Dracula and Philosophy


Book Description

Twenty-four nocturnal philosophers stake out and vivisect Dracula from many angles, unearthing evidence from numerous movies and shows—macabre, terrifying, tragic, and comic. Altmann decides whether Dracula can really be blamed for his crimes, since it’s his nature as a vampire to behave a certain way. Arp argues that Dracula’s addiction to live human blood dooms him to perpetual misery. Karavitis sees Dracula as a Randian individual pitted against the Marxist collective. Ketcham contrives a meeting between Dracula and the Jewish theologian Maimonides. Littmann maintains that if we disapprove of Dracula’s behavior, we ought to be vegetarians. Mahon uses the example of Dracula to resolve nagging problems about the desirability of immortality. McCrossin and Wolfe, disinter some of the re-interpretations of this now-mythical character, and asks whether we can identify an essential Dracula. Pramik shows how the Dracula tale embodies Kierkegaard’s three stages of life. Barkman and Versteeg ponder what it would really feel like to be Dracula. The Greens publish some previous unknown letters between Dracula and Camus's Meursault. Vuckovich looks at the sexual morality of characters in the Dracula saga. De Waal explains that "Dragula" is scary because every time this being appears, it causes "gender trouble."




Zombies, Vampires, and Philosophy


Book Description

Since 1968's Night of the Living Dead, zombie culture has steadily limped and clawed its way into the center of popular culture. Today, zombies and vampires have taken over TV shows, comic books, cartoons, video games, and movies. Zombies, Vampires, and Philosophy drags the theories of famous philosophers like Socrates and Descartes into the territory of the undead, exploring questions like: Why do vampires and vegetarians share a similar worldview? Why is understanding zombies the key to health care reform? And what does "healthy in mind and body" mean for vampires and zombies? Answers to these questions and more await readers brave enough to make this fun, philosophical foray into the undead.




Zombies, Vampires, and Philosophy


Book Description

Don't turn around - there's probably one behind you right now. Vampires and zombies are just everywhere. Bram Stoker had no idea what he was starting when he published his vampire novel Dracula in 1897, incidentally digging up and re-animating the word ''undead. Whether it's Twilight, Let the Right One In, True Blood, or the comic book series Thirty Days of Night, vampire stories seem to experience an eternal cycle of death and resurrection, growing more potent, if not more rosy-cheeked, with each successive manifestation. While vampires are suave, sexy, sophisticated, stay up all night, generally have good hair, and often deliver witty one-liners, zombies are just the opposite. Zombies have poor complexions, missing body parts, few social graces, and are conversationally challenged. Yet public fascination with zombies keeps proliferating, along with the popularity of vampires. There are more zombie books, zombie movies, and zombie games than ever before. About the only things vampires and zombies share is that they want to bite us and we are at risk of becoming like them. However, they both confront us with moral and metaphysical issues of life and death. In Zombies, Vampires, and Philosophy, an expanded edition of The Undead and Philosophy, twenty-two of our leading thinkers teach us the lessons we can absorb from the various forms of Undeath. ''this is a book worth buying just for the final chapter, which gives us the sensational and hitherto suppressed correspondence of tienne Lavec and Paulie Dori Williams. At long last we have a vital perspective that has been sadly lacking; authentic vampire reactions to the way vampires are depicted in popular culture.




The Cambridge Companion to ‘Dracula'


Book Description

This celebrated Gothic novel is explored through essays providing critical, historical, anthropological, philosophical and intellectual contexts that serve to further the understanding and appreciation of Dracula in all its many guises. Together the essays offer exciting new critical approaches to the most famous vampire in literature and film.




