Don't Dream It's Over


Book Description

How much do you remember about the music of the Big '80s? Don't Dream It's Over: The '80s Music Party Game tests your knowledge of the songs, albums, lyrics, and lifestyles of hundreds of your favorite New Wave bands, New Jack swingers, and Old School rappers. The 1000+ questions cover everything from ABC to ZZ Top, hair metal to eyeliner goth, and high top fade hip hop to spiky-haired techno pop. With nine different ways to play and questions ranked according to difficulty, everybody can join in the fun. So slip on your rubber bracelets, call all your friends, turn your home into a Culture Club, and get ready for a neon-colored synthesizer-soaked flashback that will take your breath away.




Don't Dream It's Over


Book Description

How much do you remember about the music of the Me Decade? 'Dont Dream Its Over: The 80s Music Party Game' tests your knowledge of the songs, albums, lyrics, and lifestyles of hundreds of your favorite New Wave bands, New Jack swingers, and Old School rappers. The 1000+ questions cover everything from ABC to ZZ Top, hair metal to eyeliner goth, and high top fade hip hop to spiky-haired techno pop. With nine different ways to play and questions ranked according to difficulty, anybody can participate.




It's Not Over Until You Win


Book Description

A step-by-step plan offers examples and exercises on how to determine and live by a set of values, experiment with failure as a formula for success, and take life beyond set limits.




The Song Remains the Same


Book Description

An illuminating history of the song for every kind of music lover Often today, the word ‘song’ is used to describe all music. A free-jazz improvisation, a Hindustani raga, a movement from a Beethoven symphony: apparently, they’re all songs. But they’re not. From Sia to Springsteen, Archie Roach to Amy Winehouse, a song is a specific musical form. It’s not so much that they all have verses and choruses – though most of them do – but that they are all relatively short and self-contained; they have beginnings, middles and ends; they often have a single point of view, message or story; and, crucially, they unite words and music. Thus, a Schubert song has more in common with a track by Joni Mitchell or Rihanna than with one of Schubert’s own symphonies. The Song Remains the Same traces these connections through seventy-five songs from different cultures and times: love songs, anthems, protest songs, lullabies, folk songs, jazz standards, lieder and pop hits; ‘When You Wish Upon a Star’ to ‘We Will Rock You’, ‘Jerusalem’ to ‘Jolene’. Unpicking their inner workings makes familiar songs strange again, explaining and restoring the wonder, joy (or possibly loathing) the reader experienced on first hearing. ‘As much about singing, musicianship and recording as it is about songwriting, this eclectic ride through a unique choice of songs (everyone will argue for alternatives) is cleverly curated and littered with intriguing details about the creators and their times, filled with loving cross-references to other songs and deft musical analysis. I defy anyone not to leap online to listen to the unfamiliar, or re-listen to old favourites in light of new detail. One of the best games in this book is figuring out why one song follows the other: there’s always an intelligent, often very funny, link.’ —Robyn Archer




Don't Dream It's Over: The Remarkable Life of Neil Finn


Book Description

Across five decades and counting, New Zealand-born singer/songwriter and Crowded House founder Neil Finn has become one of the best-loved figures in popular music, crafting enough hits along the way--'Weather With You', 'Locked Out', 'I Got You', 'Fall At Your Feet', 'It's Only Natural', and of course 'Don't Dream It's Over'--to forge his very own one-man Great Antipodean Songbook. One fateful day in April 1977, teenage Neil received a transcontinental phone call that would change his life. It was his older brother, Tim, calling from London, England, with a simple question: 'Do you want to join the band?' That band, the art-rock combo Split Enz, would provide the launchpad for a career that has taken in widespread international success with Crowded House, as a solo artist, back with Tim in The Finn Brothers, and as a touring member of Fleetwood Mac. There have been bumps along the road, including repeated clashes with Tim and the tragic death of original Crowded House drummer Paul Hester, but taken as a whole, Finn's story is one of the most inspiring musical sagas of modern times. Australian author and journalist Jeff Apter has observed Neil's career from close quarters since the late 70s, from frantic early Enz gigs to private listening parties to huge reunion shows and numerous points in between, giving him the perfect perspective to write this intimate, even-handed biography.




Dream It. Pin It. Live It.


Book Description

When the vision is clear, the results will appear. Clarity about your dreams is the single most important step to success! In this book, Terri Savelle Foy shares her journey of using vision boards to accomplish great things and shows how you can too. Discover how vision boards work, what to do after you've made them, and the hidden key to living your dreams. Find out how you can open your imagination and have that childlike faith to believe that anything is possible, and turn your dreams into reality.




