Echoes of an African War


Book Description

" ... only the poets of the First World War have captured so compellingly the many moods of the young soldiers" --Prof Marcia Leveson (President English Academy of Southern Africa) The soldier poet of southern Africa matches his haunting poetry with authentic photos, paintings and sketches to tell the story of the Rhodesian bush war. Echoes of an African War follows the story of the teenaged army recruit who exchanged his home and his family for the world of barrack life. It sketches the years, until 1973, when a low-intensity war allowed a young man to explore the African bush. The story then bursts into the late 1970s when the conflict escalated into a vicious civil war. It covers the war's end, in 1980, and the subsequent readjustment to civilian life before finishing, in 1999, when, as a mature man, he looks back and remembers events that are now history. Most important of all, this work imparts to his children what it looked like to have been been a soldier in Rhodesia's war. Chas Lotter has perfected the magic art of combining pathos and eeriness. His observations are canny and surgically precise as he gradually unfolds his story. Chas Lotter, the soldier poet of the Rhodesian war, had an unusual apprenticeship in the craft of poetry. Life began for him in Germiston, South Africa in 1949. His family moved to Rhodesia in 1953 and it was there that he grew up on farms in the Bindura and Gatooma (Kadoma) areas. He moved to Salisbury (Harare) in 1974 where he met his wife, Avril. As a field medic, Sergeant Lotter served for nine years with frontline units of the Rhodesian Army. It was these years of action, emotion and savage experience that fuelled the poet's fire in him. He started writing poetry "on the backs of cigarette boxes" in an attempt to deal with the realities of the war. From such humble beginnings emerged a series of vivid pictures of an African nation at war. Lotter's work was first published in Peter Badcock's volume, Shadows of War. Subsequently, he collaborated with Badcock on another successful work, Faces of War. In 1984, he published his highly acclaimed Rhodesian Soldier that blends photographs and verse to form a wide-ranging monograph of the Rhodesian war. His work has earned him membership of the English Academy of Southern Africa and his poetry has been published around the world. He lives in Pretoria, South Africa.







Echoes From the Battlefields of South Africa


Book Description

Excerpt from Echoes From the Battlefields of South Africa It is with very great pleasure that I respond to the suggestion that I should write a few lines of preface to "Echoes from the Battlefields of South Africa," which I have had the opportunity of reading while passing through the press. The Council of the South Africa General Mission rejoice in the knowledge that they are, and have so long been, partners with those whom they have been privileged to send to the foreign mission field. For they remember that King David of old, before he entered into the possession of his kingdom, and while still hunted as "a partridge in the mountains," "made it a statute and an ordinance for Israel," that "As his part is that goeth down to the battle, so shall his part be that tarrieth by the stuff: they Shall Part Alike." About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Echoes of the Sunbird


Book Description

This volume presents a broad overview of the work of seven of Africa's leading poets. Five of them have received international recognition: Niyi Osundare and Chinua Achebe, the Commonwealth Poetry Prize; Osundare and Antonio Jacinto, the Noma Prize; and Jose Craveirinha, the Camoes Prize. The poems concern political, personal, and social themes and are written with aesthetic simplicity and lyricism. The contributors believe that poets, rather than being exiles from their communities, are prophets, seers, and singers and have a place in everyday life. Most of the poems have been published previously. Several, however, are new, and their appearance in this volume along with an introductory essay written by each poet, makes this anthology important, original, and fresh.




The Echo of Battle


Book Description

From Lexington and Gettysburg to Normandy and Iraq, the wars of the United States have defined the nation. But after the guns fall silent, the army searches the lessons of past conflicts in order to prepare for the next clash of arms. In the echo of battle, the army develops the strategies, weapons, doctrine, and commanders that it hopes will guarantee a future victory. In the face of radically new ways of waging war, Brian Linn surveys the past assumptions--and errors--that underlie the army's many visions of warfare up to the present day. He explores the army's forgotten heritage of deterrence, its long experience with counter-guerrilla operations, and its successive efforts to transform itself. Distinguishing three martial traditions--each with its own concept of warfare, its own strategic views, and its own excuses for failure--he locates the visionaries who prepared the army for its battlefield triumphs and the reactionaries whose mistakes contributed to its defeats. Discussing commanders as diverse as Dwight D. Eisenhower, George S. Patton, and Colin Powell, and technologies from coastal artillery to the Abrams tank, he shows how leadership and weaponry have continually altered the army's approach to conflict. And he demonstrates the army's habit of preparing for wars that seldom occur, while ignoring those it must actually fight. Based on exhaustive research and interviews, The Echo of Battle provides an unprecedented reinterpretation of how the U.S. Army has waged war in the past and how it is meeting the new challenges of tomorrow.




Echoes from the Battlefields of South Africa


Book Description

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Take These Men


Book Description

Few accounts of the tank battles in the Western Desert during the Second World War have provided so vivid an evocation as Cyril Joly's classic account Take These Men. In such inhospitable conditions, this was armoured warfare of a particularly difficult and dangerous kind. From 1940 to 1943 battles raged back and forth as one side or the other gained the upper hand, only to lose it again. Often the obsolescent British armour was outnumbered by the Italians or outgunned by Rommel's Afrika Korps, and frequently it suffered from the ineptitudes of higher command. Cyril Joly's first-hand narrative of these campaigns, highly praised when it was originally published in 1955, tells the story through the eyes of a young officer in the 7th Armoured Division, the famous Desert Rats. It describes in accurate, graphic detail the experience of tank warfare over seventy years ago, recalling the fortitude of the tank crews and their courage in the face of sometimes overwhelming odds.




