Book Description
CD-ROM contains video and audio clips of extracts from the original recording.
Author : Jumabay Bazarov
Publisher :
Page : 504 pages
File Size : 40,73 MB
Release : 2007
Category : CD-ROMs
ISBN :
CD-ROM contains video and audio clips of extracts from the original recording.
Author :
Publisher :
Page : 498 pages
File Size : 19,17 MB
Release : 2007
Category :
ISBN :
Author : Arthur Hatto
Publisher : Cambridge University Press
Page : 267 pages
File Size : 27,19 MB
Release : 2017-02-02
Category : History
ISBN : 1107103215
This book deeply analyses the little-known tradition of oral heroic epic poetry of the Khanty, an indigenous people of Siberia.
Author : Kenje Kara
Publisher : Otto Harrassowitz Verlag
Page : 178 pages
File Size : 14,77 MB
Release : 2006
Category : Compact discs
ISBN : 9783447051385
Mixed media: accompanied by CD of same title.
Author : Karl Reichl
Publisher : Cornell University Press
Page : 241 pages
File Size : 29,40 MB
Release : 2018-09-05
Category : Literary Criticism
ISBN : 1501732161
Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old English, Old High German, and Old French and that they can offer scholars new insights into the oral background of these medieval texts.Reichl draws on his research in Central Asia to discuss questions regarding performance as well as the singers' training, role in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song: the courageous deeds of ancestors, the search for tribal and societal roots, and the definition and transmission of cultural values. Reichl finds that in these traditions the heroic epic is part of a generic system that includes historical and eulogistic poetry as well as heroic lays, a view that has diachronic implications for medieval poetry.Singing the Past reminds readers that because much medieval poetry was composed for oral recitation, both the Turkic and the medieval heroic poems must always be appreciated as poetry in performance, as sound listened to, as words spoken or sung.
Author : Jonathan L. Ready
Publisher : Oxford University Press
Page : 332 pages
File Size : 49,9 MB
Release : 2018
Category : Foreign Language Study
ISBN : 0198802552
Presenting a new take on what made the Homeric epics such successful examples of verbal artistry, this volume explores the construction of the Homeric simile and the performance of Homeric poetry from the neglected comparative perspectives offered by the study of modern-day oral traditions.
Author : Elizabeth Minchin
Publisher : BRILL
Page : 287 pages
File Size : 18,84 MB
Release : 2011-12-09
Category : Literary Criticism
ISBN : 9004217746
This ninth Orality and Literacy volume considers oral composition, performance, reception, and the mutual interplay between oral performance and written text. Authors under consideration are Homer, Hesiod, Plato, Isocrates, orators of the Second Sophistic, and Proclus. Cross-cultural studies are included.
Author : Laurel Victoria Gray
Publisher : Bloomsbury Publishing
Page : 273 pages
File Size : 31,21 MB
Release : 2024-03-21
Category : Performing Arts
ISBN : 1350249483
The first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.
Author : Lauri Honko
Publisher : Walter de Gruyter
Page : 401 pages
File Size : 36,17 MB
Release : 2011-07-20
Category : Language Arts & Disciplines
ISBN : 3110825848
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Author : Karl Reichl
Publisher : Routledge
Page : 257 pages
File Size : 48,98 MB
Release : 2021-07-26
Category : Literary Criticism
ISBN : 1000409201
This book focuses on the performance of oral epics and explores the significance of performance features for the interpretation of epic poetry. The leading question of the book is how the socio-cultural context of performance and the various performance elements contribute to the meaning of oral epics. This is a question which not only concerns epics collected from living oral tradition, but which is also of importance for the understanding of the epics of antiquity and the Middle Ages which originated and flourished in an oral milieu. The book is based on fieldwork in the still vibrant oral traditions of the Turkic peoples of Central Asia and Siberia. The discussion combines fieldwork with theory; it is not limited to Turkic epics but branches out into other oral traditions.