A Century of Artists Books


Book Description

Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.




Historical Dictionary of the Berbers (Imazighen)


Book Description

Berbers, also known as Imazighen, are the ancient inhabitants of North Africa, but rarely have they formed an actual kingdom or separate nation state. Ranging anywhere between 15-50 million, depending on how they are classified, the Berbers have influenced the culture and religion of Roman North Africa and played key roles in the spread of Islam and its culture in North Africa, Spain, and Sub-Saharan Africa. Taken together, these dynamics have over time converted to redefine the field of Berber identity and its socio-political representations and symbols, making it an even more important issue in the 21st century. This second edition of Historical Dictionary of the Berbers contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on important personalities, places, events, institutions, and aspects of culture, society, economy, and politics. This book is an excellent resource for students, researchers, and anyone wanting to know more about the Berbers.




The J. Paul Getty Museum Journal


Book Description

The J. Paul Getty Museum Journal 17 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 17 includes articles written by Elisabeth Doumeyrou, Gerhard Gruitrooy, Lee Hendrix, Clark Hulse, David Jaffé, Jean-Nérée Ronfort, and Belinda Rathbone.




Freedom Over the Airwaves


Book Description

This book on the relationship between communications and nonviolent resistance captures a new understanding of the events that led ultimately to the fall of the authoritarian system in communist Central and Eastern Europe in 1989. In particular, it analyzes history-making acts of resistance and the movements that propelled them in Budapest in 1956, Prague in 1968, Gdansk in 1980 and East Berlin in 1989, in their own historical continuum. As we evaluate each crisis in relation to the others, we find that beyond cultural and national differences among the countries of the Soviet sphere, the knowledge of how to develop resistance was built up in a little over three generations -- a know-how that tied together means of opposition with means of media and communication. Non-provocative, nonviolent methods of action came to supersede uncontrolled forms of violence, and even the mere temptation of armed struggle. From 1968 to 1989, the empowerment of civil resistance movements in Central Europe was witnessed--a phenomenon that strengthened the re-emergence and rebuilding of "civil society." In a new Afterword penned for the English translation, Howard Barrell extends this evaluation to encompass the role of social media and digital technology in more recent and potential resistance struggles. This preeminent study offers a rare addition to understanding the transformation of half a continent.




May '68 and Its Afterlives


Book Description

During May 1968, students and workers in France united in the biggest strike and the largest mass movement in French history. Protesting capitalism, American imperialism, and Gaullism, 9 million people from all walks of life, from shipbuilders to department store clerks, stopped working. The nation was paralyzed—no sector of the workplace was untouched. Yet, just thirty years later, the mainstream image of May '68 in France has become that of a mellow youth revolt, a cultural transformation stripped of its violence and profound sociopolitical implications. Kristin Ross shows how the current official memory of May '68 came to serve a political agenda antithetical to the movement's aspirations. She examines the roles played by sociologists, repentant ex-student leaders, and the mainstream media in giving what was a political event a predominantly cultural and ethical meaning. Recovering the political language of May '68 through the tracts, pamphlets, and documentary film footage of the era, Ross reveals how the original movement, concerned above all with the question of equality, gained a new and counterfeit history, one that erased police violence and the deaths of participants, removed workers from the picture, and eliminated all traces of anti-Americanism, anti-imperialism, and the influences of Algeria and Vietnam. May '68 and Its Afterlives is especially timely given the rise of a new mass political movement opposing global capitalism, from labor strikes and anti-McDonald's protests in France to the demonstrations against the World Trade Organization in Seattle.




Communist Parties in the Middle East


Book Description

Communist Parties in the Middle East: 100 Years of History One hundred years since the Russian Revolution, Communist parties have undergone great changes, in an evolution that has affected the entire Left and the social movements. Given that the impact of Communist parties and their evolution in the Middle East is a topic that has not been widely researched, Communist parties in the Middle East. 100 years of history aims to cover a century in the lives of these parties, from the moment the Communist ideology first reached the region in the early 20th century (brought by activists from minority groups) and the creation of the first parties and trades unions after the 1917 revolution, right up to the upheaval caused by the dissolution of the USSR and, more recently, the Arab Spring. The book has been designed to offer a unique, updated and comprehensive study of Communist parties in the Middle East, based on both a theoretical framework of analysis and substantial empirical research and archive documentation. Several issues are examined in this work. When the Russian Revolution took place, the Middle Eastern region as a whole was under colonial control. This meant taking decisions related to the relationship between the class struggle and the national struggle. The composition of the communist parties in the Middle East is also analysed as is their role as the vanguard -understood in the broad sense of the word- in relation to the objectives of liberation, emancipation, revolution and system change or reform, and their connection to mass or popular movements. Furthermore, the volume looks back at the dependency or autonomy of communist parties during the Cold War and the tensions that this generated in them, as well as the search for individual constructions of communism that took into account cultural characteristics and the local context of the struggle. In this respect, one of the recurring themes in the work is the relationship between communist activism and the sectors that mobilized in the name of nationalism or political Islam. Finally, the chapters trace the history of the parties, including -for the first time in the literature- the post-Cold War period and continuing to the current situation, in which communist parties occupy a residual position in the political field, sharing space with other small groups from the real Left, new programmes adapted to neoliberal advancement in the region and the new mobilizations symbolized by the uprisings of 2010-2011. The first section of the book presents the evolution of the CPs in Iran, Turkey, Iraq, Lebanon, Syria, Palestine and Israel, Egypt, South Yemen, Sudan, Algeria and Morocco. The second section explores some cross-cutting issues that have affected relations between the communist parties and other political sectors: political Islam and the New Left. Through the testimony of some leading figures, it presents the arguments around the question of gender in the Arab world and in leftist circles as well as an example of the evolution of a female leftist activist, some contradictions and the prominent debates from the most convulsive years to the present.







Father of the Comic Strip


Book Description

Sixty years before the comics entered the American newspaper press, Rodolphe Töpffer of Geneva (1799–1846), schoolmaster, university professor, polemical journalist, art critic, landscape draftsman, and writer of fiction, travel tales, and social criticism, invented a new art form: the comic strip, or “picture story,” that is now the graphic novel. At first he resisted publishing what he called his “little follies.” When he did, they became instantly popular, plagiarized, and imitated throughout Europe and the United States. Töpffer developed a graphic style suited to his poor eyesight: the doodle, which he systematized and also theorized. The drawings, with their “modernist” spontaneous, flickering, broken lines, forming figures in mad hyperactivity, run above deft, ironic captions and propel narratives of surreal absurdity. The artist's maniacal protagonists mix social satire with myth. By the mid-nineteenth century, Messrs. Jabot, Festus, Cryptogame, and other members of the crazy family, comprising eight picture stories in all, were instant folk heroes. In a biographical framework, Kunzle situates the comic strips in the Genevan and European culture of the time as well as in relation to Töpffer's other work, notably his hilarious travel tales, and recounts their curious genesis (with an initial imprimatur from Goethe, no less) and their controversial success. Kunzle's study, the first in English on the writer-artist, accompanies Rodolphe Töpffer: The Complete Comic Strips, a facsimile edition of the strips themselves, with the first-ever translation of these into English.







Confessions of a Literary Archaeologist


Book Description

The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.