Don't Come Back


Book Description

In this collection of linked lyrical and narrative essays, experimental translations, and reinterpreted myths, Lina Maria Ferreira Cabeza-Vanegas launches into an exploration of home and identity, family history and belonging, continually examining what it means to feel familiarity but never really feel at home. Don't Come Back intermixes translations of Spanish adages and adaptations of major Colombian myths with personal essays about growing up amidst violence, magic, and an unyielding Andean sun. Home is place and time and people and language and history, and none of these are ever set in stone. Attempting to reconcile the irreconcilable and translate the untranslatable--to move smoothly and cohesively between culture, language, and place--Ferreira Cabeza-Vanegas is torn between spaces, between the aunt who begs her to return to Colombia and the mother who tells her, "There's nothing here for you, Lina. Don't come back." Don't Come Back is an exploration of home and identity that constantly asks, "If you really could go back, would you?"




Please Don't Come Back from the Moon


Book Description

In this haunting debut novel, Michael Smolij and his friends are unable to leave the blue-collar Detroit neighborhoods abandoned by their fathers. They stumble through their teens into their 20s until the restlessness of the fathers blooms in them, threatening to carry them away.




Don't Come Back


Book Description

Winner of the Writer's Digest 2019 Memoir of the Year Award Adam Fletcher's life hates him... That's how it feels since he lost his girlfriend of nine years, his confidence, hair, and home. But then he receives an email from a mysterious stranger offering him a free holiday of a lifetime. It's too good to be true. But then what does he have to lose? So he says yes. And then things gets strange... Catapulted through the wilds of South Africa, Cuba and Indonesia, he must fight an angry baboon armed with just a sock; hike into an active volcano to meet people with the worst job in the world; have coffee and biscuits with a stranger's dead grandma; go on a double-date with a very flirtatious princess; stare down hungry Komodo dragons; be rushed to hospital by emergency speedboat; and discover why it's a really bad idea to become a gold digger in Papua New Guinea. A lot of strange things are about to happen to him. He's not ready for any of them...




Don't Forget to Come Back!


Book Description

When her parents go out for the evening, a little girl threatens to run off to Alaska but has a good time with the babysitter instead.




When You Can't Come Back


Book Description

San Francisco Giants' pitcher Dave Dravecky's battle against cancer.




But You Did Not Come Back


Book Description

A French woman’s heartrending account of her survival in a WWII Nazi concentration camp—and a tribute to her father who died there. A runaway bestseller in France, But You Did Not Come Back has already been the subject of a French media storm and hailed as an important new addition to the library of books dealing with the Holocaust. It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France, and Europe in general, face growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt. “But You Did Not Come Back is indisputably a story of survival . . . yet it is also a story of how trauma impacts through the generations.” —The Guardian




We Don't Go Back


Book Description

Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of ­pagan ­village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women




Don't Go Back


Book Description

Despite the fact she's a woman in a man's world, Morgan Lane works hard at Goldsen Park. Wielding a chainsaw and felling trees, she tries to keep up with her bosses' constantly contradicting orders. Staying busy in the woods keeps her from thinking about Wade Newland, the one man she'd loved who left her without an explanation. Yet the photojournalist can't stay away. Wade crashes back into her life—literally—when he carries her tumbling over a ravine to save her from a stranger bearing a weapon in her park. Connected again, albeit out of danger, they attempt to figure out why someone would be toting a gun in the dark. As they sleuth their way through the tangles of bureaucracy and the many layers of deception within the Goldsen crew, they discover there is more to this incident than what meets the eye. The deeper they dig, they realize no one can be trusted, not even the law. Not only do they have to tiptoe around their still-burning feelings for each other, they need to come to a simple truce. Can they watch each other's backs and find the answers in the darkest part of the forest?




Don't Make Me Go Back, Mommy


Book Description

Five-year-old Allison is one of a group of children who are abused and subjected to horrible rituals at a perverse day care center, but with therapy and her parents' love she begins the healing process.




Don't Call It a Comeback (Foreword by D. A. Carson)


Book Description

Recent cultural interest in evangelicalism has led to considerable confusion about what the term actually means. Many young Christians are tempted to discard the label altogether. But evangelicalism is not merely a political movement in decline or a sociological phenomenon on the rise, as it has sometimes been portrayed. It is, in fact, a helpful theological profile that manifests itself in beliefs, ethics, and church life. DeYoung and other key twenty- and thirty-something evangelical Christian leaders present Don't Call It a Comeback: The Same Evangelical Faith for a New Day to assert the stability, relevance, and necessity of Christian orthodoxy today. This book introduces young, new, and under-discipled Christians to the most essential and basic issues of faith in general and of evangelicalism in particular. Kevin DeYoung and contributors like Russell Moore, Darrin Patrick, Justin Taylor, Thabiti Anyabwile, and Tim Challies examine what evangelical Christianity is and does within the broad categories of history, theology, and practice. They demonstrate that evangelicalism is still biblically and historically rooted and remains the same framework for faith that we need today.