Edwin Rolfe


Book Description




Collected Poems


Book Description

This long-overdue collection, which gathers together more than two hundred poems written over a span of six decades, along with an extended biographical analysis by Fred Whitehead, permits a comprehensive assessment of the work of a man Thomas McGrath described as "one of the very best of the revolutionary poets." Don Gordon made his name in the 1930s as a passionate and outspoken political poet, his work being published in the most prestigious American journals. In spite of his growing literary reputation he was called before the Un-American Activities Committee of the U.S. House or Representatives in September, 1951. Due to his openly communist views and his reluctance to give the committee names of fellow radical writers, Gordon was blacklisted from employment in the film industry. He devoted his time to writing poems, despite the difficulty of finding a wide audience for them. Many of Gordon's poems are suffused with themes of revolution and political activism, but this collection showcases the breadth of the subjects he addressed in his sixty years of writing, expressed with a rigorous aesthetic sensibility in a style that incorporates diverse influences, including modernism and surrealism. "Don Gordon is great," Meridel LeSueur wrote, "because he shows the vigorous and wondrous strength of the people." With this complete collection of his poems, readers can at last experience the full range of this vigorous and challenging writer.




Writing From the Left


Book Description

In this collection of essays, the author combines a series of assessments of "classic" and "lost" texts in the US Marxist literary tradition, and analyzes developments in Marxist scholarship by Robin Kelley, Michael Lowy, James Murphy, Paula Rabinowitz and Alexander Saxton.




The Oxford Handbook of Modern and Contemporary American Poetry


Book Description

The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.




Crusade of the Left


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Between 1936 and 1938, some 3,000 young Americans sailed to France and crossed the Pyrenees to take part in the brutal civil war raging in Spain. Virtually all joined the International Brigades, formed under the auspices of the Soviet-led Comintern and largely directed by Communists. Yet a large number were not Communists; their activism was inspired by domestic and international crises of the 1930s, and colored by idealism.The men who went to Spain came out of a radical subculture that emerged from the Depression and the New Deal. Th is radicalism was a native plant, but it was nourished from abroad. In the thirties the menace of fascism seemed to be spreading like cancer across Europe, giving an international aspect to many domestic problems in the United States. To intellectuals, students, unionists, liberals, and leftists, the threat of fascism was so real that many came to believe that if it was not stopped in Spain, eventually they would have to take up arms against fascism at home.To understand the Americans who fought in the Spanish Civil War it is necessary to bury some of the shibboleths of cold war years. Dissidence in the United States occurs in response to perceptions of reality on this side of the Atlantic, not because of the wishes of men in the Soviet Union. Th e members of the Lincoln Battalion were genuine products of America, and their story is properly a page in American military and political history. From them, one can learn much about the world of the 1930s and perhaps even something about the potential of modern man for thought and action in time of crisis.




The Power of Political Art


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During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the most stimulating in American history. With the dawning of the Cold War, however, much of their work fell out







Making Something Happen


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Poetry makes nothing happen," wrote W. H. Auden in 1939, expressing a belief that came to dominate American literary institutions in the late 1940s--the idea that good poetry cannot, and should not, be politically engaged. By contrast, Michael Thurston here looks back to the 1920s and 1930s to a generation of poets who wrote with the precise hope and the deep conviction that they would move their audiences to action. He offers an engaging new look at the political poetry of Edwin Rolfe, Langston Hughes, Ezra Pound, and Muriel Rukeyser. Thurston combines close textual reading of the poems with research into their historical context to reveal how these four poets deployed the resources of tradition and experimentation to contest and redefine political common sense. In the process, he demonstrates that the aesthetic censure under which much partisan writing has labored needs dramatic revision. Although each of these poets worked with different forms and toward different ends, Thurston shows that their strategies succeed as poetry. He argues that partisan poetry demands reflection not only on how we evaluate poems but also on what we value in poems and, therefore, which poems we elevate.




American War Poetry


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Arranged by war, the book begins with the Colonial period and proceeds through Whitman admiring Civil War soldiers crossing a river to end with Brian Turner, who published his first book in 2005, beckoning a bullet in contemporary Iraq.




Revolutionary Memory


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Revolutionary Memory is the most important book yet to be published about the vital tradition of leftwing American Poetry. As Cary Nelson shows, it is not only our image of the past but also our sense of the present and future that changes when we recover these revolutionary memories. Making a forceful case for political poetry as poetry, Nelson brings to bear his extraordinary knowledge of American poets, radical movements, and social struggles in order to bring out an undervalued strength in a literature often left at the canon's edge. Focused in part of the red decade of the 1930s, Revolutionary Memory revitalizes biographical criticism for writers on the margin and shows us for the first time how progressive poets fused their work into a powerful chorus of political voices. Richly detailed and beautifully illustrated with period engravings and woodcuts, Revolutionary Memory brings that chorus dramatically to life and set a cultural agenda for future work.