Electronic Composition
Author : United States. Federal Electronic Printing and Microform Committee
Publisher :
Page : 204 pages
File Size : 23,98 MB
Release : 1975
Category : Computerized typesetting
ISBN :
Author : United States. Federal Electronic Printing and Microform Committee
Publisher :
Page : 204 pages
File Size : 23,98 MB
Release : 1975
Category : Computerized typesetting
ISBN :
Author : Robert Train Adams
Publisher : McGraw-Hill Humanities, Social Sciences & World Languages
Page : 312 pages
File Size : 14,12 MB
Release : 1992
Category : Music
ISBN :
Author : United States. Federal Electronic Printing Committee
Publisher :
Page : 72 pages
File Size : 15,33 MB
Release : 1970
Category : Computerized typesetting
ISBN :
Author : Friedemann Sallis
Publisher : Routledge
Page : 530 pages
File Size : 17,89 MB
Release : 2017-11-20
Category : Music
ISBN : 1317692101
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.
Author : United States. Federal Electronic Printing Committee
Publisher :
Page : 148 pages
File Size : 30,70 MB
Release : 1970
Category : Computerized typesetting
ISBN :
Author : Richard W. Lee
Publisher :
Page : 136 pages
File Size : 20,65 MB
Release : 1968
Category : Computerized typesetting
ISBN :
A Symposium on Electronic Composition in Printing was held at the Gaithersburg Laboratories of the National Bureau of Standards.The symposium was a state-of-the-art review of a rapidly advancing field of computer application with great potentialities for increased efficiency and savings in the Federal Government.(Author).
Author : United States. Congress. Printing Joint Committee
Publisher :
Page : 208 pages
File Size : 26,92 MB
Release : 1975
Category :
ISBN :
Author : Barbara Freedman
Publisher : Oxford University Press
Page : 336 pages
File Size : 35,83 MB
Release : 2013-04-11
Category : Education
ISBN : 0199840628
This book is a full multimedia curriculum that contains over 60 Lesson Plans in 29 Units of Study, Student Assignments Sheets, Worksheets, Handouts, Audio and MIDI files to teach a wide array of musical topics, including: general/basic music theory, music appreciation and analysis, keyboarding, composing/arranging, even ear-training (aural theory) using technology.
Author : Thomas B. Holmes
Publisher : Psychology Press
Page : 332 pages
File Size : 18,9 MB
Release : 2002
Category : Avant-garde (Music)
ISBN : 0415936446
The second edition of a classic text on the history of electronic music, this book has been thoroughly updated to present material on home computers and the Internet, as well as enlarged sections on history and theoretical issues.
Author : United States. Congress. Printing Joint Committee
Publisher :
Page : 154 pages
File Size : 30,45 MB
Release : 1970
Category :
ISBN :