Domestic Interiors


Book Description

In the act of enclosing space and making rooms, we make and define our aspirations and identities. Taking a room by room approach, this fascinating volume explores how representations of domestic space have embodied changing spatial configurations and values, and considers how we see modern individuals in the process of making themselves 'at home'. Scholars from the US, UK and Australasia re-visit and re-think interiors by Bonnard, Matisse, Degas and Vuillard, as well as the great spaces of early modernity; the drawing room in Rossetti's house, hallways in Hampstead Garden Suburb, the Paris attic of the Brothers Goncourt; Schütte-Lihotzky's Frankfurt Kitchen, to explore how interior making has changed from the Victorian to the modern period. From the smallest room - the bathroom - to the spacious verandas of Singapore Deco, Domestic Interiors focuses on modern rooms 'imaged' and imagined, it builds a distinct body of knowledge around the interior, interiority, representation and modernity, and creates a rich resource for students and scholars in art, architecture and design history.




Domestic Art


Book Description

Thirty-seven interior design projects selected from houses in Texas and pulled from the pages of 'PaperCity,' from the years 2000 to 2008, which include Philip Johnson's house for Dominique and John De Menil, Michelle Nussbaumer's eighteenth-century ch㡴eau and old world hunting lodge, and designer Michael Landrum's 1912 chalet-style Arts and Crafts bungalow.




Imagined Interiors


Book Description

Now available in paperback, Imagined Interiors presents an extraordinarily diverse body of visual and textual material, suggesting fresh histories of the home, its contents and representation, and appealing to all who are interested in art history, interior design, social history and the decorative arts.




The Early Modern Italian Domestic Interior, 1400–1700


Book Description

Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the early modern Italian domestic interior. Though the essays mainly take an art historical approach, the book is interdisciplinary in that it considers the social implications of domestic objects for family members of different genders, age, and rank, as well as for visitors to the home. By adopting a broad chronological framework that encompasses both Renaissance and Baroque Italy, and by expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers genuinely new perspectives on the home in early modern Italy.




At Home


Book Description

This edition contains reproductions of ravishing works by more than 100 artists, from Maes and Vermeer to Sargent, Bonnard, and Cassatt to Hopper and Tanning. The story starts with interiors from the 17th century and continues through the 19th.




New York Interiors


Book Description

A striking visual homage to the Big Apple by leading interiors photographer Simon Upton In his first book, renowned interiors photographer Simon Upton turns his camera on one of his most-loved destinations in this personal exploration of fashionable homes in New York City. Urbane and characterful, New York Interiors unveils the photographer's favorite interior projects from the city, intertwined with atmospheric images of the metropolis and its most stylish residents. Presented in two halves--City and Getaway--the book showcases city living from uptown to downtown, as well as the chic retreats of the Hamptons and other exclusive weekend destinations where New Yorkers head to relax.




Domestic Interior


Book Description

Many of the poems in Domestic Interior were written around the same time as Fiona Wright's award-winning collection of essays Small Acts of Disappearance, and they share with that work her acute sensitivity to the details that build our everyday world, and hold us in thrall, in highly charged moments of emotional extremity. Anxiety lurks in domestic spaces, it inhabits the most ordinary objects, like a drill bit or a phone charger, it draws our attention to the bruised body and its projecting parts. The elements of language take on new intensity in a series of 'overheard' poems fraught with their speakers' vulnerability and their attempts at resolution. Wright walks us through the places where this drama unfolds, in shopping centres, cafes, hospitals and bedrooms, in the inner-city suburbs of Sydney where the poet now lives, and the south-west where she grew up, presenting them as sites of love as well as sadness, and succour and strength as well as unease.




Domestic Institutional Interiors in Early Modern Europe


Book Description

Early modern Europe witnessed the expansion of religious, charitable and educational structures, yet little is known about the domestic experience of those who lived in convents or almshouses, orphanages or colleges. Through specific case studies dealing with both Catholic and Protestant settings, this interdisciplinary collection explores the institutional, individual and family strategies that contributed to shaping the spatial and material dimensions of institutional life and expands considerably the notion of 'domestic interior'.




DISC Interiors: Portraits of Home


Book Description

Krista Schrock and David John Dick, founders of DISC Interiors, masterfully combine traditional inspiration with contemporary elegance. Headed by principals Krista Schrock and David John Dick, DISC Interiors is an interior and furniture design firm based in Silver Lake, Los Angeles. DISC Interiors strives to create homes of calibrated simplicity that balance the push and pull of modern life, address a sense of place and persons rather than any particular period or style, and balance the traditional with the modern and aesthetics with function. DISC Interiors favors earthy color palettes that transition like seasons, and organic textures that patina gently like metals that burnish with touch, leathers that soften, and floorboards that reveal more of a home's soul with every year. The homes they design are filled with vintage furniture and rugs juxtaposed against custom upholstery to feel contemporary yet classic and familiar. The projects designed by DISC Interiors represent a one-of-a-kind combination of traditional details and contemporary chic, and Portraits of Home is inspiring for all those seeking both contemporary and traditional solutions to twenty-first-century living.




The Bourgeois Interior


Book Description

From Robinson Crusoe’s cave to Henry Selwyn’s hermitage, the domestic interior tells a story about "things" and their relation to character and identity. Beginning with a description of a typical middle-class interior in America today—noting how its contents echo interiors described in literatures of the past—Julia Prewitt Brown asks why certain features persist, despite radical changes in domestic life over the past three hundred years. The answer lies, Brown argues, in the way the bourgeois interior functions as a medium, a many-layered fabric across which different energies travel, be they psychological, political, or aesthetic. In this way, objects are not symbols but rather the materials out of which symbols are made--symbols that constitute the very soul of the bourgeois. In a wide-ranging analysis, moving from works by Daniel Defoe, Jane Austen, Charles Dickens, and Henry James to those by Virginia Woolf, Ingmar Bergman, John Updike, and W. G. Sebald, Brown shows that what is at issue is less the economic basis of class than the bourgeoisie’s imagination of itself. The themes explored include the middle class’s ever-increasing desire for more wealth, as well as Victorian women’s identification with the domestic interior and the changes that took place when they began working outside the home. Brown also examines the ambivalence of economically determined objects both as repositories of memory and dreams and as fetishized commodities that become detached from everyday reality. Does the bourgeois possess the interior and its objects, or do the interior and its objects possess the bourgeois?