Dorothy Iannone: the Story of Bern, [or] Showing Colors


Book Description

A superb facsimile of Dorothy Ianonne's 1970 comic-book tale of censorship, sexuality and female autonomy As much as Love and Eros have defined my work since its beginnings, so too has censorship, or its shadow, accompanied it," recalls Dorothy Iannone (born 1933) in her introduction to this facsimile publication of her legendary The Story of Bern, [or] Showing Colors. First published by Iannone and her then companion Dieter Roth in 1970, in an edition of 500, the book documents the censorship of Iannone's work The (Ta)Rot Pack (1968-69) and the subsequent removal of all his works by Roth, from a collective exhibition at the Kunsthalle Bern. For his exhibition titled Freunde, Friends, d'Fründe, legendary curator Harald Szeemann invited Karl Gerstner, Roth, Daniel Spoerri and André Thomkins to exhibit artist friends; Roth chose Iannone. The censorship of Iannone, and Roth's protest, eventually led to Harald Szeemann's resignation as the director of the institution. Telling the story of this act of censorship as well as the context of the exhibition in Bern and its iteration in a non-censored version in Düsseldorf, The Story of Bern is emblematic of Iannone's distinctive, explicit and comic-book style, and of her openness about sexuality and the strengthening of female autonomy.




Dorothy Iannone


Book Description

Since the 1960s, Dorothy Iannone has attempted to represent ecstatic love, 'the union of gender, feeling, and pleasure.' Today her oeuvre is widely recognized as one of the most provocative and fruitful bodies of work in recent decades in terms of the liberalization of female sexuality, political and feminist issues.A narrative element fed with personal mythologies, experiences, feelings, and relationships runs through all of her work, unified by her distinctive colourful, explicit, and comic book-like style.Created in 1969, when she was living with Swiss artist Dieter Roth, the Cookbook is a perfect example of how she mixes daily life and an existential approach, culminating in her vision of cooking as an outlet for both eroticism and introspection. A real book of recipes full of visual delights, the Cookbook contains densely decorated pages with patterned designs, packed text, and vibrant colours. Personal sentences are interspersed among the lists of ingredients, revealing the exultations and tribulations of her life between the lines of recipes.Filled with wit and wordplay, associations between aliments and idiosyncratic thoughts -- 'At least one can turn pain to colour' accompanies the recipe for gazpacho; 'Dorothy's spirit is like this: green and yellow', is written next to the ingredients for lentil soup -- the Cookbook constitutes a mundane but essential self-portrait of the artist as a cook and a lover. This beautiful facsimile of the Cookbook is published in collaboration with Air de Paris, Paris.Born in 1933 in Boston, Dorothy Iannone lives and works in Berlin. Her recent exhibitions include: Centre culturel suisse, Paris, 2016; Migros Museum, Zurich; Berlinische Galerie, Berlin (both 2014); and New Museum, New York, 2009.




The Art of Feminism


Book Description

A survey of feminist art from suffrage posters to The Dinner Party and beyond: “Lavishly produced images . . . indispensable to scholars, critics and artists.” —Art Monthly Once again, women are on the march. And since its inception in the nineteenth century, the women’s movement has harnessed the power of images to transmit messages of social change and equality to the world. From highlighting the posters of the Suffrage Atelier, through the radical art of Judy Chicago and Carrie Mae Weems, to the cutting-edge work of Sethembile Msezane and Andrea Bowers, this comprehensive international survey traces the way feminists have shaped visual arts and media throughout history. Featuring more than 350 works of art, illustration, photography, performance, and graphic design—along with essays examining the legacy of the radical canon—this rich volume showcases the vibrancy of the feminist aesthetic over the past century and a half.




Vern Blosum


Book Description

Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals.Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art: a seemingly normal progression in an artist's career, were it not for a rumor that emerged regarding his true identity.Alfred H. Barr, the Director of MoMA, New York, started to worry about it in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist's name fell into obscurity. Vern Blosum does not exist, but his work does. And that is precisely what this book aims to reveal.Published in the HAPAX series with the Kunsthalle Bern.




Dieter Roth


Book Description

Publié à l'occasion de l'exposition éponyme au Frac Bretagne, Rennes, de décembre 2013 à mars 2014.00Tout au long d'une oeuvre fondamentalement en mouvement, Dieter Roth, ayant vécu toute sa vie entre plusieurs pays, en particulier l'Allemagne, la Suisse et l'Islande, a mis en place des modes opératoires destinés à générer des formes. Dans les années 1950 et 1960, après une formation en Suisse marquée par l'art concret, il développe un travail géométrique d'inspiration constructiviste et typographique. Parallèlement, on assiste chez lui à la destruction de toute tentative formelle. Dans les années 1960, il réalise sa première " île ", amas de matières informes vouées à se dégrader avec le temps, inaugurant une dynamique de construction-destruction récurrente.




Coming Back is Half the Trip


Book Description

Tiré du site Internet de Nieves: ""Coming back is half the trip" consists of studies for paintings and sculptures shown in his fourth solo exhibition with V1 Gallery / Eighteen in Copenhagen. The book, in conjunction with the exhibition, offers new approaches to cognition. McFetridge ventures on to the ledge of meaning, bringing us with him on a trip that we can sense, but struggle to verbalize. A meditative, empathic state of mind, where we are connected beyond time and words in recognition of our complex existence. Visual art."




Counterpractice


Book Description

Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.







Womens Work


Book Description

In 1975, Alison Knowles (born 1933), founding member of Fluxus, and experimental composer Annea Lockwood (born 1939) co-edited and self-published Womens Work, a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This superb facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues, by artists Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter and Marilyn Wood. This is an important reissue, collecting as it does works in a field whose "classics" are typically confined to male-dominated publications.




Broken Music


Book Description