Deconstruction


Book Description

The basic story of the rise, reign, and fall of deconstruction as a literary and philosophical groundswell is well known among scholars. In this intellectual history, Gregory Jones-Katz aims to transform the broader understanding of a movement that has been frequently misunderstood, mischaracterized, and left for dead—even as its principles and influence transformed literary studies and a host of other fields in the humanities. ? Deconstruction begins well before Jacques Derrida’s initial American presentation of his deconstructive work in a famed lecture at Johns Hopkins University in 1966 and continues through several decades of theoretic growth and tumult. While much of the subsequent story remains focused, inevitably, on Yale University and the personalities and curriculum that came to be lumped under the “Yale school” umbrella, Deconstruction makes clear how crucial feminism, queer theory, and gender studies also were to the lifeblood of this mode of thought. Ultimately, Jones-Katz shows that deconstruction in the United States—so often caricatured as a French infection—was truly an American phenomenon, rooted in our preexisting political and intellectual tensions, that eventually came to influence unexpected corners of scholarship, politics, and culture.




Philosophy of Western Music


Book Description

This is the first comprehensive book-length introduction to the philosophy of Western music that fully integrates consideration of popular music and hybrid musical forms, especially song. Its author, Andrew Kania, begins by asking whether Bob Dylan should even have been eligible for the Nobel Prize in Literature, given that he is a musician. This motivates a discussion of music as an artistic medium, and what philosophy has to contribute to our thinking about music. Chapters 2-5 investigate the most commonly defended sources of musical value: its emotional power, its form, and specifically musical features (such as pitch, rhythm, and harmony). In chapters 6-9, Kania explores issues arising from different musical practices, particularly work-performance (with a focus on classical music), improvisation (with a focus on jazz), and recording (with a focus on rock and pop). Chapter 10 examines the intersection of music and morality. The book ends with a consideration of what, ultimately, music is. Key Features Uses popular-song examples throughout, but also discusses a range of musical traditions (notably, rock, pop, classical, and jazz) Explains both philosophical and musical terms when they are first introduced Provides publicly accessible Spotify playlists of the musical examples discussed in the book Each chapter begins with an overview and ends with questions for testing comprehension and stimulating further thought, along with suggestions for further reading




Who Did It First?


Book Description

“Everybody has to start somewhere. Businessmen start on the ground floor and try to work their way up the corporate ladder. Baseball players bide their time in the minor leagues wishing for an opportunity to move up and play in the majors. Musical compositions aren’t very different – some songs just don’t climb the charts the first time they’re recorded. However, with perseverance, the ideal singer, the right chemistry, impeccable timing, vigorous promotion, and a little luck, these songs can become very famous.” So writes Bob Leszczak in the opening pages of Who Did It First?: Great Rock and Roll Cover Songs and Their Original Artists. In this third and final volume to the Who Did It First? series, readers explore the hidden history of the most famous, indeed legendary, rock songs and standards. Did you know that the Wild Ones had a “Wild Thing” before the Troggs? Were you aware that it took a second shot for “Double Shot of My Baby’s Love” to make the charts? Had you heard that Guy Villari and the Regents dated “Barbara Ann” five years before the Beach Boys? Were you privy to the fact that there was “Hanky Panky” going on with Ellie Greenwich and the Raindrops, as well as the Summits, before Tommy James and the Shondells made the song a number 1 classic? Some of the information contained within these pages will shock, rattle and roll you. You may fancy yourself a music expert, but this third and last in a series of titles devoted to the story of great songs and their revival as great covers is filled with eye openers. In many instances, one’s eyes will open even wider as a result of the list of cover artists (with Paul Anka’s remake of Nirvana’s “Smells like Teen Spirit” leading the pack). Who Did It First?Great Rock and Roll Cover Songs and Their Original Artistsis the perfect playlist builder. So whether quizzing friends at a party, answering a radio station contest, or just satisfying an insatiable curiosity to know who really did do it first, this work is a must-have.




Crowded House: Something So Strong


Book Description

'It's pretty stupid comparing us to the Beatles. There were four of them. There's only three of us.' — Paul Hester Crowded House promised to become the most successful band ever to have come out of Australasia. When 'Don't Dream It's Over' and 'Something So Strong' exploded in the US charts, worldwide success looked inevitable. Critics compared them musically to the Beatles and fans adored them for their warmth and humour on stage. Four brilliant albums later, their rollercoaster ride of achievements and disappointments came to an end on the steps of the Sydney Opera House, in front of one of the largest audiences in Australian history. The dream was over, the band had finally broken up, their enormous promise was only partially fulfilled. In this definitive account, New Zealand journalist Chris Bourke has written the true story of the first phase of Crowded House. With unparalleled access to all the band members, their families, friends, musical collaborators, managers, and record company personnel, he has captured their essence. It is a unique tale of musical chemistry, family bonds and the personal costs of pursuing an artistic vision. From the manic energy of the recording studio to the machinations of the record industry, this riveting account is a book for every Crowded House fan. This latest edition of Crowded House: Something So Strong includes new material from the author.