Fashion


Book Description

Controversial and unconventional, this collection examines Canadian identity in terms of the fashion worn and designed over the last three centuries, and the internal and external influences of those socio-cultural decisions.







Reclaiming Canadian Bodies


Book Description

The central focus of Reclaiming Canadian Bodies is the relationship between visual media, the construction of Canadian national identity, and notions of embodiment. It asks how particular representations of bodies are constructed and performed within the context of visual and discursive mediated content. The book emphasizes the ways individuals destabilize national mainstream visual tropes, which in turn have the potential to destabilize nationalist messages. Drawing upon rich empirical research and relevant theory, the contributors ask how and why particular bodies (of Estonian immigrants, sports stars, First Nations peoples, self-identified homosexuals, and women) are either promoted and upheld as “Canadian” bodies while others are marginalized in or excluded from media representations. Essays are grouped into three sections: Embodied Ideals, The Embodiment of “Others,” and Embodied Activism and Advocacy. Written in an accessible style for a broad audience of scholars and students, this volume is original within the field of visual media, affect theory, and embodiment due to its emphasis on detailed empirical and, in some cases, ethnographic research within a Canadian context.










Art Deco


Book Description

"The goal of the logo is to alert readers to the threat that massive unauthorized photocopying poses to the future of the written work. [...] The Deco idiom col- onized broadcast facility, from the world's metropolis in London to the North American prairie, and instrument, the radio cabinet, in the houses of the prosperous to the relatively poor. [...] This book would not have been possible without the vision and support of Luc Noppen and the Institut du patrimoine of the Université du Québec à Montréal and the Society for the Study of Architecture in Canada, which founded the Prix Phyllis-Lambert. [...] In addition to Luc and the Institut du patrimoine, I would like to acknowledge the financial support of the Social Science and Humanities Research Council of Canada, the IODE (War Memorial Scholarship Program), the Shastri Indo-Canadian Institute, the Canadian Centre for Architecture (CCA) (with support of TD Financial Bank), and, at UBC, the Faculty of Graduate Studies and the Department of Art H [...] There are numerous others who gave of their time and expertise: Don Luxton, Linda Fraser at the CAA, Joan Seidl at the Museum of Vancouver, the staff at the City of Vancouver Archives and the Vancouver Public Library, the staff at the Special Collections at UBC, Alexis Sornin and the librarians at the CCA, Kathleen Correia and the staff at the California State Library, Jennifer Whitlock at the Uni"--







Proceedings


Book Description