Divinely Dramatic


Book Description

Vintage fashionista Marcy Alexander reluctantly agrees to costume a period-era play and ends up with more drama than one girl can handle. While revitalizing her squelched artistic desires, she must harness her aura-reading ability to untangle a ghostly mystery from 1966. Gorgeous-but-gruff director Mike Figueroa flares with irritated crimson whenever they interact. His goal is to produce the best show possible to thwart his betting / prank-driven buddies. The fill-in, kooky costumer provides more hindrance than help as they’re drawn to and annoyed by each other. Dogged by a persistent ghost and an ailing mom urging her to pursue her dream career, will Marcy solve the mystery from the past before she figures out the riddles of her own heart?




Drama of the Divine Economy


Book Description

The theology of creation interconnected with virtually every aspect of early Christian thought, from Trinitarian doctrine to salvation to ethics. Paul M. Blowers provides an advanced introduction to the multiplex relation between Creator and creation as an object both of theological construction and religious devotion in the early church. While revisiting the polemical dimension of Christian responses to Greco-Roman philosophical cosmology and heterodox Gnostic and Marcionite traditions on the origin, constitution, and destiny of the cosmos, Blowers focuses more substantially on the positive role of patristic theological interpretation of Genesis and other biblical creation texts in eliciting Christian perspectives on the multifaceted relation between Creator and creation. Greek, Syriac, and Latin patristic commentators, Blowers argues, were ultimately motivated less by purely cosmological concerns than by the urge to depict creation as the enduring creative and redemptive strategy of the Trinity. The 'drama of the divine economy', which Blowers discerns in patristic theology and piety, unfolded how the Creator invested the 'end' of the world already in its beginning, and thereupon worked through the concrete actions of Jesus Christ and the Holy Spirit to realize a new creation.




A Dramatic Pentecostal/Charismatic Anti-Theodicy


Book Description

The response of Pentecostal and Charismatic churches to those suffering in their midst has generally been to seek the intervention of the Holy Spirit to bring about healing and transformation, or perhaps, education. But what happens when the suffering continues, it appears to be innocent and meaningless, and God seems to be absent? This study, drawing on Kevin Vanhoozer's "dramatic" approach to theology, argues that the way God calls us to "perform" as we seek to communicate with him amidst such situations is to lament, and to do so with the aid of the Holy Spirit. Rather than offering such an approach purely in opposition to the more "triumphalistic" responses common in Pentecostal/Charismatic theology and practice, this book seeks to show how a performance of lament is conducive to such theology and practice while acting as a much-needed corrective to certain aspects of it. What is provided here is therefore relevant reading for both scholars and pastors alike, particularly of Pentecostal/Charismatic church tradition, who grapple with the realities of suffering and the questions such realities produce.




Ghost Light


Book Description

Since its release in 2010, Ghost Light: An Introductory Handbook for Dramaturgy has become the international standard for dramaturgy training and practice. As the field of dramaturgy continues to shift and change, this new edition prepares theatre students and practitioners to create powerful, relevant performances of all types.




Readings in Renaissance Women's Drama


Book Description

Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.




The Divine Drama


Book Description




Milton and the Post-Secular Present


Book Description

Our post-secular present, argues Feisal Mohamed, has much to learn from our pre-secular past. Through a consideration of poet and polemicist John Milton, this book explores current post-secularity, an emerging category that it seeks to clarify and critique. It examines ethical and political engagement grounded in belief, with particular reference to the thought of Alain Badiou, Jacques Derrida, Jürgen Habermas, and Gayatri C. Spivak. Taken to an extreme, such engagement produces the cult of the suicide bomber. But the suicide bomber has also served as a convenient bogey for those wishing to distract us from the violence in Western and Christian traditions and for those who would dismiss too easily the vigorous iconoclasm that belief can produce. More than any other poet, Milton alerts us to both anti-humane and liberationist aspects of belief and shows us relevant dynamics of language by which such commitment finds expression.




The Recapitulation of Israel


Book Description

Revised version of the author's thesis (Ph. D.)--University of Aberdeen, 2008.




Beyond Male and Female?


Book Description

In this incisive work, Sam Ashton provides a compelling, consistent and erudite argument for a foundational approach to the matter of sexual difference, drawing on biblical and doctrinal material and using resources in their original languages. He tracks and traces the sexed body as it moves from creation, through the fall, to redemption “now,” and final consummation “not yet.” In doing so, Ashton presents what is perhaps the strongest case that can be made for 'male and female He created them'. Each chapter privileges biblical exegesis, drawing upon figures in church history (notably Augustine and Aquinas) as and when they illumine Scripture. By doing so, the book considers the difficulty presented to sexual dimorphism by the phenomenon of intersex. Ashton seeks to develop an understanding that is generous, inclusive and affirming, so he works carefully through the writings of Thatcher, Song and Cornwall in a way that invites engagement and dialogue. With the complete divine drama in view, the book offers synthetic judgments about what remains essential for the “structure” of the sexed body as it travels through history and what may be accidental to the sexed body's “direction” within a particular theo-dramatic act. Ashton concludes by considering ways to transition from dogmatic judgments about intersexuality to the moral-pastoral care of concrete intersex individuals, briefly thinking about the complex matter of marriage.




Theo-Drama: Theological Dramatic Theory, Vol. 2


Book Description

The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.