The New Oxford Book of Eighteenth-Century Verse


Book Description

No previous anthology has succeeded in illustrating so thoroughly the kinds of verse actually written in the eighteenth century. The familiar tradition is fully represented by selections from such poets as Pope, Swift, Tomson, Gray, Smart, Goldsmith, Cowper, Burns, and Blake. In addition, the anthology includes verse by many forgotten writers, both men and women, from all levels of society. Although they have never figured in conventional literary history, they wrote humorous, idiosyncratic, and graphic verse about their personal experience and the world around them, in a way that should challenge received ideas about the period's restraints and inhibitions.




A History of Eighteenth-Century British Literature


Book Description

A History of Eighteenth-Century British Literature is a lively exploration of one of the most diverse and innovative periods in literary history. Capturing the richness and excitement of the era, this book provides extensive coverage of major authors, poets, dramatists, and journalists of the period, such as Dryden, Pope and Swift, while also exploring the works of important writers who have received less attention by modern scholars, such as Matthew Prior and Charles Churchill. Uniquely, the book also discusses noncanonical, working-class writers and demotic works of the era. During the eighteenth-century, Britain experienced vast social, political, economic, and existential changes, greatly influencing the literary world. The major forms of verse, poetry, fiction and non-fiction, experimental works, drama, and political prose from writers such as Montagu, Finch, Johnson, Goldsmith and Cowper, are discussed here in relation to their historical context. A History of Eighteenth-Century British Literature is essential reading for advanced undergraduates and graduate students of English literature. Topics covered include: Verse in the early 18th century, from Pope, Gay, and Swift to Addison, Defoe, Montagu, and Finch Poetry from the mid- to late-century, highlighting the works of Johnson, Gray, Collins, Smart, Goldsmith, and Cowper among others, as well as women and working-class poets Prose Fiction in the early and 18th century, including Behn, Haywood, Defoe, Swift, Richardson, Fielding, and Smollett The novel past mid-century, including experimental works by Johnson, Sterne, Mackenzie, Walpole, Goldsmith, and Burney Non-fiction prose, including political and polemical prose 18th century drama













English Poetry of the Eighteenth Century, 1700-1789


Book Description

In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.




Prose Immortality, 1711-1819


Book Description

Writers have always aspired to immortality, using their works to preserve their patrons, their loved ones, and themselves beyond death. For Pindar, Horace, and Shakespeare, the vehicle of such preservation was poetry. In the eighteenth century, figures such as Joseph Addison, Edward Young, Samuel Richardson, Laetitia Pilkington, Samuel Johnson, and James Boswell invented a new kind of literary immortality, built on the documentary power of prose. For eighteenth-century authors, the rhythms and routines of daily lived experience were too rich to be distilled into verse, and prose genres such as the periodical paper, novel, memoir, essay, and biography promised a new kind of lastingness that responded to the challenges and opportunities of Enlightenment philosophy and evolving religious thought. Prose Immortality, 1711-1819documents this transformation of British literary culture, spanning the eighteenth century and linking journalism, literature, theology, and philosophy. In recovering the centrality of the afterlife to eighteenth-century culture, this prizewinning book offers a versatile and wide-ranging argument that will speak not only to literary scholars but also to historians, scholars of religion, and all readers interested in the power of literature to preserve human experience through time. Winner of the Walker Cowen Memorial Prize for an Outstanding Work of Scholarship in Eighteenth-Century Studies