El Grito de Lares


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El Grito de Lares


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Puerto Rico's Revolt for Independence


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This book interprets Puerto Rico's first and most significant attempt to end its colonial dependence on Spain. Looking at the imperial policies and conditions within Puerto Rico that led to the 1868 rebellion known as El Grito de Lares, the author compares the colonization of Puerto Rico with that of Spanish America and explores why the island's independence movement began decades after Spain's other colonies of the region had revolted. Through the extensive use of previously unresearched archival materials of the rebel movement, she corrects many errors found in earlier accounts of the revolt, and offers new interpretations of the movement's impact on Spanish-Puerto Rican relations.




El Grito De Lares


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Soldiers of the Nation


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As the island of Puerto Rico transitioned from Spanish to U.S. imperial rule, the military and political mobilization of popular sectors of its society played important roles in the evolution of its national identities and subsequent political choices. While scholars of American imperialism have examined the political, economic, and cultural aspects of U.S. colonialism in Puerto Rico, few have considered the integral role of Puerto Rican men in colonial military service, helping to consolidate the empire. In Soldiers of the Nation Harry Franqui-Rivera argues that the emergence of strong and complicated Puerto Rican national identities is deeply rooted in the long history of colonial military organizations on the island. Franqui-Rivera examines the patterns of inclusion and exclusion within the military and the various forms of citizenship that are subsequently transformed into socioeconomic and political enfranchisement. Analyzing the armed forces as an agent of cultural homogenization, Franqui-Rivera further explains the formation and evolution of Puerto Rican national identities that led to the creation of the Estado Libre Asociado (the commonwealth) in 1952. Franqui-Rivera concludes that Puerto Rican soldiers were neither cannon fodder for the metropolis nor the pawns of the criollo political elites. Rather, they were men with complex identities who demonstrated a liberal, popular, and broad definition of Puertorriqueñidad.







El Grito Del Bronx and Other Plays


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EL GRITO DEL BRONX & OTHER PLAYS collects for the first time three plays and one song-poem by celebrated Nuyorican poet-playwright Migdalia Cruz. With an introduction by eminent Latino scholar Alberto Sandoval-Sanchez and afterword by theatre scholar Priscilla Page, this is an invaluable addition to the field of US Latina/o drama and all of American theatre.