Drums and Shadows


Book Description

Set against the background of the antebellum slave trade, Drums and Shadows traces the persistence of African heritage in the culture of blacks living on the Georgia coast in the 1930s. In the later years of the depression, members of the Georgia Writers' Project visited and interviewed blacks, many of whose grandparents, smuggled into slavery as late as 1858, had passed on the customs and beliefs of their African past. Seeking evidence of African traditions, the project's workers questioned the blacks about conjure--the curses and potions responsible for turns of luck, illnesses, and even death--about dreams that often determine the course of daily life, and about spirits and other apparitions as real as walking, breathing people.




Drums and Shadows


Book Description







Drums and Shadows


Book Description




Drums and Shadows


Book Description

Set against the background of the antebellum slave trade, Drums and Shadows traces the persistence of African heritage in the culture of blacks living on the Georgia coast in the 1930s. In the later years of the depression, members of the Georgia Writers' Project visited and interviewed blacks, many of whose grandparents, smuggled into slavery as late as 1858, had passed on the customs and beliefs of their African past. Seeking evidence of African traditions, the project's workers questioned the blacks about conjure--the curses and potions responsible for turns of luck, illnesses, and even death--about dreams that often determine the course of daily life, and about spirits and other apparitions as real as walking, breathing people. --Back cover.




Drums and Shadows


Book Description




Georgia. Drums and Shadows


Book Description







Drums and Shadows


Book Description




Drums and Shadows


Book Description

The coastal region of Georgia and South Carolina is a fertile field for the study of old cultural heritages. Artists, poets, and novelists are not the only ones who have felt the, allure of this region with its old plantations, its sleepy towns, its cypress swamps, its moss-hung trees, its ox carts, and its Negro peasantry. These Negroes, more perhaps than any others in the United States, have lived in a physical and cultural isolation which is conducive to the survival of many old customs and thoughtways, both African and European. The present work represents an effort to go a bit deeper than any other work has done into certain aspects of the folk culture of these people in the coastal area. it is particularly welcome at this time, for it not only covers an area which has not received as much attention as have other areas, notably those around Charleston and Beaufort, but it is oriented toward the problem of African heritages in this country, a problem which is coming to be more and more important to the cultural anthropologist.