Dissertations on the Eumenides of Aeschylus


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Dissertations on the Eumenides of Aeschylus; with the Greek Text and Critical Remarks


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1835 edition. Excerpt: ...the dragon at Delphi (7th Munychion), on which ensues the Delphic Festival, the Pythia7: and secondly, that the Attic Court Delphinion took cognizance only of justifiable homicide; plainly an institution of very early times, when it was still generally understood that the Delphinios is the God triumphing over the hostile serpent ( . 67). Now at Delphi dirges were sung over the grave of the Delphine; Apollo himself must do every thing to appease the Dragon--must undergo exile and servitude; and thus it is very probable that the Delphinia also had this object. In Corinth too fourteen children were sent into the temple of Juno, where with shorn heads and black clothes they were to appease the children of Medea by penitential offerings and mournful hymns1: now these children of Medea are either themselves infernal powers, which is indicated by the name of one of them, Mermeros (the Dreadful2); or, to forbear at present a deeper investigation of the origin of this Mythus, at least they are infernal spirits and objects of alarm to the upper world. As the servitude of Apollo begins with the slaying of the Python, as the service of the fourteen Athenian children commences with the Delphinia; so the residence of the fourteen Corinthian children in the temple is a periodic servitude, and therefore called aireviavTia(ws In iEgina the festival Hydrophoria was held during the Delphinian month, as it was at Athens in Anthesterion, the month appointed in the Attic Calendar for the worship of the dead. It may be more conveniently proved in detail upon some other occasion, that these Hydrophoria in Greece were generally vernal solemnities, at which water was poured into chasms, especially such as, according to the old legends, the earth-born brood of...




Aeschylus: Oxford Bibliographies Online Research Guide


Book Description

This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.




Aeschylus: Libation Bearers


Book Description

Libation Bearers is the 'middle' play in the only extant tragic trilogy to survive from antiquity, Aeschylus' Oresteia, first produced in 458 BCE. This introduction to the play will be useful for anyone reading it in Greek or in translation. Drawing on his wide experience teaching about performance in the ancient world, C. W. Marshall helps readers understand how the play was experienced by its ancient audience. His discussion explores the impact of the chorus, the characters, theology, and the play's apparent affinities with comedy. The architecture of choral songs is described in detail. The book also investigates the role of revenge in Athenian society and the problematic nature of Orestes' matricide. Libation Bearers immediately entered the Athenian visual imagination, influencing artistic depictions on red-figured vases, and inspiring plays by Euripides and Sophocles. This study looks to the later plays to show how 5th-century audiences understood Libation Bearers. Modern reception of the play is integrated into the analysis. The volume includes a full range of ancillary material, providing a list of relevant red-figure vase illustrations, a glossary of technical terms, and a chronology of ancient and modern theatrical versions.




Aeschylus' Oresteia


Book Description