EDUCATIONAL SCREEN AND AUDIO-VISUAL GUIDE, 1959,.
Author : UNKNOWN. AUTHOR
Publisher :
Page : 0 pages
File Size : 20,86 MB
Release : 2022
Category :
ISBN : 9780266004318
Author : UNKNOWN. AUTHOR
Publisher :
Page : 0 pages
File Size : 20,86 MB
Release : 2022
Category :
ISBN : 9780266004318
Author :
Publisher :
Page : 692 pages
File Size : 49,75 MB
Release : 1965
Category : Audio-visual education
ISBN :
Author : United States. Office of Education
Publisher :
Page : 76 pages
File Size : 30,61 MB
Release : 1962
Category :
ISBN :
Author : Amo De Bernardis
Publisher :
Page : 84 pages
File Size : 42,64 MB
Release : 1961
Category : Architecture
ISBN :
Author : United States. Office of Education
Publisher :
Page : 986 pages
File Size : 27,75 MB
Release : 1961
Category : Education
ISBN :
Author :
Publisher :
Page : 40 pages
File Size : 50,22 MB
Release : 1966
Category : Education
ISBN :
Author : National Communicable Disease Center (U.S.)
Publisher :
Page : 92 pages
File Size : 20,93 MB
Release : 1969
Category : Education
ISBN :
Author : Harun Arrasjid
Publisher : Ardent Media
Page : 258 pages
File Size : 42,15 MB
Release : 1972
Category : Education
ISBN : 9780842202558
Author : Esther May Eaton
Publisher :
Page : 40 pages
File Size : 21,6 MB
Release : 1962
Category : Languages, Modern
ISBN :
Author : Noah Tsika
Publisher : Univ of California Press
Page : 276 pages
File Size : 41,76 MB
Release : 2022-02-22
Category : History
ISBN : 0520386094
"Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 90s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. After 1999, the exhibition sector was again revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the decades bracketing independence in 1960, and the years after 1999. At stake in both instances is the postcolony's role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate but also a testament to cinema's persistence--its capacity to stave off annihilation or, in this case, come back from the dead"--