No Place Like Home


Book Description

This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.




Edgar Reitz's Heimat


Book Description

This study of Edgar Reitz's 1984 film saga Heimat explores the cultural contexts of the Heimat tradition and examines the political debate surrounding the film's reception. Responses were largely supportive but some critics were disturbed by an apparent tendency to induce a sense of uncritical nostalgia in viewers. Reitz, by contrast, had wanted to make a film which would help people confront their memories of the Third Reich. The author tests hostile critiques not only against the film's elliptical narrative but also against Reitz's filmic techniques. She examines the interplay of realism and authenticity, and shows how Reitz dramatizes the confrontation between modernity and rural communities, while consciously alluding to the problematic and much-derided Heimat genre.




From Hitler to Heimat


Book Description

Examines changing attitudes among Germans as evident in films of the modern German era, leading away from guilt and atonement and seeking national identity.




Migrations of the Heart


Book Description

In her classic memoir, distinguished author, television executive, and activist Marita Golden beautifully recounts an astounding journey to Africa and back. Marita Golden was raised in Washington, D.C., by a mother who was a cleaning woman and a father who was taxi-driver. For all their struggles, with life and each other, her parents instilled her with spirit and aspirations. Swept up in the heady Black Power movement of the sixties, Marita moved to New York to study journalism at Columbia--and fell in love with Femi Ajayi, a Nigerian architecture student.. Their passion led them to start a life together in Africa--a place Marita was eager to understand. Exhilarated by a world free of white racism, Marita quickly found work as a professor and embraced motherhood. But Femi's increasing expectations that she snap into the role of the submissive Nigerian wife were shocking and dispiriting. Her struggle to regain her footing and shape a black identity that was true to her spirit is suspenseful and inspiring, an uncommon tale of race, identity, and Africa.




'Heimat'


Book Description

The concept of Heimat with its seemingly pre- or anti-modern connotations of rootedness in a place of origin is central to a critical understanding of German history and culture. Over the course of the past fifteen years, scholars across a range of disciplines have found new ways to examine the changing notions of Heimat – its multifaceted cultural, literary, and visual history, its gendered connotations, and its national and ideological appropriations. This anthology is the first to examine cultural manifestations of Heimat by giving special consideration to issues of memory and space. The contributions to this volume challenge static notions of place often associated with Heimat. Instead, they explore the social and cultural production of places of belonging as they emerge in literary and visual narratives ranging from 1800 to 2000 and beyond. Although the anthology includes historical perspectives on Heimat, its overall objective is not to trace its cultural or literary history, but to place this complex term into new conceptual contexts. Drawing attention to manifestations of Heimat within German literary and cultural studies provides a rich ground for exploring the transformation of locality in trans/national contexts.




Heimat - A German Dream


Book Description

The discourse of Heimat, meaning homeland or roots, has been a medium of debate on German identity between region and nation for at least a century. Four phases parallel Germany's discontinuous history: Heimat literature as a response to modernization and to regional tensions before the First World War; the inter-war period when Heimat divided into racist ideology, left-wing opposition, and inner resistance to the Third Reich; a post-war dialectic between escapist 1950s Heimat films and right-wing claims to the lost lands in the East to which anti-Heimat theatre and films in the 1960s and 1970s were a response, with the urban Heimat in GDR films adding a socialist twist; regionalism and green politics in the 1980s and German identity beyond Cold War divisions. A key point of reference in current debates on German history, Heimat looks likely to continue in postmodern and multicultural mode.




Belonging


Book Description

* Winner of the National Book Critics Circle Award * Silver Medal Society of Illustrators * * Named a Best Book of the Year by The New York Times, The Boston Globe, San Francisco Chronicle, NPR, Comics Beat, The Milwaukee Journal-Sentinel, Kirkus Reviews, and Library Journal This “ingenious reckoning with the past” (The New York Times), by award-winning artist Nora Krug investigates the hidden truths of her family’s wartime history in Nazi Germany. Nora Krug was born decades after the fall of the Nazi regime, but the Second World War cast a long shadow over her childhood and youth in the city of Karlsruhe, Germany. Yet she knew little about her own family’s involvement; though all four grandparents lived through the war, they never spoke of it. After twelve years in the US, Krug realizes that living abroad has only intensified her need to ask the questions she didn’t dare to as a child. Returning to Germany, she visits archives, conducts research, and interviews family members, uncovering in the process the stories of her maternal grandfather, a driving teacher in Karlsruhe during the war, and her father’s brother Franz-Karl, who died as a teenage SS soldier. In this extraordinary quest, “Krug erases the boundaries between comics, scrapbooking, and collage as she endeavors to make sense of 20th-century history, the Holocaust, her German heritage, and her family's place in it all” (The Boston Globe). A highly inventive, “thoughtful, engrossing” (Minneapolis Star-Tribune) graphic memoir, Belonging “packs the power of Alison Bechdel’s Fun Home and David Small’s Stitches” (NPR.org).




Heimat


Book Description

A new analysis of one of the most loaded terms in the German language: Heimat, or Homeland. The idea of Heimat (home, homeland, native region) has been as important to German self-perceptions over the last two hundred years as the shifting notion of the German nation. While the idea of Heimat has been long neglected in English studies of German culture--among other reasons because the word Heimat has no exact equivalent in English--this book offers us the first cross-disciplinary and comprehensive analysis, in English or German, of this all-pervasive German idea. Blickle shows how the idea of Heimat interpenetrates German notions of modernity, identity, gender, nature, and innocence. Blickle reminds us of such commonplace expressions of Heimat sentimentality as Biedermeier landscapes of Alpine meadows and castles on the Rhine, but also finds the Heimat preoccupation in Hegel, Nietzsche, and Freud. Always aware of the many literary representations of Heimat (for instance in Schiller, Hölderlin, Heine, Kafka, and Thomas Mann), Blickle does not argue for the fundamental innocence of Heimat. Instead he shows again and again how the idealization of a home ground leads to borders of exclusion. Peter Blickle is associate professor of German at Western Michigan University.




Heroes Like Us


Book Description

The comic life of Klaus Uhlzscht, a rookie secret policeman in East Germany, keeping his fellow citizens under close surveillance, but never quite sure what to look for. Relief from boredom comes when his penis changes size.




The Hitler Virus


Book Description

More than a half-century after Adolf Hitler committed suicide in a Berlin bunker, the dictator’s legacy and influence lives on, precisely as he predicted before putting the gun to his head. In the spring of 1945, as it became increasingly clear that the Nazi cause was lost, Hitler dictated his final political testament to his secretary: “Out of my personal commitment the seed will grow again one day, one way or another, for a radiant rebirth of the National Socialist movement in a truly united nation.” The next day, Hitler ended the Nazi regime by committing suicide. Respected author and publisher Peter Wyden, who himself escaped the Nazis, has returned to Germany many times over the years and, to his dismay, he has found evidence that Hitler’s last testament was startlingly accurate. Though the Nazi cause had been exposed and vilified worldwide, it is still clandestinely cherished by many. In the process of documenting manifestations of Hitler’s far-reaching influence, which he termed the “Hitler virus,” Wyden discovered that its carriers were not merely to be found among the older generation but an alarming number of outbreaks of the virus are among the young adults, who find in Hitler a moral and spiritual guide, aided and abetted by a new breed of right-wing academics who make the rewriting of history their mission and a new generation of politicians whose agendas are frighteningly close to those of young Hitler. In these often chilling pages, Wyden recounts the results of his research and points out that the Hitler virus is, indeed, still a cause for concern worldwide.