Childhood in Edwardian Fiction


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The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.




Practical Manual of Harmony


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Staging Tradition


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Based on extensive archival research and oral history, Staging Tradition traces the parallel careers of the creators of the Renfro Valley Barn Dance and the National Folk Festival. Through their devotion to the staging of traditional culture, including folk, country, and bluegrass music, John Lair (1894-1985) and Sarah Gertrude Knott (1895-1984) became two of the mid-twentieth century's most notable producers. Lair and Knott's discovery of new developments in theater and entertainment during the 1920s led the pair to careers that kept each of them center stage. Inspired by programs such as WLS's Barn Dance and the success of early folk events, Lair promoted Kentucky musicians. Knott staged her own radically inclusive festival, which included Native and African American traditions and continues today as the National Folk Festival. Michael Ann Williams shows how Lair and Knott fed the public's fascination with the "art of the common man" and were in turn buffeted by cultural forces that developed around and beyond them.




Facsimile Products


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Folk Music in America


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Understanding the City Through Its Margins


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Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Notes on Contributors -- Acknowledgements -- 1 The city and its regulations: Unexpected margins -- Part I Space and state regulation: The urban interstices -- 2 Markets and marginality in Beirut -- 3 The tremendous making and unmaking of the peripheries in current Istanbul -- 4 Resilient forms of urbanity on the margins? Al-Kherba: A vivid market in a damaged section of the medina of Tunis -- 5 Whose margins? Marginality, poverty and the moral geography of pre-Soviet Bukhara -- 6 On the margins of the city: Izmir Prison in the late Ottoman Empire -- Part II Diversity and moral policing: Making claims through marginalisation -- 7 'Texas': An off-centre district at the heart of nightlife in Odienné -- 8 The Manyema in colonial Dar es Salaam (Tanzania) between urban margins and regional connections -- 9 On the margins: Suburban space and religious deviancy in Jakarta and Kuala Lumpur -- 10 Ethnic differentiation and conflict dynamics: Uzbeks' marginalisation and non-marginalisation in southern Kyrgyzstan -- Index




America's Folklorist


Book Description

Folklorist, writer, editor, regionalist, cultural activist—Benjamin Albert Botkin (1901–1975) was an American intellectual who made a mark on the twentieth century, even though most people may be unaware of it. This book, the first to reevaluate the legacy of Botkin in the history of American culture, celebrates his centenary through a collection of writings that assess his influence on scholarship and the American scene. Through his work with the Federal Writers' Project during the New Deal, the Writers' Unit of the Library of Congress Project, and the Archive of American Folksong, Botkin did more to collect and disseminate the nation's folk-cultural heritage than any other individual in the twentieth century. This volume focuses on Botkin's eclectic but interrelated concerns, work, and vision and offers a detailed sense of his life, milieu, influences, and long-term contributions. Just as Botkin boldly cut across the boundaries between high and low, popular and folk, this book brings together reflections that range from the historical to the philosophical to the disarmingly personal. One group of articles looks at his career and includes the first extended analysis of Botkin's poetry; another probes the fruitful relationships Botkin had with leading musicologists, composers, poets, and intellectuals of his day. This is also the first book to bring together a collection of Botkin's best-known writings, giving readers an opportunity to appreciate his wide-ranging mind and clear, often memorable prose. For Botkin, the blurring of art and science, literature and folklore was not just a philosophy but a way of life. This book reflects that life and invites fans and those new to Botkin to appraise his lasting contributions.