Chalukyan Temples of Andhradesa


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Study of architecture.




Chalukyan Temples Of Andhradesa


Book Description

During The Sixth Century A.D., The Two Great Empires-Those Of The Chalukyas Of Badami And The Pallavas Of Kanchi In The Decan And South India, Respectively, Have Ushered In An Era Of Vigorous Temple Building Activity, Reflecting In Its Mores The Mingling Of Forms And Ideals. Andhradesa Which Came Under Chalukyan Control Witnessed The Growth Of Alampur As A Great Art Center Of Seminal Importance. Following The Innovative Trends Initiated At Alampur And Perhaps Under The Guidance Of The Alampur Guild, Temples Were Raised At Kudaveli, Mahanandi, Panyam, Satyavou And Kadamarakalava. The Unique Feature Of The Architectural Form Is Its Kinship With The Nagara Temple Form; The Temple Of Dravidian Style Is A Lone Exception. This Monograph, For The First Time, Presents An Exhaustive Documentation Of Morphological Data Of The Temples At Alampur, Kudaveli, Mahanandi, Satyavolu, Panyam And Kadamarakalava. Analysis Of Architectural Form And Ornament Has Been Done In A Detailedmanner Emphasizing The Impact Of The Traditions Of Madhyadesa, Kosala And Vidarbha In Contradistinction To The Centers Of Karnata, I.E., Aihole And Pattadakal. Sculpture Has Also Received Close Attention, Emphasizing The Art-Form And Feeling. An Assessment Of These Structures Both In Time And In Space Has Been Systematically Attempted In This Monography. Adequate Photographic Illustrations Illuminate The Text.




Temples of South India


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The Eastern Chalukyas of Vengi


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On the Chalukyas of the Vengi kingdom of the 7th to 10th cent.




Arch. Series


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Shiva's Waterfront Temples


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This handsomely illustrated volume explores the medieval Deccani temple complexes at the UNESCO World Heritage Site of Pattadakal, with careful attention to their makers. The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. In Shiva's Waterfront Temples, Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.







Bio-Diversity as Reflected on the Ramappa Temple Complex in Warangal District


Book Description

The Kakatiya kings had ruled the Telugu speaking regions from Warangal as their capital during the period from 1000AD to 1323 AD. During the rule of Ganapathi Deva (1199-1262 AD), Rudrama Devi (1262-1289) and Prathapa Rudra (1289-1323AD), theKakatiya Kingdom emerged as a powerful state and there was all-round development. The rulers and their subordinates had constructed several large irrigational tanks and promoted agriculture. The tanks are still existing in and around Warangal region and providing water to the people for drinking and also for agriculture. There was a brisk internal and foreign trade which led to economic development in the kingdom. The writings of the foreign travellers like Marco Polo (Venice, Italy) are testimony to the prosperity and glory of the Kakatiya Kingdom. The Kakatiya Rulers had patronised scholars and artists and promoted literature and fine arts like music, dance, sculpture art and architecture. Vidyanada, the court poet of PratapaRudra had written Prataparudrayeshobushanam in Sanskrit language. VinukondaVallbamatya had written Kreedabhiramamin Telugu, Palkuriki Somanadha had written Panditaradya Charitra, Kolanuganapathi Deva had written Shivayoga Saramu, Kakatiya Rudra Deva had written Neetisaramu, Baddena’s Neetisara Mukthavali , Jayapa Senani’s Nritya Ratnavali in Sanskrit are very popular writings. The Kakatiya Rulers had constructed several temples and forts etc. The Warangal fort is very famous for its strength, art and architecture during the medieval times. The Temples of Palampeta, Jakaram, Ramanujapuram, Pillalamarri, Nagulapadu, Kusumanchi and several other places are known for their beautiful art, architecture and sculpture. The Ramappa Temple, Thousand Pillar Temple, Swayambhu Temple, Ganapeswara Temple of Kusumanchi, Ghanapur group of Temples of Mulugu region are well known. The sculpture art and architecture of these temples reflect the life and culture, art, crafts, costumes, sports, music and dance forms of their times and are inspiring the present generation. There are several aspects of Bio-Diversity reflected on the temple walls. There are several figures of lions, elephants, wild boars, cow and calf, swans, lotus flowers, creepers, snakes, birds, human figures both male and female etc, on the walls and pillars of the temple complex. They reflect the Bio- Diversity of those times and also the relation of man with the nature. This book is based on my research work under the Ph.D programme. I have undertaken field work and visited all the temples built by the Kakatiyas in the Telangana region. As part of the study, I consulted several Archaeologists, Historians, Writers, who worked on the Kakatiya Temples and Culture. I have also interacted with the local people, who have been living in the surroundings of the temples. I have also collected necessary data from various libraries like Kakatiya University Library, Central Library in Warangal and also Osmania University Library, Abzal Gunz Library, City Library, Srikrishna Devaraya Andhra Bhasha Nilayam, Hyderabad. I would like to acknowledge my debt to my parents Smt. Prameela and Sri Sambaiah (late), who have brought me up to this stage with utmost care and love. I wish to express my gratitude to my Teacher and Research Supervisor Prof. Kokkonda Vijaya Babu, who guided and supported me in bringing out this book. I also thank Smt. Chandra Kala Vijaya Babu and their children, Srimukhi,Karthik and Sai Maduri, Raj Kumar for their encouragement during the course of my research. I am grateful to the Faculty Members of the Department of History, Kakatiya University, Prof. S. Srinath, Prof. T. Manohar, Dr. P. Sadanandam, Dr. T. Dayakar Rao and Dr. M. Brahmaiah for their support and encouragement. I would like to express my appreciation to my wife Palnati Mamatha, who has supported me during the research work. On this occasion, I would like to convey my blessings to my daughter, Adhvaitha who also supported me. I am thankful to my aunt and uncle Smt. Radha Rajashekar for their encouragement. I also thank my relatives, Dr. Naveen and Sushmita, Akkapelli Srinivas and Rama, Dr. G. Jaya Prakash Narayana and Kavitha, for their encouragement. I am thankful to my well-wishers and friends, who helped me in the field work and visited the temples along with me during the collection of data. They are Akula Sambaiah, Akula Ramakrishna, M. Purnender, Dr. K. Veeranna, Dr. V. Nagaraju, Dr. K. Kumaraswamy, Dr. Abhinesh, Mr. Alladi Yadagiri, Anilkumar Ettaboina and Naredla Narayana. I also thank Dr. G. Tirupati, Dr. A. Hari Babu, Dr. B. Sumalatha, B. Jyoti. Dr. Suryakiran for their support.