Viviendas en Neguri
Author : Rafael Aburto
Publisher : Servicio Publicaciones ETSA
Page : 68 pages
File Size : 48,31 MB
Release : 2002
Category : Social Science
ISBN : 8489713480
Author : Rafael Aburto
Publisher : Servicio Publicaciones ETSA
Page : 68 pages
File Size : 48,31 MB
Release : 2002
Category : Social Science
ISBN : 8489713480
Author : Antonio Fernández Puertas
Publisher :
Page : 538 pages
File Size : 33,68 MB
Release : 1997
Category : Architecture
ISBN :
Based on many years of painstaking research and covering eleven centuries of medieval, modern and contemporary history, The Alhambra represents a major contribution to world scholarship. During his research for the book, the author has made some very exciting discoveries. He has, for example, resolved one of the great enigmas of Nasrid art by discovering the geometric proportional system on which the entire Alhambra architecture and decoration are based. The designs are at times so intricate that they baffle even professional mathematicians: Professor Fernaacute;ndez-Puertas has cracked the geometric code and discovered that the marvels of the Alhambra are built on a proportional system that is essentially incommensurable and not based on fixed units like metres or inches. This has involved making hundreds of analytical figures, many of which will be included in the book. Professor Fernaacute;ndez-Puertas is also the first to discover the chronological order in which the Alhambra palaces were built. He has collated much fragmentary information in order to reconstruct a picture of court life within the Alhambra and the personalities of its sultans and poet-viziers. The book thus contains the heart of three centuries of Nasrid art, as well as providing a history of the palatine city from the ninth century to the present day: the pre-Nasrid Alhambra, the Nasrid Alhambra and the Christian Alhambra. Based on many years of painstaking research and covering eleven centuries of medieval, modern and contemporary history, The Alhambra will be the most comprehensive scientific work yet issued on the subject--a work of this order is unlikely to be published again within our lifetime.
Author : Jean-Francois Lejeune
Publisher : Routledge
Page : 531 pages
File Size : 26,3 MB
Release : 2009-12-04
Category : Architecture
ISBN : 113525026X
Bringing to light the debt twentieth-century modernist architects owe to the vernacular building traditions of the Mediterranean region, this book considers architectural practice and discourse from the 1920s to the 1980s. The essays here situate Mediterranean modernism in relation to concepts such as regionalism, nationalism, internationalism, critical regionalism, and postmodernism - an alternative history of the modern architecture and urbanism of a critical period in the twentieth century.
Author : Darren Deane
Publisher : Routledge
Page : 597 pages
File Size : 28,79 MB
Release : 2016-12-05
Category : Architecture
ISBN : 1351915797
Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.
Author : Susan Sinclair
Publisher : BRILL
Page : 1508 pages
File Size : 12,42 MB
Release : 2012-04-03
Category : Social Science
ISBN : 9047412079
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Author : Raffaella Fabiani Giannetto
Publisher : Routledge
Page : 251 pages
File Size : 17,23 MB
Release : 2020-07-29
Category : Architecture
ISBN : 1000098451
By seeking to rediscover the profession's agricultural roots, this volume proposes a 21st-century shift in thinking about landscape architecture that is no longer driven by binary oppositions, such as urban and rural; past and present; aesthetics and ecology; beautiful and productive, but rather prioritizes a holistic and cross-disciplinary framing. The illustrated collection of essays written by academics, researchers and experts in the field seeks to balance and redirect a current approach to landscape architecture that prioritizes a narrow definition of the regional in an effort to tackle questions of continuous urban growth and its impact on the environment. It argues that an emphasis on conurbation, which occurs at the expense of the rural, often ignores the reality that certain cultivation and management practices taking place on land set aside for production can be as harmful to the environment as is unchecked urbanization, contributing to loss of biodiverstiy, soil erosion and climate change. By contrast, the book argues that by expanding the expertise of design professionals to include the productive, food systems, soil conservation and the preservation of cultural landscapes, landscape architects would be better equipped to participate in the stewardship of our planet. Written primarily for landscape practitioners and academics, cultural and environmental historians and conservationists, The Culture of Cultivation will appeal to anyone interested in a thorough rethinking of the role and agency of landscape architecture.
Author : José Manuel Pozo Municio
Publisher : Servicio Publicaciones ETSA
Page : 187 pages
File Size : 40,36 MB
Release : 2002
Category : Architecture
ISBN : 8489713510
Author : Manuel de la Peña Suárez
Publisher : Cabildo de Gran Canaria Centro Atlantico de Arte Moderno
Page : 240 pages
File Size : 14,3 MB
Release : 2007
Category : Architecture
ISBN :
Estructuralismo y experimentación en la arquitectura de los 60 quiere mostrar la trascendencia de la modernidad en la cultura de Las Palmas de Gran Canaria durante el siglo XX, en particular desde el campo afecto de la arquitectura. Por ello valora las propuestas que, a partir de 1955, plantean la regeneración de los estilos dominantes, coincidiendo con la movilización de una nueva generación de arquitectos que se puso en marcha, en toda España, para crear, de manera activa, puentes con las corrientes internacionales de la segunda modernidad.
Author : Claudia Hopkins
Publisher : Bloomsbury Publishing
Page : 572 pages
File Size : 29,51 MB
Release : 2024-08-08
Category : Art
ISBN : 1350428558
Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain's liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst them Villaamil, whose nostalgic landscapes evoked the loss of Andalusi culture; Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the Symbolist Rusiñol, whose images of the Alhambra are infused with melancholy; Morcillo, whose extraordinary camp images opened a new space for male subjectivity; Tapiró and Bertuchi, who dedicated their lives to Morocco, and the Moroccan Sarghini, who participated in the state-funded Painters of Africa exhibitions in Franco's Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism.
Author : María Fernández
Publisher : University of Texas Press
Page : 465 pages
File Size : 40,83 MB
Release : 2014-01-06
Category : Art
ISBN : 0292745354
Since the colonial era, Mexican art has emerged from an ongoing process of negotiation between the local and the global, which frequently involves invention, synthesis, and transformation of diverse discursive and artistic traditions. In this pathfinding book, María Fernández uses the concept of cosmopolitanism to explore this important aspect of Mexican art, in which visual culture and power relations unite the local and the global, the national and the international, the universal and the particular. She argues that in Mexico, as in other colonized regions, colonization constructed power dynamics and forms of violence that persisted in the independent nation-state. Accordingly, Fernández presents not only the visual qualities of objects, but also the discourses, ideas, desires, and practices that are fundamental to the very existence of visual objects. Fernández organizes episodes in the history of Mexican art and architecture, ranging from the seventeenth century to the end of the twentieth century, around the consistent but unacknowledged historical theme of cosmopolitanism, allowing readers to discern relationships among various historical periods and works that are new and yet simultaneously dependent on their predecessors. She uses case studies of art and architecture produced in response to government commissions to demonstrate that established visual forms and meanings in Mexican art reflect and inform desires, expectations, memories, and ways of being in the world—in short, that visual culture and cosmopolitanism are fundamental to processes of subjectification and identity.