Efsuncu Orpheus


Book Description

Orpheus (Greek mythology); mosaics, Roman; themes and motives.




Pottery, Pavements, and Paradise


Book Description

These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.




Greek Myth and Western Art


Book Description

This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.




History of Esoteric and Anagogic Doctrines


Book Description

A study on Freemasonry, Illuminati, Esoteric and Anagogical developments, extending to the two lost continents of Mu and Atlantis to the Maya, Uyghur and the Egyptian civilizations, Judaism, Christianity and Islam. Where are the roots of monotheism? Who were the first monotheistic believers? Where are the roots of today's heavenly religions? This research is about a doctrine that has deeply influenced the belief systems since the dark periods of human history within the context of processes of historical development of esoteric beliefs. In addition to the birth of monotheistic religions, the esoteric teachings that enable the rational thought system to reach the present and allow us to be in the Era of Reason, reveal that God is love and not fear, and that the power of intuition is led by reason. The greatest deficiency of our time is that this great love is not boldly revealed. The real purpose of this work is to bring this sublime expression of love out of its narrow frames to reach out to the masses.




Dead Lovers


Book Description

Explores the variety of bonds that are formed between writers and the figure of the dead lover







Weaving in Stones: Garments and Their Accessories in the Mosaic Art of Eretz Israel in Late Antiquity


Book Description

This book, copiously illustrated throughout, studies the garments and their accessories worn by some 245 figures represented on approximately 41 mosaic floors (some only partially preserved) that once decorated both public and private structures within the historical-geographical area of Eretz Israel in Late Antiquity.




Hadrianopolis IV


Book Description

Hadrianopolis is located on the principal western route from the Central Anatolian plain through the mountains to Bartin and the Black Sea, 3 km west of modern Eskipazar, near Karabèuk, in Roman southwestern Paphlagonia. Though small, it dominated a rich agricultural and vinicultural enclave on the borders between Paphlagonia, Bithynia and Galatia. Between 2005 and 2008, four survey, excavation and restoration campaigns were conducted on the site by Dokuz Eylèul University. The 2005 surveys identified the remains of at least 24 buildings, many of which were paved with extensive mosaic floors. Following the publication of the inscriptions (Hadrianopolis I), glass (Hadrianopolis II), and pottery finds (Hadrianopolis III), the present volume is devoted to these early Byzantine mosaics and frescoes from this site, dated mainly to the 6th and 7th centuries AD. The most remarkable of these is the floor mosaic of the nave of the Basilica B, which displays personifications of the four rivers of paradise: Euphrates, Tigris, Phison and Geon.




Cults and Beliefs at Edessa


Book Description

Preliminary material -- INTRODUCTION -- EDESSA'S HISTORY AND CULTURE -- THE SOURCES FOR THE STUDY OF EDESSA'S RELIGION -- THE CULT OF NEBO AND BEL -- THE CULT OF ATARGATIS -- THE CULT OF SIN LORD OF THE GODS AT SUMATAR HARABESI -- THE CULT OF AZIZOS AND MONIMOS AND OTHER ARAB DEITIES -- EDESSAN RELIGION, PAGANISM IN THE ROMAN EMPIRE, AND EARLY CHRISTIANITY -- INDEX -- LIST OF PLATES -- PLATES I-XXXIV.




Orpheus in Middle Ages


Book Description

Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.