East-West Encounters


Book Description

This book examines Franco-Asian film and literary productions in the context of France's colonial history. Includes analysis of such key film texts as Indochine, Cyclo and The Lover.




Arab Representations of the Occident


Book Description

This is one of the first books in English to explore Arab responses to Western culture and values in modern Arab literature. Through in-depth research El-Enany examines the attitudes as expressed mainly through works of fiction written by Arab authors during the twentieth, and, to a lesser extent, nineteenth century. It constitutes an original addition to the age-old East-West debate, and is particularly relevant to the current discussion on Islam and the West. Alongside raising highly topical questions about stereotypical ideas concerning Arabs and Muslims in general, the book explores representations of the West by the foremost Arab intellectuals over a two-century period, up to the present day, and will appeal to those with an interest in Islam, the Middle East, nationalism and the so-called ‘Clash of Civilizations’.




On the East-west Slope


Book Description

Melegh's work offers a powerful analysis of the sociological and symbolic meanings of East-West in Europe after the end of the Cold War. While the fundamental poles of East and West remain, both their meaning and their relationship to one another have shifted profoundly since the late 1970s. Melegh exposes the underbelly of liberal characterizations of East-West, highlighting the polarizing effect of extreme nationalism and ethnic racism. The theoretical underpinnings of this work involve the ideas of preeminent theorists such as Karl Mannheim, Michel Foucault and more recently Maria Todorova and Iver Neumann. This work casts into fine relief how the "East-West Slope" oriented negatively from West to East has emerged from liberal characterizations of this project. The book analyzes the historical change in East-West discourses from a modernizationist type to a new/old civilizational one. In addition, this is one of the first attempts to link post-colonial analysis to developments in Eastern Europe.




Japanese Art in Perspective


Book Description

"How do Japanese and Western aesthetics differ? In this comparative cultural study, TAKASHINA Shūji, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' -- excising the unnecessary to emphasize what remains -- and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, Takashina examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. Japanese Art in Perspective is a guide not only to the art of Japan but to the essence of its spiritual culture." --




No Cloak, No Dagger


Book Description




East Encounters West


Book Description

Based on the account of an Ottoman ambassador's expedition to France in 1720, G"o, cek's study reveals the complex and differential impact these two societies had on each other.




Interculturality Between East and West


Book Description

This book urges readers to develop a radical capacity to unthink and rethink interculturality, through multiple, pluri-perspectival and honest dialogues between the authors, and their students. This book does not give interculturality a normative scaffolding but envisages it differently by identifying some of its polyphonic textures. China’s rich engagement with interculturality serves to support the importance of being curious about other ways of thinking about the notion beyond the ‘West’ only. As such, the issues of culture, identity, language, translation, intercultural competence and silent transformations (amongst others) are re-evaluated in a different light. This is a highly informative and carefully presented book, providing scientific insights for readers with an interest in interculturality.




The East, the West, and Sex


Book Description

In this wide-ranging history, Richard Bernstein explores the connection between sex and power as it has played out between Eastern cultures and the Western explorers, merchants, and conquerors who have visited them. This illuminating book describes the historical and ongoing encounter between these travelers and the morally ambiguous opportunities they found in foreign lands. Bernstein’s narrative teems with real figures, from Marco Polo and his investigation into the harem of Kublai Khan; the nineteenth-century American missionary Isabella Thoburn and her efforts to stamp out the “sinfulness” of the Mughal culture of India; Gustave Flaubert and his dalliances with Egyptian prostitutes; to modern-day sex tourists in Southeast Asia, as well as the women that they both exploit and enrich. Provocative and insightful, The East, The West, and Sex is a lucid look at a pervasive and yet mostly ignored subject.




East, West


Book Description

From the Booker Prize-winning, bestselling author of Midnight's Children and The Satanic Verses comes nine stories that reveal the oceanic distances and the unexpected intimacies between East and West. Daring, extravagant, comical and humane, this book renews Rushdie's stature as a storyteller who can enthrall and instruct us with the same sentence. "Richly nuanced, full or humor, bitter anger, an embracing tenderness, and a buyancy of language." —Boston Globe




Marco Polo and the Encounter of East and West


Book Description

Few figures from history evoke such vivid Orientalist associations as Marco Polo, the Venetian merchant, explorer, and writer whose accounts of the "Far East" sparked literary and cultural imaginations. The essays in Marco Polo and the Encounter of East and West challenge what many scholars perceived to be an opposition of "East" and "West" in Polo's writings. These writers argue that Marco Polo's experiences along the Silk Road should instead be considered a fertile interaction of cultural exchange. The volume begins with detailed studies of Marco Polo's narrative in its many medieval forms (including French, Italian, and Latin versions). They place the text in its material and generic contexts, and situate Marco Polo's account within the conventions of travel literature and manuscript illumination. Other essays consider the appropriation of Marco Polo's narrative in adaptations, translation, and cinematic art. The concluding section presents historiographic and poetic accounts of the place of Marco Polo in the context of a global world literature. By considering the production and reception of The Travels, this collection lays the groundwork for new histories of world literature written from the perspective of cultural, economic, and linguistic exchange, rather than conquest and conflict.