Document concernant le film "Coeur embrasé", 1929
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Author : Dziga Vertov
Publisher : Univ of California Press
Page : 414 pages
File Size : 16,53 MB
Release : 1984
Category : Literary Criticism
ISBN : 9780520056305
Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
Author : Ronald Bergan
Publisher : DK Publishing (Dorling Kindersley)
Page : 0 pages
File Size : 38,22 MB
Release : 2021
Category : Biography & Autobiography
ISBN : 9780241484838
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Author : Naum Kleiman
Publisher : Amsterdam University Press
Page : 546 pages
File Size : 45,37 MB
Release : 2016-06-03
Category : Performing Arts
ISBN : 9048517117
Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 een jaar voor zijn dood aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van 's werelds meest gekwalificeerde Eisensteinkenners.
Author : Sergei Eisenstein
Publisher : HMH
Page : 303 pages
File Size : 44,53 MB
Release : 2014-06-17
Category : Performing Arts
ISBN : 0547539479
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.