Dictionnaire Napoleon
Author : Jean F. Tulard
Publisher :
Page : pages
File Size : 11,44 MB
Release : 1989-01-01
Category :
ISBN : 9780828824910
Author : Jean F. Tulard
Publisher :
Page : pages
File Size : 11,44 MB
Release : 1989-01-01
Category :
ISBN : 9780828824910
Author : Carlton Lake
Publisher : New Directions Publishing
Page : 236 pages
File Size : 36,80 MB
Release : 1990
Category : Antiques & Collectibles
ISBN : 9780811211307
The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Author : Gertrude Stein
Publisher : Strelbytskyy Multimedia Publishing
Page : 18 pages
File Size : 50,74 MB
Release : 2024-01-09
Category : Fiction
ISBN :
Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
Author : Helmut Newton
Publisher : Chronicle Books (CA)
Page : 186 pages
File Size : 38,83 MB
Release : 2005-08-18
Category : Art
ISBN :
Following "Playboy's" celebrated 50th anniversary "Photographs" and "Cartoons" comes an arresting retrospective of Helmut Newton, one of the 20th century's most influential photographers. 150+ photos in color and b&w.
Author : Ruth Cruickshank
Publisher : OUP Oxford
Page : 304 pages
File Size : 16,9 MB
Release : 2009-10-08
Category : Literary Criticism
ISBN : 019157192X
The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis. In this original, wide-ranging but closely analytical study, Cruickshank contextualizes and reads the work of four influential writers of prose fiction —- Angot, Echenoz, Houellebecq, and Redonnet —- teasing out each one's response to this convergence. She suggests that the recurrent fictional and cultural trope of the turning point has both aesthetic and critical potential. Bringing together analyses spanning literature, thought, and culture, she identifies and critiques the ways in which, on the eve of the twenty-first century, different theoretical and fictional approaches confront the manipulation of crisis discourses. Drawing on a 'long twentieth century' of crisis thinking, Cruickshank counters the perception that a postmodern model of perpetual crisis is culturally dominant, and establ
Author : William Kidd
Publisher : Routledge
Page : 376 pages
File Size : 11,52 MB
Release : 2014-05-01
Category : Foreign Language Study
ISBN : 1134659407
The study of French culture has long ceased to be purely centred on literature. Undergraduate French courses now embrace all forms of cultural production and consumption, and students need to have a broad knowledge of everything from day-time TV and the latest detective novels to debates about national identity and immigration policies. This stimulating text is an introduction to the full range of contemporary French culture. Written by a group of leading academics both within and outside France, each chapter focuses on a topic from the French cultural scene today. Starting with an overview of resources for further information (both in print and online), the text discusses the varied forms of French cultural expression and looks critically at what 'Frenchness' itself means. The book also explores examples of cultural production ranging from sport, media and literature to theatre, cinema, festivals and music. An essential resource for students and scholars alike, this text provides detailed material and analysis, as well as a launch-pad for further study.
Author : Lisa Pollard
Publisher : Univ of California Press
Page : 303 pages
File Size : 19,8 MB
Release : 2005-01-31
Category : History
ISBN : 0520240235
Publisher Description
Author : William VanderWolk
Publisher : Rodopi
Page : 148 pages
File Size : 34,63 MB
Release : 1997
Category : Literature and history
ISBN : 9789042001794
Patrick Modiano (1945-) has published seventeen novels over the past twenty-seven years and is considered one of France's foremost writers. His first three works, dealing principally with the German occupation of France during World War II, are generally considered to have led to a reconsideration of the Gaullist myth which endured for twenty-five years after the war. Along with Marcel Ophuls's film, The Sorrow and the Pity, Modiano's novels opened French eyes to the more ambiguous role played during the occupation by the average French citizen. His subsequent novels have continued to probe the relationship between history, memory and fiction. This study will be of interest to readers of French fiction and history as it looks at their relation-ship to memory and shows that the three are inextricably linked in a way that enriches our understanding of our past, whether it be collective or personal. Modiano, while seemingly obsessed with his own past, in fact indicates an opening toward the future by attempting to put the past to rest in his fiction.
Author : Inge E. Boer
Publisher : BRILL
Page : 341 pages
File Size : 26,36 MB
Release : 2006-01-01
Category : Law
ISBN : 9401203717
Tracing and theorizing the concept of the boundaries through literary works, visual objects and cultural phenomena, this book argues against the reification of boundaries as fixed and empty non-spaces that simply divide the world. Expanding on her previous work on gender and Orientalism, Inge Boer takes us into uncertain territories of fashion and art, tourism and travel, skilfully engaging the ambivalence of boundaries, as both protecting and confining, as bringing distinction while existing by virtue of their ability to be transgressed. In her close readings of that boundaries as desert, as frame, as home (or lack of it), Boer shows that boundaries are spaces within, through, and in the name of which negotiations take place. They are not lines but spaces ; neither fixed nor empty but flexible and inhabited. With the publication of this book, Boer’s intellectual legacy stretches beyond her untimely passing. The writings that she left behind can be said to have inaugurated the future of her work, presented in the latter part by several of Boer’s intellectual companions. In their original essays, the contributors elaborate on Boer’s theme of boundaries as spaces where opposition yields to negotiation. Committed to the artefact as cultural stimulant, as the embodiment of thought, their analyses span a multitude of artefacts and media, ranging from literature to photography, to art installation and presentation, to film and song. Fanning out from Boer ‘s central focus – Orientalism – to other places of contestation, boundaries are shown to mediate the relationship between self and other ; they are, ultimately, spaces of encounter.
Author : Beth Baron
Publisher : Yale University Press
Page : 280 pages
File Size : 48,75 MB
Release : 1997-01-01
Category : History
ISBN : 9780300072716
Between 1892 and 1920 nearly thirty Arabic periodicals by, for, and about women were produced in Egypt for circulation throughout the Arab world. This flourishing women's press provided a forum for debating such topics as the rights of woman, marriage and divorce, and veiling and seclusion, and also offered a mechanism for disseminating new ideologies and domestic instruction. In this book, Beth Baron presents the first sustained study of this remarkable material, exploring the connections between literary culture and social transformation. Starting with profiles of the female intellectuals who pioneered the women's press in Egypt--the first generation of Arab women to write and publish extensively--Baron traces the women's literary output from production to consumption. She draws on new approaches in cultural history to examine the making of periodicals and to reconstruct their audience, and she suggests that it is impossible to assess the influence of the Arabic press without comprehending the circumstances under which it operated. Turning to specific issues argued in the pages of the women's press, Baron finds that women's views ranged across a wide spectrum. The debates are set in historical context, with elaborations on the conditions of women's education and work. Together with other sources, the journals show significant changes in the activities of urban middle- and upper-class Egyptian women in the decades before the 1919 revolution and underscore the sense that real improvement in women's lives--the women's awakening--was at hand. Baron's discussion of this extraordinary trove of materials highlights the voices of the female intellectuals who championed this awakening and broadens our understanding of the social and cultural history of the period.