The Diary of Anaïs Nin, 1944–1947


Book Description

The fourth volume of “one of the most remarkable diaries in the history of letters” (Los Angeles Times). The renowned diarist continues her record of her personal, professional, and artistic life, recounting her experiences in Greenwich Village for several years in the late 1940s, where she defends young writers against the Establishment—and her trip across the country in an old Ford to California and Mexico. “[Nin is] one of the most extraordinary and unconventional writers of [the twentieth] century.” —The New York Times Book Review Edited and with a preface by Gunther Stuhlmann




Mirages


Book Description

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.




Linotte


Book Description

This “amazingly precocious” diary of girlhood in the early twentieth century is filled with a “special charm” (The Christian Science Monitor). Born in Paris, Anaïs Nin started her celebrated diary at age eleven, when she was immigrating to New York with her mother and two young brothers. The diary became her confidant, her beloved friend, in which she recorded her most intimate thoughts and kept watch on the state of her character. Offering an amusing view of Nin’s early life, from age eleven to seventeen, it is also a self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. “An enchanting portrait of a girl’s constant search for herself . . . will delight her admirers as well as new readers.” —Library Journal “One of the most extraordinary documents in the annals of literature.” —Providence Sunday Journal “[The Early Diary is] not merely an overture to the great performance. It deserves our attention on its own as a revelation of the rites of passage of a young girl in the early part of the [twentieth] century and as an expression of the collision of cultures between Europe and America.” —Los Angeles Times Preface by Joaquin Nin-Culmell




Incest


Book Description

The trailblazing memoirist and author of Henry & June recounts her relationships with Henry Miller and others—including her own father. Anaïs Nin wrote in her uncensored diaries like they were a broad-minded confidante with whom she shared the liberating psychosexual dramas of her life. In this continuation of her notorious Henry & June, she recounts a particularly turbulent period between 1932 and 1934, and the men who dominated it: her protective husband, her therapist, and the poet Antonin Artaud. However, most consuming of all is novelist Henry Miller—a man whose genius, said Anaïs, was so demonic it could drive people insane. Here too, recounted in extraordinary detail, is the sexual affair she had with her father. At once loving, exciting, and vengeful, it was the ultimate social transgression for which Anaïs would eventually seek absolution from her analysts. “Before Lena Dunham there was Anaïs Nin. Like Dunham, she’s been accused of narcissism, sociopathy, and sexual perversion time and again. Yet even that comparison undercuts the strangeness and bravery of her work, for Nin was the first of her kind. And, like all truly unique talents, she was worshipped by some, hated by many, and misunderstood by most . . . A woman who’d spent decades on the bleeding edge of American intellectual life, a woman who had been a respected colleague of male writers who pushed the boundaries of acceptable sex writing. Like many great . . . experimentalists, she wrote for a world that did not yet exist, and so helped to bring it into being.” —The Guardian Includes an introduction by Rupert Pole




Fire


Book Description

The renowned diarist continues the story begun in Henry and June and Incest. Drawing from the author’s original, uncensored journals, Fire follows Anaïs Nin’s journey as she attempts to liberate herself sexually, artistically, and emotionally. While referring to her relationships with psychoanalyst Otto Rank and author Henry Miller, as well as a new lover, the Peruvian Gonzalo Moré, she also reveals that her most passionate and enduring affair is with writing itself.




The Early Diary of Anaïs Nin, 1920–1923


Book Description

The diarist’s account of her life in the early 1920s explores “the conflict she felt between artistic longings and her pre-ordained female fate” (The Detroit News). Continuing the journey of self-education and self-discovery she began in Linotte, Anaïs Nin discloses a part of her life that had previously remained private. She discusses the period in which she met Hugo Guiler, the young man who later became her husband, and made the wrenching transition from the shelter of her family to the world of artists and models. She also reveals the struggle she faced between her expected role as a woman and her determination to be a writer—a negotiation that still poses difficulties for many of us almost a century after Nin wrote this diary. “Through sheer nerve, confidence, and will, Nin made of the everyday something magical. This was a gift, indeed, and it’s a fascinating process to witness.” —The Christian Science Monitor With a preface by Joaquin Nin-Culmell




The Diary of Anaïs Nin: 1939-1944


Book Description

Vol. 3 has imprint: New York, Harcourt, Brace & World; v. 4-7: New York, Harcourt, Brace, Jovanovich.




Nearer the Moon


Book Description

She remains torn between three men: Henry Miller, whose detached self-immersion and artistic "impersonality" both attract and repel her; Gonzalo More, a sensitive and attentive but jealous lover who drives her to distraction; and Hugh Guiler, her faithful husband, who provides a calm center for Nin. In addition, a wide circle of family, friends, and admirers makes demands on Nin's time and emotional energy.




House of Incest


Book Description

The House of Incest, Anais Nin's famous prose poem, was first published in Paris in 1936 and immediately drew attention from the era's prominent writers, including Henry Miller and Lawrence Durrell. While written in English, it is considered a landmark work in the French surrealist tradition and one of the most unique books in 20th century literature.




A Literate Passion


Book Description

A “lyrical, impassioned” document of the intimate relationship between the two authors that was first disclosed in Henry and June (Booklist). This exchange of letters between the two controversial writers—Anaïs Nin, renowned for her candid and personal diaries, and Henry Miller, author of Tropic of Cancer—paints a portrait of more than two decades in their complex relationship as it moves through periods of passion, friendship, estrangement, and reconciliation. “The letters may disturb some with their intimacy, but they will impress others with their fragrant expression of devotion to art.” —Booklist “A portrait of Miller and Nin more rounded than any previously provided by critics, friends, and biographers.” —Chicago Tribune Edited and with an introduction by Gunther Stuhlmann