Dr. Bhupen Hazarika a legend


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Bhupen Hazarika, composer and singer from Assam, India.




Nationalism in India


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This book offers interdisciplinary perspectives on nationalism in India and examines the ways in which literary-textual representations intervene in debates regarding Hindu, Muslim and other forms of Indian nationalism. The book interrogates questions of nationalism and nationhood in relation to literary and cultural texts, historic-linguistic contexts and new developments in queer nationalism and ecological nationalism. It adopts a nation-wide emphasis, including chapters on Northeast India and other regions that have been historically underrepresented in studies of Indian nationalism. Moreover, the volume explores a rich variety of literary works by various writers over the past two centuries that have created, enshrined and contested ideas pivotal to the development of Indian nationalism. Located in a range of disciplines, contributors bring extensive expertise in Indian literature, language and culture to the question of nationalism. The chapters challenge many of the accepted ideas on nationalism and critically examine the politics behind such nationalisms. Moving beyond an approach to Indian nationalism based exclusively in the historicist-political paradigm, this timely book challenges established ideas in Indian nationalism and critically examines the politics of nationalisms in terms of textual representations. The book will be of interest to researchers working on South Asian studies, including Indian culture, history, literature and politics.




Beyond The Lines


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Though my forte is the creative world, I used to dabble now and then as a conscious concerned critic reacting to the current events by calling a spade a spade and providing necessary inputs for progress. Whilst expressing my profound gratitude and sense of appreciation wherever it’s due, I failed not to condemn the words and deeds of the high and mighty with equal gravity. In the pious endeavour, piercing through the life and death lines of constricting ‘Chakravyuh’ and expanding ‘Gyre’… I could perceive what is intended but not said and not only denoted but also connoted! I deemed it as my bounden duty to make my fellow citizens aware of the good and bad that happen around us for further constructive action. The result is a plethora of write-ups on eclectic areas including some of my personal tragedies that have universal values… The melange of nostalgic thoughts of my odyssey are compiled as ‘Beyond the Lines’ for the perusal of the readers.




The Double X Factor


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Attendance


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Wide Angle


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Why does Indian Cinema look different, sound different and is so lengthy? Why are the dialogues so long winding? Why are our costumes so gaudy and garish? Why do we have so many songs in our films? Why do our actors burst into songs and dances for no reason? Are we a society that is exactly like our Cinema? Why are films directed by Saytyajit Ray great and not so great by some other Directors. Have you ever called your spouse ‘Sajni or Sajna’ or ‘Saiyan’ or ‘Balam’ ? Perhaps no, then why does our Cinema use these words? Why does Hindi language Cinema use words or the language that no one uses in real life? Why is it that a Cinema that is almost part of life for millions of Indians and now even foreigners has been dubbed mindless and silly? How many language Cinemas does Indian Cinema comprise of ? Do people who dismiss Indian Cinema as ‘Bollywood’ even understand that 30% of our feature films at least belong to the globally termed ‘art-house cinema class’. Find all answers in the book.




The Brahmaputra Beckons


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Contributed articles.




Golden Years in Jorhat Engineering College


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Pictorial representation of an award-winning storywriter's vivid account of his years as an engineering student in a premier technical institution, having many sub-plots laced with thrill, romance, creativity and melancholy. A sure-fire hit with die-hard fans of adventures and nostalgia.




The Marketing of Films


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Frontline


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