Early Brahmanical Cults and Associated Iconography


Book Description

The Present Work Attempts To Study The Development Of Brahmanical Cults And Associated Iconography (C. 400 B.C. To A.D. 600). In This Connection And In Depth Study Of The Sources Both Literary As Well As Archaeological Have Been Made. The Development Of The Brahmanical Cults Have Been Traced In Chrnological Order For The First Time Which Goes To Show How The Cults Reached From Their Formative Stages To The Climax In 600 A.D. It Also Discuss The Iconographic Treatise Written For Making The Perfect Images Of Cult Deities. It Discusses Vaisnava, Saiva, Mother Goddess And Others Include Yaksas, Nagas, Kinnaras, Gandharvas In Detailed Form, Besides Throws Light On The Concept Of Rituals, Puja And Temples. Contents Chapter 1: Introduction, Chapter 2: Sources, Chapter 3: Development Of The Brahmanical Cults; (I) C. 4Th Century And 2Nd Century B.C., (Ii) C. 2Nd Century To The Begining Of Christian Eara, (Iii) C. 1St Century To 3Rd Century A.D., (Iv) C. 3Rd Century To 6Th Century A.D., Chapter 4: Iconographic Froms In Acient Texts, Chapter 5: Iconography Of The Brahmanical Deities; (I) Vaisnava Images, (Ii) Saiva Images, (Iii) Mother Goddesses, (Iv) Other Deities Yaksas, Naga, Gandharvas And Kinnaras, Chapter 6: Conclusion.




Studies in Jaina Art and Iconography and Allied Subjects in Honour of Dr. U.P. Shah


Book Description

The Present Volume Is Published By The Oriental Institute, M.S. University Of Baroda In Sacred Memory Of Late Dr. U.P. Shah, Ex-Deputy Director And General Editor, Ramayana Deptt. Of The Institute. It Contains Research Articles Specially Written By Scholar-Friends Of Dr. Shah From The World Over, Ranging From Jaina Philosophy, Jaina Iconography, Art-History To Indian Literature In General, As His Interest Too Ranged To All The Afore-Mentioned Subjects. As Will Be Evident From The Life-Sketch And The Bibliography Of His Works, Dr. Shah Made An Impact In The Field Of Jaina Iconography And Art-History, Though He Handled, With Equal Felicity, Subjects Related To Oriental Studies. Some Of The Articles Appearing In This Volume Break New Ice Regarding Certain Knotty Points Of Jaina Philosophical Thought And Religious Practices. It Would Be Helpful To View The Contents Of This Volume From The Standpoint Of Long, Mutual Affinity And Correlatedness Of The Ancient Vedic And Jaina Traditions That Flourished Coevally Over A Great Stretch Of Time In This Country Of Uncommon Tolerance And Understanding Of Opposing Ideas And Ideals, Evincing Brilliant Insights Into The Problems Of Being And Consciousness Ever Probed By Human Mind. The Methodology Of Symbolical Representation Of Transcendental Principles And Perceptions Evolved In Both Jaina And Brahmanical Traditions Of Thought Is Well-Documented In This Volume, Which Will Prove To Be A Treasure For The Students Of Oriental Studies In General And Indology In Particular







The Illustrated Dictionary of Hindu Iconography


Book Description

Indian art, increasingly popular in the west, cannot be fully appreciated without some knowledge of the religious and philosophical background. This book, first published in 1985, covers all aspects of Hindu iconography, and explains that its roots lie far back in the style of prehistoric art. The dictionary demonstrates the rich profusion of cults, divinities, symbols, sects and philosophical views encompassed by the Hindu religious tradition.




Indian Books in Print


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Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia


Book Description

A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture







Interaction Between Brāhmaṇical and Buddhist Art


Book Description

The Present Volume Is An Outcome Of The Expert Discussion On The Theories Of Brahmanism And Buddhism, In An International Meet At Jnana-Pravaha. Philosophical And Artistic Interaction Between The Two Have Been Brilliantly Discussed With References To Famous Places As Well As Texts To Unravel Basic Principles.




Viśvarūpa


Book Description

Visvarupa is a term used in the Bhagavadgita to describe Arjuna's vision of Krsna manifested as God. This book traces, through the study of selected north Indian sculptures and bronzes, the various artistic attempts to achieve a plastic interpretation of that vision. Maxwell draws on Sanskrit texts to recount the stylistic and iconographical history of this cosmic deity from its origins to its decline, and explores relevant Saiva, Brahma, and Buddhist imagery.




The Early Bronzes of Bihar


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