I Am Dracula


Book Description

From the haunted Carpathian Mountains of darkest Transylvania, Dracula reveals the Secret History of Vampires, Witches, and blasphemous horror. Told in his own words, here is the story of Dracula, a mortal warlord destined to become the Vampire King of the Undead. You have been told many lies. Now learn the truth. Welcome to Dracula’s world. *** “No vampire fan’s library is complete without a copy of C. Dean Andersson’s I Am Dracula. The author knows his subject thoroughly. We recommend I Am Dracula without reservation.” — Dr. Jeanne Youngson, President and Founder of The Count Dracula Fan Club “Dean Andersson’s horror is always fearsome and up-front. His words cut like razor wire, and every punctuation mark is a drop of real blood.” — Graham Masterton “The Heavy Metal of Fantasy adventure.” — Publishers Weekly




Twilight and Philosophy


Book Description

twilight and Philosophy What can vampires tell us about the meaning of life? Is Edward a romantic hero or a dangerous stalker? Is Bella a feminist? Is Stephenie Meyer? How does Stephenie Meyer’s Mormonism fit into the fantastical world of Twilight? Is Jacob “better” for Bella than Edward? The answers to these philosophical questions and more can be found inside Twilight and Philosophy: Vampires, Vegetarians, and the Pursuit of Immortality. With everything from Taoism to mind reading to the place of God in a world of vampires, this book offers some very tasty philosophy for both the living and the undead to sink their teeth into. Whether you’re on Team Edward or Team Jacob, whether you loved or hated Breaking Dawn, this book is for you! To learn more about the Blackwell Philosophy and Pop Culture series, visit www.andphilosophy.com




Dracula


Book Description

String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.




Hollywood Gothic


Book Description

A fully updated edition of David J. Skal's Hollywood Gothic, "The ultimate book on Dracula" (Newsweek). The primal image of the black-caped vampire Dracula has become an indelible fixture of the modern imagination. It's recognition factor rivals, in its own perverse way, the familiarity of Santa Claus. Most of us can recite without prompting the salient characteristics of the vampire: sleeping by day in its coffin, rising at dusk to feed on the blood of the living; the ability to shapeshift into a bat, wolf, or mist; a mortal vulnerability to a wooden stake through the heart or a shaft of sunlight. In this critically acclaimed excursion through the life of a cultural icon, David J. Skal maps out the archetypal vampire's relentless trajectory from Victorian literary oddity to movie idol to cultural commodity, digging through the populist veneer to reveal what the prince of darkness says about us all. includes black-and-white Illustrations throughout, plus a new Introduction.




Lucifer Morningstar: A Philosophical Love Story


Book Description

With a preface by the Devil we are introduced to the love story of Dracula and Mina, seen with the eyes of a philosopher. We learn that the nature of the Devils game is the paradoxical. This is revealed when we guess that the Devils proper name is Lucifer Morningstar, which means Bringer of Light. We hear about the Devils double incarnation in the pain-bodies of Dracula and Mina. In the search for the unification of their love we undertake a Heros Journey through the Earth-Moon Kingdom of the Vampire. Like Vergil in Dantes The Divine Comedy our guide will be Karen Blixen. In this book Morten Tolboll is using popular culture to shed light on his own pain-body and the dark ancient powers he has struggled with for over two decades. In this way the book is an anologistic portrait of the experiential background for his teaching Meditation as an Art of Life. The book is an inquiry into the nature of suffering and love.




Dracula


Book Description

HOME TITLES GENRES AUTHORS LANGUAGES NEW TITLES RECOMMENDED POPULAR Dracula Cover image for Download download author: Bram Stoker published: 1897 language: English wordcount: 160,098 / 423 pg flesch-kincaid reading ease: 73.3 loc category: PR series: World's Best Reading audiobook: librivox.org downloads: 117,966 mnybks.net#: 6694 origin: gutenberg.org more info: litsum.com genres: Horror, Gothic, Fiction and Literature, Audiobook Read Online in Browser Here The world's best-known vampire story begins by following a naive young Englishman as he visits Transylvania to meet a client, the mysterious Count Dracula. Upon revealing his true nature, Dracula boards a ship for England, where chilling and gruesome disasters begin to befall the people of London... Show Excerpt ll and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us. "Look! Isten szek!"--"God's seat!"--and he crossed himself reverently. As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasized by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me. For instance, hay-ricks in the trees, and here and there very beautiful masses of wee