Doré's Illustrations for "Paradise Lost"


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All 50 of Doré's powerful illustrations for Milton's epic poem, recounting mankind's fall from the grace of God through the work of Satan. Appropriate quotes from the text are printed with each illustration.




PARADISE LOST.


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Paradise Lost. Illustrated by Gustave Doré. Edited by Henry C. Walsh


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Doré Illustrations for Dante's Divine Comedy


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These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.




Paradise Lost, Book 3


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Paradise Lost


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Milton's poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties - blind, bitterly disappointed by the Restoration and briefly in danger of execution - Paradise Lost's apparent ambivalence towards authority has led to intense debate about whether it manages to 'justify the ways of God to men', or exposes the cruelty of Christianity.Of Man's first disobedience, and the fruit Of that forbidden tree whose mortal taste Brought death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, Heavenly Muse, that, on the secret top Of Oreb, or of Sinai, didst inspire That shepherd who first taught the chosen seed In the beginning how the heavens and earth Rose out of Chaos: or, if Sion hill Delight thee more, and Siloa's brook that flowed Fast by the oracle of God, I thence Invoke thy aid to my adventurous song, That with no middle flight intends to soar Above th' Aonian mount, while it pursues Things unattempted yet in prose or rhyme. And chiefly thou, O Spirit, that dost prefer Before all temples th' upright heart and pure, Instruct me, for thou know'st; thou from the first Wast present, and, with mighty wings outspread, Dove-like sat'st brooding on the vast Abyss, And mad'st it pregnant: what in me is dark Illumine, what is low raise and support; That, to the height of this great argument, I may assert Eternal Providence, And justify the ways of God to men.Say first-for Heaven hides nothing from thy view, Nor the deep tract of Hell-say first what cause Moved our grand parents, in that happy state, Favoured of Heaven so highly, to fall off From their Creator, and transgress his will For one restraint, lords of the World besides. Who first seduced them to that foul revolt? Th' infernal Serpent; he it was whose guile, Stirred up with envy and revenge, deceived The mother of mankind, what time his pride Had cast him out from Heaven, with all his host Of rebel Angels, by whose aid, aspiring To set himself in glory above his peers, He trusted to have equalled the Most High, If he opposed, and with ambitious aim Against the throne and monarchy of God, Raised impious war in Heaven and battle proud, With vain attempt. Him the Almighty Power Hurled headlong flaming from th' ethereal sky, With hideous ruin and combustion, down To bottomless perdition, there to dwell In adamantine chains and penal fire, Who durst defy th' Omnipotent to arms.Nine times the space that measures day and night To mortal men, he, with his horrid crew, Lay vanquished, rolling in the fiery gulf, Confounded, though immortal. But his doom Reserved him to more wrath; for now the thought Both of lost happiness and lasting pain Torments him: round he throws his baleful eyes, That witnessed huge affliction and dismay, Mixed with obdurate pride and steadfast hate. At once, as far as Angels ken, he views The dismal situation waste and wild. A dungeon horrible, on all sides round, As one great furnace flamed; yet from those flames No light; but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed. Such place Eternal Justice has prepared For those rebellious; here their prison ordained In utter darkness, and their portion set, As far removed from God and light of Heaven As from the centre thrice to th' utmost pole.




Doré's Illustrations for Ariosto's "Orlando Furioso"


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Great 19th-century illustrator's last major achievement: 208 brooding, surreal illustrations of magnificent, influential Renaissance epic poem. Jousting knights, damsels in distress, and grotesque monsters come to life under Doré's exuberant pen style.




Doré's Illustrations of the Crusades


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All 100 original plates from 19th-century classic, including The Massacre of Antioch, The Road to Jerusalem, The Baptism of Infidels, The Battle of Lepanto, many more. Magnificent, royalty-free illustrations with captions.




The Doré Bible Illustrations


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Detailed plates from the Bible: the Creation scenes, Adam and Eve, horrifying visions of the Flood, the battle sequences with their monumental crowds, depictions of the life of Jesus, 241 plates in all.




Doré's Illustrations for Don Quixote


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190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions.