Dolce Agonia : a Novel


Book Description

Dolce Agoniais a sometimes sad yet openly comic work, a moral and social reflection on our times compressed into a few hours of a snowy Thanksgiving night in a small college town in New England. Sean Farrell, the poet “with a gift for instilling discomfort,” is the host for this unforgettable evening: among his dozen guests are poets and writers and professors, former lovers, an artist-turned-housepainter, a bread maker, a secretary, and a young woman with an infant and a haunting past. Not all of them know one another when the evening begins, but, as this remarkable novel unfolds, the reader will come to know each of them intimately—to move inside their skins and to live in their thoughts, to share in their past sufferings and to know their hopes; even to catch a glimpse, through the eyes of their “creator,” into their futures, to know their fates. It is Nancy Huston’s gift and triumph that she can move so freely and seamlessly from tragedy to comedy. And what comedy she give us: her insights into the ego of the ageing male are as funny as they are uncanny; even the death of a beloved characters is rendered through such absurd twists that laughter overwhelms sadness. With Dolce Agonia, Huston has written an eloquent exploration of mortality that is a celebration of life. At the core of this novel is a universal plea that we never let go of our friends, never lose their stories.




The Mark of the Angel


Book Description

Set in Paris in the 1960s, this story recounts the passionate love affair between a married German woman and a Hungarian Jewish instrument maker, shows how their lives intersect with the historical events of the time, and describes the different ways in which they remember World War II and the Algerian war for independence.




Slow Emergencies


Book Description

Lin has a husband, two daughters, and close friends. But dance is her passion. Inescapably, it imposes itself upon her, until the inevitable moment when she must choose between her family life and the all-consuming world of dance to which she aches to return. Slow Emergencies conveys an irresistible impulse to create, and illustrates the emotional turmoil that ensues for Lin and her family. Nancy Huston, award-winning author of The Mark of the Angel, writes brilliantly here about the passage of time, the body’s vulnerability, and the solitude of creative endeavor. What results is a deeply felt novel that offers a disquieting but profoundly moving meditation on just what it means to be an artist.




The Goldberg Variations


Book Description

Nancy Huston describes GOLDBERG VARIATIONS:"Suppose you invite thirty people to your home, people whom you love or have loved, to listen to you perform Bach's Goldberg Variations. And say that this concert unfolds like a midsummer night's dream, that is, you, Liliane, succeed in vibrating thirty people like so many variations, each at a different tune -- you must oscillate between memory and speculation; you must, above all, master your fears -- maybe then, all these fragments of music would dance into the same stream, and that you would call GOLDBERG VARIATIONS, a novel."




Dreamology


Book Description

Vibrantly offbeat and utterly original, Lucy Keating’s debut novel combines the unconventional romance of Eternal Sunshine of the Spotless Mind with the sweetness and heart of Jenny Han. For as long as Alice can remember, she has dreamed of Max. Together, they have traveled the world and fallen deliriously, hopelessly in love. Max is the boy of her dreams—and only her dreams. Because he doesn’t exist. But when Alice walks into class on her first day at a new school, there he is. Real Max is nothing like Dream Max. He’s stubborn and complicated. And he has a whole life Alice isn’t a part of. Getting to know each other in reality isn’t as perfect as Alice always hoped. Alarmingly, when their dreams start to bleed into their waking hours, the pair realize that they might have to put an end to a lifetime of dreaming about each other. But when you fall in love in your dreams, can reality ever be enough?




Plainsong


Book Description

Using fragments from her grandfather's journal, Paula Sterling pieces together her family's history, from the hardships of early frontier life to the boom times of the 1950s. This incantatory novel explores the ties of family and place, the meaning of personal salvation, and the redemptive power of imagination.




Waking Up in Heaven


Book Description

Recounts the story of a young mother who underwent an intense near-death experience after she became unresponsive during a medical emergency, as she discusses the hardships of her past and the impact of the experience on her life.




Shame and the Aging Woman


Book Description

This book brings together the research findings of contemporary feminist age studies scholars, shame theorists, and feminist gerontologists in order to unfurl the affective dynamics of gendered ageism. In her analysis of what she calls “embodied shame,” J. Brooks Bouson describes older women’s shame about the visible signs of aging and the health and appearance of their bodies as they undergo the normal processes of bodily aging. Examining both fictional and nonfiction works by contemporary North American and British women authors, this book offers a sustained analysis of the various ways that ageism devalues and damages the identities of otherwise psychologically healthy women in our graying culture. Shame theory, as Bouson shows, astutely explains why gendered ageism is so deeply entrenched in our culture and why even aging feminists may succumb to this distressing, but sometimes hidden, cultural affliction.







Aimer et mourir


Book Description

Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.