Documents of Utopia


Book Description

This timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art.




Documents of Utopia


Book Description

1 Ruins of Utopia -- 2 Reinventing propaganda films -- 3 Archives of commodities -- 4 Digital Utopia in the post-internet age




Utopia


Book Description

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.




Tinkering toward Utopia


Book Description

For over a century, Americans have translated their cultural anxieties and hopes into dramatic demands for educational reform. Although policy talk has sounded a millennial tone, the actual reforms have been gradual and incremental. Tinkering toward Utopia documents the dynamic tension between Americans' faith in education as a panacea and the moderate pace of change in educational practices. In this book, David Tyack and Larry Cuban explore some basic questions about the nature of educational reform. Why have Americans come to believe that schooling has regressed? Have educational reforms occurred in cycles, and if so, why? Why has it been so difficult to change the basic institutional patterns of schooling? What actually happened when reformers tried to reinvent schooling? Tyack and Cuban argue that the ahistorical nature of most current reform proposals magnifies defects and understates the difficulty of changing the system. Policy talk has alternated between lamentation and overconfidence. The authors suggest that reformers today need to focus on ways to help teachers improve instruction from the inside out instead of decreeing change by remote control, and that reformers must also keep in mind the democratic purposes that guide public education.




Burning Man, Into a 21st Century Utopia


Book Description

Burning Man, Into A 21st Century Utopia, is a photographic essay illustrating a uniquely American phenomena. Self-expression, inclusion, and liberation from financial transactions are among the core principals of Burning Man's art-driven concept of the cyber-century's new model, Transitory Utopianism. After spending eight days in the desert, you have connected with new people and ideas, and leave with fresh thoughts about navigating and influencing a rapidly changing world.




The Last Utopia


Book Description

Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.




Utopia


Book Description

On April 4, the Bibliotheque Nationale de France and The New York Public Library will present a major exhibition, displaying more than 400 books, manuscripts, drawings, prints, maps, photographs, and other original material from both libraries. This work is the catalog for the American exhibition. Through stirring essays by Roland Schaer and other leading scholars on utopian thought, the book will wxplore the long tradition of thought and art that has envisioned the "perfect place,"moving from classical antiquity to the present. It is conveniently divided into four parts: I. The Classical and Judeo-Christian models for the Western Idea of Utopia; II. The Flowering of Utopian Imagination from Thomas Moore to the Enlightenment; III. Utopia in History; and IV. The Utopias and Dystopias of the 20th Century. Along with a dazzling selection of paintings, illuminations, and other items from the Bibliotheque Nationale's noted collection of medieval and Renaissance manuscripts, The New York Public Library contributions include first or important editions of seminal works of utopian thought, political science, history, and fiction since the invention of printing. As well, The New York Public Library contributes beautiful illustrations from its collection of 16th century drawings of Theodore de Bry, posters from the Soviet Union and the 1939 World's Fair in New York, engravings from colonial times, and illuminationed manuscripts. Lavishly illustrated with many full color representations, this book will appeal to scholars and students of philosophy, history, and art, in addition to general readers curious about utopian thought.




Utopia/Dystopia


Book Description

The concepts of utopia and dystopia have received much historical attention. Utopias have traditionally signified the ideal future: large-scale social, political, ethical, and religious spaces that have yet to be realized. Utopia/Dystopia offers a fresh approach to these ideas. Rather than locate utopias in grandiose programs of future totality, the book treats these concepts as historically grounded categories and examines how individuals and groups throughout time have interpreted utopian visions in their daily present, with an eye toward the future. From colonial and postcolonial Africa to pre-Marxist and Stalinist Eastern Europe, from the social life of fossil fuels to dreams of nuclear power, and from everyday politics in contemporary India to imagined architectures of postwar Britain, this interdisciplinary collection provides new understandings of the utopian/dystopian experience. The essays look at such issues as imaginary utopian perspectives leading to the 1856-57 Xhosa Cattle Killing in South Africa, the functioning racist utopia behind the Rhodesian independence movement, the utopia of the peaceful atom and its global dissemination in the mid-1950s, the possibilities for an everyday utopia in modern cities, and how the Stalinist purges of the 1930s served as an extension of the utopian/dystopian relationship. The contributors are Dipesh Chakrabarty, Igal Halfin, Fredric Jameson, John Krige, Timothy Mitchell, Aditya Nigam, David Pinder, Marci Shore, Jennifer Wenzel, and Luise White.




Utopia & Collapse


Book Description

Built in 1969, Metsamor, Armenia (then the Armenian Soviet Socialist Republic), was intended as a settlement for employees of a nearby nuclear power plant to be completed between 1976 and 1980. But the power plant would never realize the ambitions of its creators. In 1988, an earthquake caused the facility to be shut down. In 1989, the collapse of the Soviet Union prompted a complete construction freeze. The symbol of the dream of a technologically advanced nation, Metsamor remained incomplete and fell into decay undiminished by the recommissioning of the power plant in 1995. Utopia and Collapse documents the rise and fall of Metsamor. The book brings together an oral history of Metsamor with essays by Sarhat Petrosyan and a team of contributors and art and photographic research by Katharina Roters, including more than one hundred photographs. Among the topics discussed are Armenia's cultural and and architectural histories; the typology of Soviet atomograds, or atomic cities; and the phenomenon of modern ruins. Although today the power plant's workers live in a partly built failed utopia, Metsamor stands as examples of the highly idiosyncratic Armenian variety of Soviet Modernism of the 1960s and '70s, making this a fascinating story for anyone with an interest in Soviet-era buildings and architecture.




Free Love in Utopia


Book Description

The "free love" Oneida Community, founded in New York state during the turbulent decades before the Civil War, practiced an extraordinary system of "complex marriage" as part of its sustained experiment in creating the kingdom of heaven on earth. For more than thirty years, two hundred adult members considered themselves heterosexually married to the entire community rather than to a single monogamous partner. Free Love in Utopia provides the first in-depth account of how complex marriage was introduced among previously monogamous or single Oneida Community members. Bringing together vivid, firsthand writings by members of the community--including personal correspondence, memoranda on spiritual and material concerns, and official pronouncements--this volume portrays daily life in Oneida and the deep religious commitment that permeated every aspect of it. It also presents a complex portrait of the community's founder, John Humphrey Noyes, who demanded not only complete religious loyalty from his followers but also minute control over their sexual lives. It recounts the formidable legal suits faced by the community--one of which almost forced it to disband in 1852--and the critical behind-the-scenes work of Noyes's second-in-command, John L. Miller. Most important, Free Love in Utopia describes in detail how Oneida's "enlarged family" was created and how its unorthodox practices affected its members. Key selections from a large collection of primary documents detailing Oneida's early years were compiled by George Wallingford Noyes, nephew of the founder. The present volume, astutely edited and introduced by noted communitarian scholar Lawrence Foster, marks the first publication of G. W. Noyes's remarkable manuscript, excerpted from the irreplaceable original documents that were deliberately burned after his death. The volume also reproduces Oneida's First Annual Report, which contains the sexual manifesto that underlay the community.