Dramatists Sourcebook


Book Description

The deities of the theatre are the playwrights. These gods have their own bible - the Dramatist Sourcebook.' - Back Stage. 'The Sourcebook is a treasure trove of sound advice and practical information for the working writer. It provides a road map for beginning writers and is an essential reference for those well traveled.' - Donald Margulies, P...




Dramatists Sourcebook


Book Description

Dramatists Sourcebook 1999-2000 Edition Complete Opportunities for Playwrights, Translators, Composers, Lyricists and Librettists Kathy Sova and Samantha Rachel Rabetz, editors The fully revised 19th edition contains more than 1000 opportunities for all those who are writing for the stage.




Dramatists Sourcebook 26th Edition


Book Description

The fully updated new edition of this indispensable guide.




100 Monologues


Book Description

A collection of one hundred monologues from New York's "New Dramatists."




Fifty Modern and Contemporary Dramatists


Book Description

Fifty Modern and Contemporary and Dramatists is a critical introduction to the work of some of the most important and influential playwrights from the 1950s to the present day. The figures chosen are among the most widely studied by students of drama, theatre and literature and include such celebrated writers as: • Samuel Beckett • Caryl Churchill • Anna Deavere Smith • Jean Genet • Sarah Kane • Heiner Müller • Arthur Miller • Harold Pinter • Sam Shephard Each short essay is written by one of an international team of academic experts and offers a detailed analysis of the playwright’s key works and career. The introduction provides an historical and theatrical context to the volume, which provides an invaluable overview of modern and contemporary drama.




Greek Drama and Dramatists


Book Description

The history of European drama began at the festivals of Dionysus in ancient Athens, where tragedy, satyr-drama and comedy were performed. Understanding this background is vital for students of classical, literary and theatrical subjects, and Alan H. Sommerstein's accessible study is the ideal introduction. The book begins by looking at the social and theatrical contexts and different characteristics of the three genres of ancient Greek drama. It then examines the five main dramatists whose works survive - Aeschylus, Sophocles, Euripides, Aristophanes and Menander - discussing their styles, techniques and ideas, and giving short synopses of all their extant plays. Additional helpful features include succinct coverage of almost sixty other authors, a chronology of significant people and events, and an anthology of translated texts, all of which have been previously inaccessible to students. An up-to-date study bibliography of further reading concludes the volume. Clear, concise and comprehensive, and written by an acknowledged expert in the field, Greek Drama and Dramatists will be a valuable orientation text at both sixth form and undergraduate level.




The Dramatists Guild Resource Directory 2014


Book Description

"The Dramatists Guild Resource Manual" is the only annual publication that contains current resources, listings, theaters, and opportunities for playwrights in America. It is the official publication of the Dramatists Guild of America and is given annually to all members of the guild, but it is also available for sale through Focus.




Ben Jonson, Renaissance Dramatist


Book Description

This new guide to the English renaissance's most erudite and yet most street-wise dramatist strongly asserts the theatrical brilliance of his greatest plays in performance, then and now.The book integrates all of Jonson's major plays into the milieu of the turbulent years which produced them, and analyses the way each work examines the issues and challenges of those years: money, power, sex, crime, identity, gender, the theatre itself. It offers a lucid guide to the competing critical views of a playwright who is far more than the obverse of his friend and rival William Shakespeare, and it explains in detail how the undoubted power and energy of these plays in modern performance should be the touchstone of their quality to both critic and reader. The plays discussed include the early Comedies, the Roman Tragedies (Sejanus and Catiline), Volpone, Epicoene, The Alchemist, Bartholomew Fair and The Devil is an Ass.




Lorraine Hansberry


Book Description

Born in the Southside of Chicago in 1930, Lorraine Hansberry and her family moved to a large house in a white neighborhood in 1938. In order to live there, her father had to fight a civil rights case in the Supreme Court against segregationists. Her experiences with racial discrimination fueled her strong commitment to social justice and inspired her works. In 1959, her first-produced play, A Raisin in the Sun, met the enthusiastic praise of Broadway critics and audiences alike. It was the first and longest running play by an African-American woman to be produced on Broadway. When it won the New York Drama Circle Award for the best new drama that year, Hansberry became the first black woman and the youngest recipient to earn that honor. She died just a few years later, in 1965, without ever fully realizing her potential. This reference book is a guide to her career. The volume begins with a chronology that recounts the major events in Hansberry's brief but influential life. Entries are then listed for her plays, including A Raisin in the Sun(1959), The Sign in Sidney Brustein's Window (1964), To Be Young, Gifted and Black (1969), Les Blancs (1970), The Drinking Gourd (1972), What Use Are Flowers (1972), and the unfinished Toussaint (1986). Each entry includes a plot summary, critical commentary, and production information, when available. An annotated bibliography of works by and about Hansberry, along with a list of unpublished material and archival sources, complete the volume.




The Routledge Drama Anthology and Sourcebook


Book Description

A groundbreaking compilation of the key movements in the history of modern theatre. Each of the book’s parts comprises full reproductions of the plays that defined the period and key critical writings that inform and contextualise their reading. "Here is an anthology of plays and criticism that all teachers of drama should take seriously. The fresh angles and approaches the volume offers on topics such as naturalism, the historical avant-garde, and breakthrough works by innovative performance artists (e.g., Laurie Anderson, SuAndi) all argue in favor of this collection as required reading in courses on modern stagecraft." CHOICE, Feb 2011