Documents concernant le film "Amour où nous mènes-tu?" 1926
Author :
Publisher :
Page : 8 pages
File Size : 47,35 MB
Release :
Category :
ISBN :
Author :
Publisher :
Page : 8 pages
File Size : 47,35 MB
Release :
Category :
ISBN :
Author :
Publisher :
Page : 4 pages
File Size : 17,53 MB
Release :
Category :
ISBN :
Author :
Publisher :
Page : pages
File Size : 25,99 MB
Release : 1961
Category :
ISBN :
Author :
Publisher :
Page : 32 pages
File Size : 41,28 MB
Release :
Category :
ISBN :
Author : Charles Baudelaire
Publisher :
Page : 64 pages
File Size : 35,72 MB
Release : 2019-12-31
Category :
ISBN : 9781673401042
Les Fleurs du mal is a volume of French poetry by Charles Baudelaire. First published in 1857, it was important in the symbolist and modernist movements. The poems deal with themes relating to decadence and eroticism. Charles Pierre Baudelaire was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe.
Author : M. B. I︠A︡mpolʹskiĭ
Publisher : Univ of California Press
Page : 339 pages
File Size : 38,70 MB
Release : 1998-10-26
Category : Literary Criticism
ISBN : 0520085302
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
Author : Peter Newmark
Publisher :
Page : 292 pages
File Size : 13,58 MB
Release : 1987
Category : Translating and interpreting
ISBN :
Author : Jody Blake
Publisher : Penn State Press
Page : 232 pages
File Size : 29,63 MB
Release : 1999-01-01
Category : Art
ISBN : 9780271017532
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Author : Brian Nelson
Publisher : Springer
Page : 237 pages
File Size : 18,33 MB
Release : 1983-06-09
Category : Literary Criticism
ISBN : 1349060976
Author : Sam Haigh
Publisher : MHRA
Page : 248 pages
File Size : 39,6 MB
Release : 2000
Category : Francophone cultures and literatures
ISBN : 9781902653204
In recent years, critical interest in francophone literature has become increasingly pronounced. In the case of the French Caribbean, the work of several writers (Aime Cesaire, Frantz Fanon, Edouard Glissant and Patrick Chamoiseau, for example) has gained international recognition, and has formed a vital part of more general debates on history, culture, language and identity in the post colonial world. The majority of such writers, however, have been male and, perhaps recalling the preference that France has always shown for the island, have come in large part from Martinique. Mapping a Tradition: Francophone Women's Writing from Guadeloupe aims to explore a different side of francophone Caribbean writing through the examination of selected novels by Jacqueline Manicom, Michele Lacrosil, Maryse Conde, Simone Schwarz-Bart and Dany Bebel-Gisler. Placing the work of these writers in the context of that of their better-known, male counterparts, this study argues that it has provided an important mode of intervention in, and disruption of, a literary tradition which has failed to address questions of sexual difference and has often excluded issues relating to French Caribbean women. At the same time, this study suggests that Guadeloupean women's writing of the last thirty years may he seen to constitute a 'tradition' in itself, replete with its own influences and inheritances. At once within, and outside the 'dominant' tradition, women's writing from Guadeloupe - and Martinique - has come to occupy a position at the forefront of contemporary efforts to expand and redefine a still-burgeoning corpus of literary and theoretical work.