El ingenioso hidalgo Don Quijote de la Mancha II


Book Description

Miguel de Cervantes, escritor espanol de fama universal, es celebre en primer lugar por su novela “El ingenioso hidalgo Don Quijote de la Mancha”, una de las obras mas portentosas de la literatura mundial. Esta novela, traducida a todos los idiomas europeos, hasta la fecha es una de las narrativas que mas se leen en el orbe. En 2002 fue califi cada como la mejor novela de las letras mundiales. La obra cuenta las aventuras de un loco hidalgo que adopto el nombre de Don Quijote y de su escudero simplon Sancho Panza, quien de vez en cuando pretende, con timidez e infructuosamente, bajar a su imaginario senor desde los cielos de la alienacion a la tierra de pecado. Una satira muy honda de los tiempos de Cervantes que no pierde su actualidad hasta el dia de hoy.










Books of the Brave


Book Description

Since its original publication in 1949, Irving A. Leonard's pioneering Books of the Brave has endured as the classic account of the introduction of literary culture to Spain's New World. Leonard's study documents the works of fiction that accompanied and followed the conquistadores to the Americas and goes on to argue that popular texts influenced these men and shaped the way they thought and wrote about their New World experiences. For the first time in English, this edition combines Leonard's text with a selection of the documents that were his most valuable sources--nine lists of books destined for the Indies. Containing a wealth of information that is sure to spark future study, these lists provide the documentary evidence for what is perhaps Leonard's greatest contribution: his demonstration that royal and inquisitorial prohibitions failed to control the circulation of books and ideas in colonial Spanish America. Rolena Adorno's introduction signals the lasting value of Books of the Brave and brings the reader up to date on developments in cultural-historical studies that have shed light on the role of books in Spanish American colonial culture. Adorno situates Leonard's work at the threshold between older, triumphalist views of Spanish conquest history and more recent perspectives engendered by studies of native American peoples. With its rich descriptions of the book trade in both Spain and America, Books of the Brave has much to offer historians as well as literary critics. Indeed, it is a highly readable and engaging book for anyone interested in the cultural life of the New World. Since its original publication in 1949, Irving A. Leonard's pioneering Books of the Brave has endured as the classic account of the introduction of literary culture to Spain's New World. Leonard's study documents the works of fiction that accompanied and followed the conquistadores to the Americas and goes on to argue that popular texts influenced these men and shaped the way they thought and wrote about their New World experiences. For the first time in English, this edition combines Leonard's text with a selection of the documents that were his most valuable sources--nine lists of books destined for the Indies. Containing a wealth of information that is sure to spark future study, these lists provide the documentary evidence for what is perhaps Leonard's greatest contribution: his demonstration that royal and inquisitorial prohibitions failed to control the circulation of books and ideas in colonial Spanish America. Rolena Adorno's introduction signals the lasting value of Books of the Brave and brings the reader up to date on developments in cultural-historical studies that have shed light on the role of books in Spanish American colonial culture. Adorno situates Leonard's work at the threshold between older, triumphalist views of Spanish conquest history and more recent perspectives engendered by studies of native American peoples. With its rich descriptions of the book trade in both Spain and America, Books of the Brave has much to offer historians as well as literary critics. Indeed, it is a highly readable and engaging book for anyone interested in the cultural life of the New World.




Medieval Arms and Armour: a Sourcebook. Volume II: 1400-1450


Book Description

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.ence, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.




Exorcism and Its Texts


Book Description

In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics to obscure works by anonymous writers.




Pedro de Valencia and the Catholic Apologists of the Expulsion of the Moriscos


Book Description

The Spanish Moriscos, Muslims forcibly converted to Christianity, were expelled by Philip III between 1609 and 1614. Subsequently, writers known as Catholic Apologists wrote justifying the event. Pedro de Valencia, humanist, biblical scholar, jurist and royal Chronicler, condemned expulsion. Both Apologists and Pedro de Valencia made their case by invoking Divine Providence: the former contended that millenarian prophecies and apocalyptic visions were signs of divine warning beforehand and of approval afterwards; Valencia urged Philip III to act as a shepherd king, arguing that Divine Providence would punish monarchs who put political expediency before moral rectitude. Drawing on unpublished source material, the book juxtaposes the ideals of Valencia, a Christian humanist, with the bigotry, superstition and racism of the Apologists.




The Prison of Love


Book Description

The Spanish romance Cárcel de amor blossomed into a transnational and multilingual phenomenon that captivated audiences throughout Europe at a time when literacy was expanding and print production was changing the nature of reading, writing, and of literature itself. In The Prison of Love, Emily Francomano offers the first comparative study of this sixteenth-century work as a transcultural, humanist fiction. Blending literary analysis and book history, Francomano provides us with the richly textured history of the translations, material books, and artefacts that make this tale of love, letters, and courtly intrigue an invaluable prism through which the multifaceted world of sixteenth-century literary and book cultures are refracted.




Collected Papers (1962-1999)


Book Description

This book consists in a reprint of papers dealing mostly with Grecoroman philosophy, ranging from the 5th century BC to the 6th century AD, and concerned mainly with the Presocratics, Plato, Aristotle, the Early Academy, the Platonic and Aristotelian later traditions.




Cervantine Blackness


Book Description

There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.