Arte y ciencia


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Recovering the Hispanic History of Texas


Book Description

The eight essays included in this volume examine the dominant narrative of Texas history and seek to establish a record that includes both Mexican men and women, groups whose voices have been notably absent from the history books. Finding documents that reflect the experiences of those outside of the mainstream culture is difficult, since historical archives tend to contain materials produced by the privileged and governing classes of society. The contributing scholars make a case for expanding the notion of archives to include alternative sources. By utilizing oral histories, Spanish-language writings and periodicals, folklore, photographs, and other personal materials, it becomes possible to recreate a history that includes a significant part of the state¿s population, the Mexican community that lived in the area long before its absorption into the United States.These articles primarily explore themes within the field of Chicano/a Studies. Divided into three sections, Creating Social Landscapes, Racialized Identities, and Unearthing Voices, the pieces cover issues as diverse as the Mexican-American Presbyterian community, the female voice in the history of the Texas borderlands, and Tejano roots on the Louisiana-Texas border in the 18th and 19th centuries. In their introduction, editors Monica Perales and Raúl A. Ramos write that the scholars, in their exploration of the state¿s history, go beyond the standard categories of immigration, assimilation, and the nation state. Instead, they forge new paths into historical territories by exploring gender and sexuality, migration, transnationalism, and globalization.




Lo Posthumano


Book Description

Nuestra segunda vida en el mundo digital, la comida genéticamente modificada, las prótesis de nueva generación y las tecnologías reproductivas son aspectos ya familiares de la condición posthumana. Ya que se han borrado las fronteras entre aquello que es humano y aquello que no lo es, poniendo en evidencia la base no natural del ser humano actual. Desde el punto de vista de la Filosofía y la Teoría Política, urge actualizar las definiciones de identidad y los fenómenos sociales a raíz de este salto. Con un simple análisis se verá que después de haber constatado el fin del Humanismo, es preciso ver en esta transformación las malas intenciones de una colonización de la vida por parte de los mercados y su lógica del beneficio. Es preciso, pues, adecuar la teoría a los cambios en curso, sin añoranzas por una humanidad ahora perdida y cogiendo las oportunidades ofrecidas por las formas de Neohumanismo que nacen de los movimientos medio ambientales y de los Estudios de Género y Postcoloniales.





Book Description




Age of discrepancies


Book Description

"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.