The Book of Echoes


Book Description

Brixton 1981. Sixteen-year-old Michael is already on the wrong side of the law. In in his community, where job opportunities are low and drug-running is high, this is nothing new. But when Michael falls for Ngozi, a vibrant young immigrant from the Nigerian village of Obowi, their startling connection runs far deeper than they realise. Narrated by the spirit of an African woman who lost her life on a slave ship two centuries earlier, her powerful story reveals how Michael and Ngozi's struggle for happiness began many lifetimes ago. Through haunting, lyrical words, one unforgettable message resonates: love, hope and unity will heal us all.




African Banjo Echoes in Appalachia


Book Description

Throughout the Upland South, the banjo has become an emblem of white mountain folk, who are generally credited with creating the short-thumb-string banjo, developing its downstroking playing styles and repertory, and spreading its influence to the national consciousness. In this groundbreaking study, however, Cecelia Conway demonstrates that these European Americans borrowed the banjo from African Americans and adapted it to their own musical culture. Like many aspects of the African-American tradition, the influence of black banjo music has been largely unrecorded and nearly forgotten--until now. Drawing in part on interviews with elderly African-American banjo players from the Piedmont--among the last American representatives of an African banjo-playing tradition that spans several centuries--Conway reaches beyond the written records to reveal the similarity of pre-blues black banjo lyric patterns, improvisational playing styles, and the accompanying singing and dance movements to traditional West African music performances. The author then shows how Africans had, by the mid-eighteenth century, transformed the lyrical music of the gourd banjo as they dealt with the experience of slavery in America. By the mid-nineteenth century, white southern musicians were learning the banjo playing styles of their African-American mentors and had soon created or popularized a five-string, wooden-rim banjo. Some of these white banjo players remained in the mountain hollows, but others dispersed banjo music to distant musicians and the American public through popular minstrel shows. By the turn of the century, traditional black and white musicians still shared banjo playing, and Conway shows that this exchange gave rise to a distinct and complex new genre--the banjo song. Soon, however, black banjo players put down their banjos, set their songs with increasingly assertive commentary to the guitar, and left the banjo and its story to white musicians. But the banjo still echoed at the crossroads between the West African griots, the traveling country guitar bluesmen, the banjo players of the old-time southern string bands, and eventually the bluegrass bands. The Author: Cecelia Conway is associate professor of English at Appalachian State University. She is a folklorist who teaches twentieth-century literature, including cultural perspectives, southern literature, and film.




Liberia


Book Description

On December 24, 1989, a group of Libyan-trained armed dissidents, which styled itself the National Patriotic Front of Liberia (NPFL), attacked Liberian territory from neighboring Ivory Coast. The band of outlaws was led by Charles Taylor, an ex-Liberia government official who escaped from prison in the United States while facing extradition to Liberia for allegedly embezzling nearly one million dollars of public funds. After he fled the U.S. Taylor returned to West Africa, from where he connected with Libya. Sustained by Libyan support, Taylor went to Liberia to spearhead his murderous brand of civil war. Liberia's dictatorial leader Samuel Doe responded to the NPFL invasion by deploying troops in the conflict area, whose senior ranks were dominated by the military strongman's own ethnic group. The government forces carried out collective punishment against local villagers, killing, looting, and raping, while singling out people from certain ethnic groups whom they regarded as supporters of the invasion by reason of their ethnic identity. The NPFL also targeted members of Doe's ethnic group and other ethnic groups that were seen to be supportive of the government, as well as its officials and sympathizers. As the war spread from the interior toward the Liberian capital of Monrovia amid widespread death and destruction, the United States responded to the deteriorating situation by dispatching four warships with 2,300 marines to evacuate Americans and other foreigners who were in the country. The U.S. decided not to intervene to contain the unfolding catastrophe. Officials of the George Bush administration maintained that Liberia, which was then America's closest traditional ally in Africa, was no longer of strategic importance to the U.S. Coincidentally, the Liberian civil war started at the time the Cold War was ending. Located on the West Coast of Africa, Liberia was founded in 1822 by freed black American slaves who were returned to the continent. Their passage was paid by the American Colonization Society, a philanthropic organization, whose members included Thomas Jefferson and James Monroe. The Liberian capital Monrovia is named after Monroe, who was president of the United States at the time Liberia was founded. The country's national flag of red, white and blue stripes with a star, bears close resemblance to the American flag. The systems of government and education, architecture and other aspects of Liberian life reflect American taste. Names of places in the country include Virginia, Maryland, Georgia, Louisiana and Buchanan. More than anywhere in Africa, spoken English in Liberia echoes the rhythms of Black American speech. Liberia served as the regional headquarters of the Central Intelligence Agency (CIA), and hosted a Voice of America relay station that beamed American propaganda, as well as other major U.S. security installations during the Cold War. The Americans also operated the Omega Navigation Tower, which was intended to track the movement of ships and planes in the region and beyond. Once one of Africa's most stable and prosperous countries, Liberia was regarded as a haven for international trade and commerce because of the use of the American dollar as a legal tender. Major U.S. investments in the country included the Firestone Rubber Plantation, the world's largest plantation, which produce rubber for Firestone tires, Chase Manhattan Bank, and Citibank. Pan American Airlines (PAN AM) once operated Liberia's Roberts International Airport, where U.S. fighter jets have landing rights. During part of the 1970s, Liberia's per capita income was equivalent to that of Japan. Independent since 1847 as Africa's first republic, Liberia's plunge into anarchy began after a bloody military coup that ended the rule of descendants of the freed slaves, who monopolized political and economic power for over a century. During the 1980 coup, President William Tolbert, who tried to institute some meaningful po