Capital Moves


Book Description

Find a pool of cheap, pliable workers and give them jobs—and soon they cease to be as cheap or as pliable. What is an employer to do then? Why, find another poor community desperate for work. This route—one taken time and again by major American manufacturers—is vividly chronicled in this fascinating account of RCA's half century-long search for desirable sources of labor. Capital Moves introduces us to the people most affected by the migration of industry and, most importantly, recounts how they came to fight against the idea that they were simply "cheap labor." Jefferson Cowie tells the dramatic story of four communities, each irrevocably transformed by the opening of an industrial plant. From the manufacturer's first factory in Camden, New Jersey, where it employed large numbers of southern and eastern European immigrants, RCA moved to rural Indiana in 1940, hiring Americans of Scotch-Irish descent for its plant in Bloomington. Then, in the volatile 1960s, the company relocated to Memphis where African Americans made up the core of the labor pool. Finally, the company landed in northern Mexico in the 1970s—a region rapidly becoming one of the most industrialized on the continent.




Decomposed


Book Description

The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters.




Battling the Plantation Mentality


Book Description

African American freedom is often defined in terms of emancipation and civil rights legislation, but it did not arrive with the stroke of a pen or the rap of a gavel. No single event makes this more plain, Laurie Green argues, than the 1968 Memphis sanitation workers' strike, which culminated in the assassination of Martin Luther King Jr. Exploring the notion of "freedom" in postwar Memphis, Green demonstrates that the civil rights movement was battling an ongoing "plantation mentality" based on race, gender, and power that permeated southern culture long before--and even after--the groundbreaking legislation of the mid-1960s. With its slogan "I AM a Man!" the Memphis strike provides a clarion example of how the movement fought for a black freedom that consisted of not only constitutional rights but also social and human rights. As the sharecropping system crumbled and migrants streamed to the cities during and after World War II, the struggle for black freedom touched all aspects of daily life. Green traces the movement to new locations, from protests against police brutality and racist movie censorship policies to innovations in mass culture, such as black-oriented radio stations. Incorporating scores of oral histories, Green demonstrates that the interplay of politics, culture, and consciousness is critical to truly understanding freedom and the black struggle for it.




Bloomington Past & Present


Book Description

"Good places are shaped by the gifts of nature and by the labor and love of many people over generations. The city of Bloomington, tucked away in the forested hills of southern Indiana, is one such place. Three of us who have worked here, played here, reared children here, and set our roots right down to the limestone bedrock made this book to chronicle and celebrate our home town." Thus begins Bloomington Past and Present, a volume that anyone who has lived in--or even just passed through--this memorable city will want to have and pass down to future generations of Bloomingtonians. Photojournalist Will Counts gathered some of his own photographs taken over a long career, along with photographs by more than a dozen other fine artists. Some drawn from archives, some taken recently, these images capture the city's people and places. The essay "Loving This Place" by Scott Russell Sanders leads the reader on a walk through Bloomington today, evoking the feel of the city, its human fabric and natural setting. In "Old Times and New Times in Bloomington," James H. Madison writes about what Bloomington once was, tracing changes in the community from the 19th century on through today's complex and vibrant civic scene. "Across from the fire station and post office rises the limestone mass of First Methodist, the grandest of our churches, one known for fine music and powerful preaching. In general, as you move west from here to the far fringes of Bloomington, the preaching becomes hotter and hotter, ranging from Baptists and African Methodist Episcopalians on through various brands of evangelicals, apostolics, and Pentecostals; and as you move east from here the preaching generally becomes cooler, ranging from Presbyterians and Episcopalians, through Catholics and Lutherans, on out to the Quakers, who keep their silence." --Scott Russell Sanders "There were Bloomington residents at the beginning of the twenty-first century who had heard the Metropolitan Opera perform Aida in the University Auditorium in 1942; given their sex histories to Alfred Kinsey in the 1940s; subjected their teeth to the stannous fluoride tests that produced Crest toothpaste in the early 1950s; listened to Gene McCarthy and Bobby Kennedy explain why the Vietnam War was wrong in 1968; heard not only Elvis but also Bill Monroe, the Supremes, and Ray Charles; participated eagerly in a new curbside recycling program begun in the early 1990s; bought sushi and tofu at the grocery store; and listened to the Dalai Lama more than once. The small town in southern Indiana was hardly isolated or ordinary." --James H. Madison




Equal Rights 1970


Book Description







Behemoth: A History of the Factory and the Making of the Modern World


Book Description

"Freeman’s rich and ambitious Behemoth depicts a world in retreat that still looms large in the national imagination.…More than an economic history, or a chronicle of architectural feats and labor movements." —Jennifer Szalai, New York Times In an accessible and timely work of scholarship, celebrated historian Joshua B. Freeman tells the story of the factory and examines how it has reflected both our dreams and our nightmares of industrialization and social change. He whisks readers from the early textile mills that powered the Industrial Revolution to the factory towns of New England to today’s behemoths making sneakers, toys, and cellphones in China and Vietnam. Behemoth offers a piercing perspective on how factories have shaped our societies and the challenges we face now.




Here Comes a Wind


Book Description

Toward the end of 1931, the black dust was settling in the Harlan County, Kentucky, coal fields after one of the most bitterly fought labor struggles in our nation's history. The miners were beaten, their rank-and-file organization crushed. The epithet "Bloody Harlan" survived the day and remained a symbol for that battle and those that periodically erupted for the next half century. But the proper legacy of the Harlan wars, as the veteran Hobart Grills tells us, is not the chaotic violence but the spirit of steady resistance that smolders until the changing times fan the sparks into a new flame. During the long Depression era, the winds of change blew all across the South — from the coal fields of Appalachia to the tenant farms of Arkansas, from the cotton mills of Gastonia to the automobile factories of Atlanta. It was a period rich in the South's peculiar blend of semi-organized rebellion, individual courage, and rank-and-file militancy; but its lessons were omitted from the history books. To rectify that insult, Southern Exposure published a special book-length issue on the Depression, based largely on the oral testimonies of those who were the sparks for that era's struggles. Entitled "No More Moanin'," the collection — now near the end of its second printing — has been a popular source book in union halls, university classrooms, and informal study groups.




Bloomington Sketchbook


Book Description

Through their paintings, local artists illustrate why this city is so special and also show clearly the diverse appeal that the city provides and extends generously to all who enter.