Verging on the Abyss


Book Description

While neither Kate Chopin nor Edith Wharton can be called feminist writers, each did produce female moral art, writings that focus relentlessly on the dialectics of social relations and the position of women therein. Mary Papke analyzes their disintegrative visions through detailed readings of virtually all of their novels and several of their shorter works. Papke begins with a brief examination of the ideology of true womanhood, which, she argues, permeates Chopin's and Wharton's fiction and world views. The remainder of her work offers an ideological reading of their social fiction in which their characters search for states of liminality, where they might achieve, however momentarily, autonomy. The author presents Chopin's and Wharton's female discourse as radical art because it dares to defy that which is both alienating and destructive. -- From product description.




Edith Wharton and Kate Chopin


Book Description




The Cambridge Companion to American Realism and Naturalism


Book Description

This Companion examines a number of issues related to the terms realism and naturalism. The introduction seeks both to discuss the problems in the use of these two terms in relation to late nineteenth-century fiction and to describe the history of previous efforts to make the terms expressive of American writing of this period. The Companion includes ten essays which fall into four categories: essays on the historical context of realism and naturalism by Louis Budd and Richard Lehan; essays on critical approaches to the movements since the early 1970s by Michael Anesko, essays on the efforts to expand the canon of realism and naturalism by Elizabeth Ammons; and a full-scale discussion of ten major texts, from W. D. Howell's The Rise of Silas Lapham to Jack London's The Call of the Wild, by John W. Crowley, Tom Quirk, J. C. Levenson, Blanche Gelfant, Barbara Hochman, and Jacqueline Tavernier-Courbin.




Kate Chopin, Edith Wharton and Charlotte Perkins Gilman


Book Description

A wide range of short fiction by Kate Chopin, Edith Wharton and Charlotte Perkins Gilman is the focus for this study, examining both genre and theme. Chopin's short stories, Wharton's novellas, Chopin's frankly erotic writing and the homilies in which Gilman warns of the dangers of the sexually transmitted disease are compared. There are also essays on ethnicity in the work of Chopin, Wharton's New England stories, Gilman's innovative use of genre and 'The Yellow Wallpaper' on film. All three writers are still popular in US classrooms in particular. This paperback edition includes a new Preface to the material, providing a useful update on recent scholarship.




The Cambridge Companion to Kate Chopin


Book Description

Although she enjoyed only modest success during her lifetime, Kate Chopin is now recognised as a unique voice in American literature. Her seminal novel, The Awakening, published in 1899, explored new and startling territory, and stunned readers with its frank depiction of the limits of marriage and motherhood. Chopin's aesthetic tastes and cultural influences were drawn from both the European and American traditions, and her manipulation of her 'foreignness' contributed to the composition of a complex voice that was strikingly different to that of her contemporaries. The essays in this Companion treat a wide range of Chopin's stories and novels, drawing her relationship with other writers, genres and literary developments, and pay close attention to the transatlantic dimension of her work. The result is a collection that brings a fresh perspective to Chopin's writing, one that will appeal to researchers and students of American, nineteenth-century, and feminist literature.







Bitter Tastes


Book Description

Challenging the conventional understandings of literary naturalism defined primarily through its male writers, Donna M. Campbell examines the ways in which American women writers wrote naturalistic fiction and redefined its principles for their own purposes. Bitter Tastes looks at examples from Edith Wharton, Kate Chopin, Willa Cather, Ellen Glasgow, and others and positions their work within the naturalistic canon that arose near the turn of the twentieth century. Campbell further places these women writers in a broader context by tracing their relationship to early film, which, like naturalism, claimed the ability to represent elemental social truths through a documentary method. Women had a significant presence in early film and constituted 40 percent of scenario writers--in many cases they also served as directors and producers. Campbell explores the features of naturalism that assumed special prominence in women's writing and early film and how the work of these early naturalists diverged from that of their male counterparts in important ways.




American Realist Fictions of Marriage


Book Description

American Realist Fictions of Marriage intervenes in current critical debates in American literary realism by showing how realism functions as a mode of narration for fictive constructions of marriage and the race, gender, and class upheavals these depictions of marriage represent.




A Companion to the American Short Story


Book Description

A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion takes account of cutting edge approaches to literary studies and contributes to the ongoing redefinition of the American canon, embracing genres such as ghost and detective fiction, cycles of interrelated short fiction, and comic, social and political stories. The volume also reflects the diverse communities that have adopted this literary form and made it their own, featuring entries on a variety of feminist and multicultural traditions. This volume presents an important new consideration of the role of the short story in the literary history of American literature.




Overtones of Opera in American Literature from Whitman to Wharton


Book Description

Overtones of Opera explores the discourse of opera -- both the art form and the social institution -- in selected works of Whitman, Poe, Alcott, Chopin, Cather, James, and Wharton. For some, opera provided a powerful artistic medium for expressing a private aesthetic experience; in opera, they discovered the embodied voice of the artist. Others found not only the spectacle of opera but also its spaces, the opera houses and boxes, perfectly suited for displaying the class-based and commodity driven aspirations of America's new aristocracy. This noteworthy study will inform and enlighten literary scholars, musicologists, and lovers of both opera and literature.