economist) Cold War history, Nuclear Folly. Almost 145,000 Americans fled their homes in and around Harrisburg, Pennsylvania, in late March 1979, hoping to save themselves from an invisible enemy: radiation. The reactor at the nearby Three Mile Island nuclear power plant had gone into partial meltdown, and scientists feared an explosion that could spread radiation throughout the eastern United States. Thankfully, the explosion never took place—but the accident left deep scars in the American psyche, all but ending the nation’s love affair with nuclear power. In Atoms and Ashes, Serhii Plokhy recounts the dramatic history of Three Mile Island and five more accidents that that have dogged the nuclear industry in its military and civil incarnations: the disastrous fallout caused by the testing of the hydrogen bomb in the Bikini Atoll in 1954; the Kyshtym nuclear disaster in the USSR, which polluted a good part of the Urals; the Windscale fire, the worst nuclear accident in the UK’s history; back to the USSR with Chernobyl, the result of a flawed reactor design leading to the exodus of 350,000 people; and, most recently, Fukushima in Japan, triggered by an earthquake and a tsunami, a disaster on a par with Chernobyl and whose clean-up will not take place in our lifetime. Through the stories of these six terrifying incidents, Plokhy explores the risks of nuclear power, both for military and peaceful purposes, while offering a vivid account of how individuals and governments make decisions under extraordinary circumstances. Today, there are 440 nuclear reactors operating throughout the world, with nuclear power providing 10 percent of global electricity. Yet as the world seeks to reduce carbon emissions to combat climate change, the question arises: Just how safe is nuclear energy?




The Cinema of John Carpenter


Book Description

The aim of this book is to give John Carpenter's output the sustained critical treament it deserves. It comprises essays that address the whole of Carpenter's work as well as others which focus on a small number of key films.