Dramatic Mirror of Motion Pictures and the Stage
Author :
Publisher :
Page : 966 pages
File Size : 45,61 MB
Release : 1917
Category : Motion pictures
ISBN :
Author :
Publisher :
Page : 966 pages
File Size : 45,61 MB
Release : 1917
Category : Motion pictures
ISBN :
Author :
Publisher :
Page : 982 pages
File Size : 33,17 MB
Release : 1917
Category : Motion pictures
ISBN :
Author :
Publisher :
Page : 1116 pages
File Size : 30,81 MB
Release : 1921
Category : Motion pictures
ISBN :
Author :
Publisher :
Page : 982 pages
File Size : 41,84 MB
Release : 1909
Category : Theater
ISBN :
Author : Thomas Johnston Homer
Publisher :
Page : 868 pages
File Size : 19,15 MB
Release : 1922
Category : Boston (Mass.)
ISBN :
Author : Thomas J. Homer
Publisher :
Page : 536 pages
File Size : 11,28 MB
Release : 1922
Category : Learned institutions and societies
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Author : Shane Denson
Publisher : transcript Verlag
Page : 433 pages
File Size : 49,66 MB
Release : 2014-07-31
Category : Social Science
ISBN : 3839428173
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.
Author : Rick Altman
Publisher : Columbia University Press
Page : 510 pages
File Size : 24,92 MB
Release : 2004
Category : Music
ISBN : 9780231116626
Based on extensive original research and filled with gorgeous illustrations, Silent Film Sound reconsiders all aspects of sound practices during the silent film period in America. Beginning with sound accompaniment and continuing through to the more familiar sound practices of the 1920s, renowned film historian Rick Altman discusses the variety of sound strategies cinema exhibitors used to differentiate their products. During the nickelodeon period prior to 1910, this variety reached its zenith with carnival-like music, automatic pianos, small orchestras, lecturers, synchronized sound systems, and voices behind the screen. In the 1910s, musical accompaniment began to support a film's narrative and emotional content, with large theaters and blockbuster productions driving the development of new instruments, new music-publication projects, and a new style of film music. A monumental achievement, Silent Film Sound challenges common assumptions about this period and reveals the complex and swiftly changing nature of silent American cinema.
Author : John C. Tibbetts
Publisher : Popular Press
Page : 300 pages
File Size : 43,42 MB
Release : 1985
Category : Performing Arts
ISBN : 9780879722890
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
Author :
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Page : 1060 pages
File Size : 10,13 MB
Release : 1913
Category : Motion pictures
ISBN :