Documents concernant le film "Une heure avant l'aube", 1923
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Page : 10 pages
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Page : 6 pages
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Author : Riva Castleman
Publisher : ABRAMS
Page : 0 pages
File Size : 34,7 MB
Release : 1997-09
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ISBN : 9780810961814
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
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Page : 14 pages
File Size : 45,81 MB
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Author : Johanna Drucker
Publisher : University of Chicago Press
Page : 306 pages
File Size : 44,33 MB
Release : 1994
Category : Art
ISBN : 0226165027
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author : Robert Motherwell
Publisher : Harvard University Press
Page : 466 pages
File Size : 11,90 MB
Release : 1989
Category : Art
ISBN : 9780674185005
Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Author : Cynthia J. Brown
Publisher : Cornell University Press
Page : 519 pages
File Size : 35,12 MB
Release : 2019-03-15
Category : Literary Criticism
ISBN : 150174254X
Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.