Author : Ronald Bergan
Publisher : DK Publishing (Dorling Kindersley)
Page : 0 pages
File Size : 19,60 MB
Release : 2021
Category : Biography & Autobiography
ISBN : 9780241484838
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Author :
Publisher :
Page : 580 pages
File Size : 39,39 MB
Release : 1983
Category : Motion pictures
ISBN :
Author : Alan Goble
Publisher :
Page : 998 pages
File Size : 23,50 MB
Release : 1991
Category : Motion picture producers and directors
ISBN :
Author : Wheeler Winston Dixon
Publisher : Rutgers University Press
Page : 525 pages
File Size : 26,5 MB
Release : 2018-03-30
Category : Art
ISBN : 0813595169
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author : Susan Hayward
Publisher : Routledge
Page : 550 pages
File Size : 22,77 MB
Release : 2002-01-04
Category : Social Science
ISBN : 1134587902
This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:* auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.
Author : Jeffrey Ruoff
Publisher : Duke University Press
Page : 316 pages
File Size : 45,54 MB
Release : 2006-01-24
Category : Performing Arts
ISBN : 9780822337133
DIVThe different forms that travelogues have taken (documentaries, IMAX, home movies, ethnographic films) from the 1800s to the present./div
Author : Naum Kleiman
Publisher : Amsterdam University Press
Page : 546 pages
File Size : 29,23 MB
Release : 2016-06-03
Category : Performing Arts
ISBN : 9048517117
Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 een jaar voor zijn dood aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van 's werelds meest gekwalificeerde Eisensteinkenners.
Author : Jim Hillier
Publisher : Harvard University Press
Page : 332 pages
File Size : 45,29 MB
Release : 1985
Category : Performing Arts
ISBN : 9780674090613
The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher :
Page : 674 pages
File Size : 12,14 MB
Release : 1976
Category : Art
ISBN :
Author : NA NA
Publisher : Springer
Page : 205 pages
File Size : 39,53 MB
Release : 2016-10-03
Category : Technology & Engineering
ISBN : 1137081686
This is the first book to provide a comprehensive and systematic account of the phenomenon of cinematic remaking. Drawing upon recent theories of genre and intertextuality, Film Remakes describes remaking as both an elastic concept and a complex situation, one enabled and limited by the interrelated roles and practices of industry, critics, and audiences. This approach to remaking is developed across three broad sections: the first deals with issues of production, including commerce and authors; the second considers genre, plots, and structures; and the third investigates issues of reception, including audiences and institutions.
